Black Lagoon

Black Lagoon is a masterful mix of Action, Gun fights, Lots of explosions and a bad ass soundtrack. The show follows Lagoon Company a delivery made up of modern day pirates who end up working with gangs and criminals to earn money the show has crisp and clean animations which is just a treat. The show also has a great list of characters. Rock the main protagonist at first is easy over look by all the other characters but slowly becomes more memorable as he adjusts to the life of a modern day pirate all in all he is a likable character. Revy the female protagonist she is Tough and she enjoys killing so the is the complete opposite of Rock although they get along well, Dutch the leader/Boss of Lagoon company and Benny the tech guy he is a non violent nice guy. So sub or dub I think all up the dub is more worth it not cutting to much and its kind of nice to see them all speak English is feels more natural. If your looking for a fun action packed, bloody, profanity filled anime with a good plot and great character development this will be the show for you.

This reviewer does mainly standard movies/TV (check out my reviews) but after a friend tipped me to Steins Gate (now seen it twice top to bottom) I was sort of hooked on quality anime.

This is my second fave anime. I apply the same standards I apply to film/TV -- the production (writing, audio, effects) has to be good enough to make you feel you left behind your own life and draw you in to another world.

(See for example the short-lived series BANSHEE, currently my #1 pick in recent live action TV ... and they shut down the series because they wanted to, not because the ratings were weak).

Black Lagoon makes me feel, like the character Rock, I left my world behind. The animation is to die for, the character are unforgettable (love the MAID!) and the dialog in the English dub is sassy.

Highly recommended.

When it comes to Japanese anime there is always a question what exactly given show is trying to achieve and what genre it fits in - one obviously can't watch most anime shows as entertainment for kids. Judging by western genre conventions "Black Lagoon" is closest to action movies from 90s or to franchises like "Transporter" or "Expendables". It is full of improbable and highly entertaining action sequences and awesome characters written entirely as Rule of Cool instantiations. The plot can be shallow and at times is only an excuse for staging another shootout. And the whole show can be really cheesy. But instead of coming from western action movie formulas much of this cheesiness is of Japanese origin. As a result, if someone is not accustomed to anime quirks (e.g. underage gender-ambiguous incestuous insane killer twins! I'm not kidding..) one may find them quite refreshing.

But there are some differences which in my opinion make "Black Lagoon" a little bit better than standard action flicks. Firstly, it's the overwhelming atmosphere of moral ambiguity which pervades the whole show - the anime doesn't try to whitewash actions of the protagonists, it portrays them essentially as villains fighting other villains. Likable villains, one must give them that, but villains anyway. And, in contrast to many other similar movies, protagonists are often not even slightly more ethical than their enemies. As a result antagonists of the show tend to be better developed and much more interesting than expected (aforementioned twins and certain yakuza clan particularly shine here).

The world of the show is dark, nihilistic place inhabited by violent beings, fighting for money in criminal underworld. It happens all the time in all kind of shows, but here the series is aware to some point of its own shallow nihilism and manages to criticize it. Quite a feat for an action series, I'd say.

The other strong point of Black Lagoon is the duo of its main characters - Revy and Rock. Revy seems to be walking "chick with guns" stereotype. It's quite easy to overlook certain degree of complexity behind her sheer awesomeness and battle prowess. Below the surface she is much more flawed than typical action anti-hero which definitely makes her that much more interesting. Rock, on the other hand, as a stranger in the world of wickedness who was put there by accident, acts as a link of a viewer to the series' dark underworld and represents fading ethical ideals which contrast starkly with the place he was thrown into. The relationship between the two and its development fuels much of the series. OK one can see it through as some kind of Japanese male yuppies' collective escape fantasy. But it's really interesting fantasy, contains some serious traps and it's not as trivial as one can think.

Speaking of fantasies - one massive pitfall of the show is strongly sexualized portrayal of Revy. I wouldn't mind if she was strongly sexualized sometimes or even on a regular basis - it would be somehow justified by her character. But she is sexualized virtually always. Maybe it's just me but I really can't stand mild erotic fantasies pressed upon my face all the time. It's all the more frustrating when you notice that show is actually quite restrained when it comes to gratuitous nudity. OK, restrained at least relative to its setting.

The other flaws - the story can be at times confusing and sometimes doesn't make much sense - it concerns especially the plot of the longest arc of the show (concerning certain Latin maidservant). Additionally, some characters and events cross the border of ridiculousness by too many steps. I'm personally inclined to forgive the latter, however.

If you like action-packed movies and series but you find them formulaic and boring and you can tolerate small amount of anime peculiarities "Black Lagoon" is the ideal show for you. Exoticness and reasonable depth in both characters' development and antagonists' portrayal will come as a bonus.

