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अपनी भाषा में प्लॉट जोड़ेंA triptych examines the nature of one unforgettable city as it's shaped by the disparate people who live, work (and even run amok) inside one enormous, constantly evolving, densely populated... सभी पढ़ेंA triptych examines the nature of one unforgettable city as it's shaped by the disparate people who live, work (and even run amok) inside one enormous, constantly evolving, densely populated megalopolis, the ravishing and inimitable Tokyo.A triptych examines the nature of one unforgettable city as it's shaped by the disparate people who live, work (and even run amok) inside one enormous, constantly evolving, densely populated megalopolis, the ravishing and inimitable Tokyo.
- पुरस्कार
- 2 जीत और कुल 3 नामांकन
फ़ीचर्ड समीक्षाएं
"Tokyo!" is a collection of 3 short films each set in Tokyo, each made by a respected director who is not Japanese.
"Interior Design" is the first entry by French director Michel Gondry (known for "Eternal Sunshine of the Spotless Mind" as well as all the cool Bjork videos from the 90s). This is actually an adaptation of a 4-page comic strip called "Cecil and Jordan in New York" by Gabrielle Bell. It begins with a somewhat mundane story of a young, penniless couple trying to scrape by in Tokyo, but it soon progresses into surreal, dreamlike, Michel Gondry territory. Spots of cute, satirical humor (poking fun at the pretentious artsy director boyfriend) as well as the under-appreciated girlfriend--an always welcome appearance of one of my favorite Japanese actresses, Ayako Fujitani (Steven Seagal's daughter, loved her in "Ritual")--make this a deliciously charming, mindbending treat to watch.
"Merde" (French for "sh!t") is a deeply satirical story of a repulsive criminal who lives in the Tokyo sewers, his violent activities, and society's bizarre reactions to him. Since the only real characters are the sewer monster and his kindred lawyer, there's not really anyone to get attached to. For that reason, this segment may seem unfulfilling to a lot of viewers (after all, who wants to watch a movie about a bunch of people you don't really like). But, more than any sort of human character study, this segment is rooted in deep social satire. That's where it gets its power. Directed by another French director, Leos Carax ("The Lovers on the Bridge"), this is an acidic film from start to finish. Sort of like a "Hunchback of Notre Dame" story but without any sympathy for the hunchback, this is a good film to watch when you're particularly disgusted with humankind.
"Shaking Tokyo" by Korean director Joon-ho Bong ("The Host") is a masterpiece of social disconnection. Set almost entirely in the meticulously tidy apartment of a "hikikomori"--a man with extreme agoraphobia who hasn't left his apartment in 10 years, it's surprisingly engaging despite its deliberately slow-moving presentation. The man is very likable in a nerdy way, and we instantly connect with him as someone who realizes that there's something wrong with the urban rat race, and so he withdraws into the most minimal sort of existence. But then by chance he encounters a strange visitor whose brief appearance causes him to, once again, question his chosen existence. A spectacular, mind-boggling finale rounds out this great piece leaving you with much to ponder. I also found the camera work to be the most pleasing here... You may notice cool tricks like the opening scene being shot entirely in 1 take, even though it guides us through several rooms and conveys the passing of time as if days are going by. Very nifty stuff here.
To me, "Shaking Tokyo" alone is worth the price of admission. But each of the 3 has its charm. If you're a fan of offbeat, surrealistic, artsy-but-not-annoying cinema, check these out for sure.
"Interior Design" is the first entry by French director Michel Gondry (known for "Eternal Sunshine of the Spotless Mind" as well as all the cool Bjork videos from the 90s). This is actually an adaptation of a 4-page comic strip called "Cecil and Jordan in New York" by Gabrielle Bell. It begins with a somewhat mundane story of a young, penniless couple trying to scrape by in Tokyo, but it soon progresses into surreal, dreamlike, Michel Gondry territory. Spots of cute, satirical humor (poking fun at the pretentious artsy director boyfriend) as well as the under-appreciated girlfriend--an always welcome appearance of one of my favorite Japanese actresses, Ayako Fujitani (Steven Seagal's daughter, loved her in "Ritual")--make this a deliciously charming, mindbending treat to watch.
