The Ruins

The Ruins is directed by Carter Smith and adapted to screenplay by Scott B. Smith from his own novel of the same name. It stars Jonathan Tucker, Jena Malone, Shawn Ashmore, Laura Ramsey and Joe Anderson. Music is by Graeme Revell and cinematography by Darius Khondji.

Two young couples on holiday in Mexico make friends with a German tourist, Mathias (Anderson), who tells them of his missing brother who had gone off to view a Mayan ruin deep in the jungle. Their interest piqued, they agree to go on the adventure the following day. Once arriving at the remote ruin, though, they all find more than they bargained for....

Hot young cast in horror film that follows a stagnated formula? Well no, actually. It has all the hallmarks of being yet another in a sad long line of horror movies that con the faithful into watching it, only to disappoint with an unadventurous plot, making a quick bit of cash before disappearing in the stale popcorn tinted wind. The Ruins has generic moments, certainly the first half hour is your standard meet and greet your young protagonists stuff, but once we get to the ruins of the title the film shifts into a different world. Our fears that this is going to be just another case of guessing what order the young holiday makers are going to be sliced and diced, are quickly vanquished, this is a tale of survival, of a youthful group dynamic under severe threat, and bonus here is that the antagonist is something very different to what normally stalks these genre movies.

This really could have been a cheese fest, an unintentionally funny film, using gore and nudity to hide shortcomings in the screenplay, but it's not, writer Scott Smith has provided director and cast with material that pulses with an unexpected bleakness, a facing up to mortality at a young age, and crucially the characters do viable things given their circumstance, and that's mighty refreshing in a era of horror bulging with stupidity. It helped me personally that I knew next to nothing about the film before viewing it, and unlike some film lovers I'm not overly familiar with the young cast, though Joe Anderson is always on my plus list after his turn as Peter Hook in Control. But while it clearly didn't revolutionise horror as a genre, it at least had the gumption to veer in a different direction, going deeper in basic thematics than similar big budgeted films have.

Tension is deftly mounted, what blood and body horror there is (and a couple of scenes are genuinely wince inducing and well staged) is not cheap and exploitive, while the finale doesn't cop out. True, there are some unanswered questions that leap out when the end credits roll, and anyone expecting a fast paced thrill ride are right out of luck. Yet for those who lean towards a good psychological horror then this is very much recommended. 7.5/10

A group of young friends travelling in Mexico, are convinced by a young German man named Mathias, to accompany them to an archaeological dig.

I honestly can't believe that this film dates all the way back to 2008, I watched it when it was first released, and have never forgotten a few of the scenes, one in particular.

If you're a fan of films along the same lines as Paradise lost and Green inferno, then I think you may well enjoy this, the horror comes more from gory sequences, rather than jump scares. Some of the visuals are pretty gross.

It's far from perfect, it takes an age to get going, and there are more cliches than you can even count, plus a set of characters that are a little difficult to like.

Despite its many flaws, I still enjoyed it, it's not without originality, and the horror moments still hold up.

Time to invest in some weedkiller.

7/10.

One of the better horror films of recent years, is creepy and scary and the sort of thing that makes your skin crawl. Its a simple story- several tourists go to a temple in the Mexican jungle that happens to be off the beaten path. There is of course something there and the locals are not happy about visitors. I won't say more since I'm going tempted to tell you way too much...which would be too much since the plot is simple. Its almost too simple. The reason the film works is that the film has decent characters and it does things that are decidedly not your typical horror movie choices. Its short, its sweet and it works. Its not perfect, there are one or two things I didn't like, but on the whole its a very good very creepy film. Frankly while Brazil got upset about Touristas a year because it might make think people about going there, Mexico should worry since this film will make anyone think again about going into ancient ruins. (7.5 ish out of 10 on the horror scale because thinking about the screams makes my skin crawl)

A surprisingly decent pulp horror outing with its roots (no pun intended) purely in the 1930s: this is based on a contemporary novel which I'm convinced must have been inspired by the Clark Ashton Smith short story The Seed from the Sepulchre (coincidentally one of my favourite stories ever). The story is simple, an age-old tale about naïve teenagers on a holiday from hell, not dissimilar to PARADISE LOST in its own way. Once the characters find themselves trapped in an ancient Mayan temple and at the menace of a most unusual monster it really picks up.

The horror is a neat mix of slow-building fear with graphic surgical gore, a la HOSTEL. It certainly doesn't pull its punches, with one graphic set-piece particularly difficult to forget afterwards. There are plenty of other chilling moments, like the bits involving mimicry or a later scene that literally gets under your skin. The youthful cast is typically dull, with only the German character provoking interest, but that doesn't matter when the story and pacing are so well achieved. It's amazing what a little originality can do: compare this to something like the exceptionally dull PROM NIGHT remake and you'll see what I mean.

I like to think of myself as a connoisseur of horror movies having watched innumerous films during my 50 years on this planet. To see this little gem rated 5.9 when other movies that are complete pieces of bovine excrement, is truly incomprehensible. Do yourself a favor and watch this well-crafted film and you can thank me later.