Watched the English Dubbed. The anime revolves around a harbor city Ronanapur- center for drugs trade so we have the Triad,Italian mafia, South American drug lords , Russian mafia in the form of X-military paratroopers and of curse Uncle Sam in the form of CIA operatives. Our protagonist- The Black Lagoon company is a group of 4 doing the transportation/pirate/mercenaries business. Took me time to get the hang of the anime, the starting was too fast for me. Wasn't sure where they were going with the story, add the many American/pop culture reference, as a non-American i wasn't getting the hang of the dialogs.Ones the new recruit Rock settled in among the crew of Black Lagoon i really started enjoying. Ones i got the hang of the pace, i really started enjoying the dialogs. They are intelligent, funny and critical - very realistic. The main characters Rock and Revy change there attitude from having fun to being depressed, from being nice guys to being bad without remorse. Loved all the different characters and there are loads of them. This anime has many complicated bad-ass characters who have the presence of being the main protagonist. The detail going into each scene was awesome. One of the few animation were even the background seemed to be worked upon. Work was done on everything making them look very realistic and stylish. The Action is mind blowing and artistic. Its macho and all done by girls. Girls with balls of steel. Really enjoyed roberta's arc in the end,total bad-ass,although the last episode 29 was a bit of disappointment.

Will love some historical arcs on any of the elite citizen of Ronanapur.

A creation of eastern production team Madhouse and American Geneon from an original graphic novel by Rei Hiroe, this is an adult-aimed anime series which turns out well above average, even if not quite on the consistent level as such standalone Madhouse features as Millennium Actress (2001), or Tokyo Godfathers (2003).

Much of the particular flavour and interesting tensions within Black Lagoon can be put down to its split production origins, a dichotomy also reflected in dramatis personnel. Besides Dutch there's a Jewish-American (Benny) and Chinese-American (Revy), as well as Rock's Japanese presence. At the same time, set pieces familiar from American action cinema jostle for screen time with characterisation and some graphic styling typical of homegrown manga. As the varied team undertake a series of assignments (at least in First Barrage, the name of the series' initial half, reviewed here), it gradually leads to an escalating tension between Rock and Revy. The new recruit, out of the boardroom and now onboard, so to speak, seeks to establish himself in a new and bewildering world, where he has a chance of gaining the respect previously denied him.

Revy has issues and internal strife all of her own, increasingly aggravated by the new arrival. It's the relationship between these two that's at the heart of the series, and gives events a centre of gravity. As white-collar Rock gradually grows into his new relationships, so Revy has to face up to new emotions and truths. Confrontations will make her doubt the real strengths of her much vaunted self-reliance, and how much her troubled past still influences her. It becomes obvious that, despite her best efforts, a problematic relationship is forming between her and the new arrival. Meanwhile, Rock's corporate-inspired guile, outwardly conservative image, and sly negotiating skills gained in a past life prove an increasingly valuable asset, even as he assesses his past existence in the light of the new.

Operating out of the south Pacific city of Raonapur as the 'Lagoon Trading Company', Dutch's small professional team one held together by a quirky mixture of greed, bravado and camaraderie. Their main, continuous interaction is with a former Soviet military officer known as Balalaika, a big wheel in the crime world they inhabit and service. She quickly uses the Lagoon Company to help secure her ascendancy. In events after that, concerning a group of Nazis and a sunken submarine, she is largely absent, but comes to prominence again as events proceed, notably during the episodes of The Unstoppable Chambermaid. Here she helps to adjudicate at the finish, bringing to a climax stormy events between Revy and the murderous servant Roberta (a peculiarly enigmatic figure, demure but full of unstoppable violence), which have played out with a due nod to The Terminator. Towards the end of this first series Rock and Revy again provide the most interest from point of character until, at the close, we learn some more about her personal history from the CIA, which continues the process of humanising her, putting her life more in context.

It's no surprise then that the closing credits of each show are shown over a notably melancholic sequence, reflecting Revy's trademark emotional desolation. The viewer follows her feet and lower legs along a beach watching her slowly discard cartridges, shoes and trademark twin handguns into the sand. Then, with a final flourish, Revy turns abruptly and confronts us with another weapon, as if warning against any attempt at communication. In contrast to the interest generated by such handicapped and resentful psychology, other parts of Black Lagoon are less rich in character studies, as individuals too readily give up what secrets they have. For instance, the Nazis faced by the team in the three-episode Die Ruckkehr des Adlers sequence are stereotypes, cardboard fanatics with none of the originality we find elsewhere. Only the claustrophobic scenes set inside the sunken submarine, rife again with tension between Rock and Revy, give this section much interest.

A good deal of the show is taken up with violent set pieces that, typical of the genre, often bring an episode's climax. This is all orchestrated with some élan, but in matters of sex Black Lagoon remains surprisingly reticent. Some viewers will note the coded lesbianism of Balalaika, or the constant smoking and cigarettes, those small symbols of virility, which are passed round or enjoyed by characters during the film. There are the hot pants of the busty Revy, clearly geared towards the fantasies of a male audience even if her continuously sexualised character remains an erotic aspiration only. She even expresses a surprising innocence early on when accidentally confronted by Balalaika's pornography ("do you mean he is actually going to put that up her ass?"). Mostly, adult sexuality is confined to the background: mute whores in bar rooms, or the surrounding street life.

If the vividly realised experience of Black Lagoon can teach Revy - or us - anything more worthwhile, its the importance of establishing one's place in life with dignity, all the while discovering and valuing real friends. Worthwhile relationships are at a premium in a lawless city such as Raonapur. Those like Balalaika can only purchase the loyalty of associates; Nazis combine together through blind political obedience, Taiwanese assassins are necessarily hirelings, or servants like Roberta remain emotionally stunted. On Dutch's small, intimate boat however, people interrelate on a far more critical level. Here genuine loyalty and trust can quite literally mean matter of life and death.