"Merde" (French for "sh!t") is a deeply satirical story of a repulsive criminal who lives in the Tokyo sewers, his violent activities, and society's bizarre reactions to him. Since the only real characters are the sewer monster and his kindred lawyer, there's not really anyone to get attached to. For that reason, this segment may seem unfulfilling to a lot of viewers (after all, who wants to watch a movie about a bunch of people you don't really like). But, more than any sort of human character study, this segment is rooted in deep social satire. That's where it gets its power. Directed by another French director, Leos Carax ("The Lovers on the Bridge"), this is an acidic film from start to finish. Sort of like a "Hunchback of Notre Dame" story but without any sympathy for the hunchback, this is a good film to watch when you're particularly disgusted with humankind.
"Shaking Tokyo" by Korean director Joon-ho Bong ("The Host") is a masterpiece of social disconnection. Set almost entirely in the meticulously tidy apartment of a "hikikomori"--a man with extreme agoraphobia who hasn't left his apartment in 10 years, it's surprisingly engaging despite its deliberately slow-moving presentation. The man is very likable in a nerdy way, and we instantly connect with him as someone who realizes that there's something wrong with the urban rat race, and so he withdraws into the most minimal sort of existence. But then by chance he encounters a strange visitor whose brief appearance causes him to, once again, question his chosen existence. A spectacular, mind-boggling finale rounds out this great piece leaving you with much to ponder. I also found the camera work to be the most pleasing here... You may notice cool tricks like the opening scene being shot entirely in 1 take, even though it guides us through several rooms and conveys the passing of time as if days are going by. Very nifty stuff here.
To me, "Shaking Tokyo" alone is worth the price of admission. But each of the 3 has its charm. If you're a fan of offbeat, surrealistic, artsy-but-not-annoying cinema, check these out for sure.
The "Shaking Tokyo" segment of this film is a suspense film. One man has been secluded in
his house without interacting with other people and never stepping out of his house. He orders pizza delivery every Saturday and never makes
eye contact with the delivery man. However, when a mysterious woman visits his house to deliver a pizza, something shocking happens and his life
changes dramatically.
The subtle changes in emotions are vividly expressed through the facial expressions, tone of voice, and exaggerated movements. The unique eeriness, darkness, and unfriendliness of hikikomori are conveyed even in scenes without dialogue, and the development of the story is heart-wrenching. In particular, the scenes of the earthquake are filmed from various directions, giving the impression of realism, tension, and urgency. The two types of shaking, the vibration of the characters ´minds and the shaking caused by an earthquake that actually occurs, stimulate viewers imagination in each scene. The fact that everyone is stuck in their homes and no one is outside gives me the creeps. There is a sense of fear that hikikomori is gradually increasing in a chain of influences from others, and that the vitality of the city is lost.
The subtle changes in emotions are vividly expressed through the facial expressions, tone of voice, and exaggerated movements. The unique eeriness, darkness, and unfriendliness of hikikomori are conveyed even in scenes without dialogue, and the development of the story is heart-wrenching. In particular, the scenes of the earthquake are filmed from various directions, giving the impression of realism, tension, and urgency. The two types of shaking, the vibration of the characters ´minds and the shaking caused by an earthquake that actually occurs, stimulate viewers imagination in each scene. The fact that everyone is stuck in their homes and no one is outside gives me the creeps. There is a sense of fear that hikikomori is gradually increasing in a chain of influences from others, and that the vitality of the city is lost.
I saw this at FantasticFest 2008. This collection of strange tales is interesting.
"Interior Design" I love Gondry's style, & his entry was enjoyable as expected - a girl feels she's lost her purpose in life, & changes accordingly. Great effect of her gradual transformation.
"Shaking Tokyo" Well done film - after 10 years indoors, a recluse man decides to go outside for the love of a recluse woman. Mostly narrated with thoughts of the man who has been cooped up too long. An interesting character piece, well acted and shot.
"Merde" This film starts off strong with an incredible opening sequence of continuous action for about 1/4 of a mile in the city, but when the character gets caught the story becomes a tiresome trial that no one understands, because there is lengthy "dialogue" in a fake language with no subtitles. could have benefited from being 10 minutes shorter.
"Interior Design" I love Gondry's style, & his entry was enjoyable as expected - a girl feels she's lost her purpose in life, & changes accordingly. Great effect of her gradual transformation.
"Shaking Tokyo" Well done film - after 10 years indoors, a recluse man decides to go outside for the love of a recluse woman. Mostly narrated with thoughts of the man who has been cooped up too long. An interesting character piece, well acted and shot.
"Merde" This film starts off strong with an incredible opening sequence of continuous action for about 1/4 of a mile in the city, but when the character gets caught the story becomes a tiresome trial that no one understands, because there is lengthy "dialogue" in a fake language with no subtitles. could have benefited from being 10 minutes shorter.
I can honestly say I've never seen a film quite like Tokyo!. It's extraordinary in its scope and themes of love, identity, and purpose. Three different filmmakers: Michel Gondry (Eternal Sunshine...), Leos Carax, and Joon Ho Bong direct this triptych containing three different stories centered in the city of Tokyo!. All three stories do a great job conveying what it feels like to be a small fish in a big pond. The first film, Interior Design, is about a couple moving to Tokyo and trying to fit in. The second, and my favorite, is called Merde, and to explain it does not do it enough justice. You just have to watch it. The final story, Shaking Tokyo!, is a strange love story, but it works well with the city itself. The film is so unique, it must be viewed by everyone! Go see it!
"Tokyo!" is a film about 3 different stories that take place in Tokyo and each story is made by different directors.
Michel Gondry's "Interior Design" was surreal but also something some people can relate with. It's about a girl who has no ambitions in life and doesn't stand for herself and always gets the help from others. It's not that she doesn't want to be useful, she just has a difficult time with time trying to find her purpose in the world. But a drastic change takes place in her life. It felt it added a nice touch to Japanese life style and culture although some may disagree.
Leos Carax's "Merde" was disappointing and the story was boring and it felt the director wasn't even trying. The plot could have taken place else where cause it really has nothing to do with Tokyo or even has the atmosphere to it.
Bong Joon-Ho's "Shaking Tokyo" was the best out of the 3, it seems like for films like this they always show the best for last. It's about Teruyuki Kagawa who is a hikikomori who never steps foot outside, but that changes when he meets a pretty pizza delivery girl but in the process he accidentally inspires her to be a hikikomori herself, so from than on it's about a hikikomori falling for another hikikomori. I liked the style of this part of the film, it explored some of the characteristic in japan and the director seems to have done his research. I also fell for the actress who played pizza delivery girl Aoi Yu, maybe it's cause of her innocent and pretty looks although it's my first time seeing her in a film.
I give the film a 6.8/10 and if the second part of the film was good it would have been higher.
6.8/10
Michel Gondry's "Interior Design" was surreal but also something some people can relate with. It's about a girl who has no ambitions in life and doesn't stand for herself and always gets the help from others. It's not that she doesn't want to be useful, she just has a difficult time with time trying to find her purpose in the world. But a drastic change takes place in her life. It felt it added a nice touch to Japanese life style and culture although some may disagree.
Leos Carax's "Merde" was disappointing and the story was boring and it felt the director wasn't even trying. The plot could have taken place else where cause it really has nothing to do with Tokyo or even has the atmosphere to it.
Bong Joon-Ho's "Shaking Tokyo" was the best out of the 3, it seems like for films like this they always show the best for last. It's about Teruyuki Kagawa who is a hikikomori who never steps foot outside, but that changes when he meets a pretty pizza delivery girl but in the process he accidentally inspires her to be a hikikomori herself, so from than on it's about a hikikomori falling for another hikikomori. I liked the style of this part of the film, it explored some of the characteristic in japan and the director seems to have done his research. I also fell for the actress who played pizza delivery girl Aoi Yu, maybe it's cause of her innocent and pretty looks although it's my first time seeing her in a film.
I give the film a 6.8/10 and if the second part of the film was good it would have been higher.
6.8/10
क्या आपको पता है
- ट्रिवियाMusic and sound effects from the 1954 film, "Gojira," are used in scenes of Merde'. The depiction of a monster being something common is similar to the depiction of nuclear war as a giant monster in "Gojira."
- साउंडट्रैकTokyo Town Pages
Composed and Performed by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto
Released through commmons
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Tokyo!?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,51,059
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $23,030
- 8 मार्च 2009
- दुनिया भर में सकल
- $11,94,397
- चलने की अवधि
- 1 घं 52 मि(112 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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