The Last Enemy

I really hate giving anything with Benedict Cumberbatch in it a 6, but this time I have to.

"The Last Enemy" has a brilliant premise that practically has happened - total information about everyone at all times in the UK. A mathematician, Stephen Ezard (Cumberbatch), who has been working ivory tower style in China, returns to England for his brother's funeral. There, he meets his brother's widow Yasim (the gamine Anamaria Marinca). In her unhappiness and loneliness, she reaches out to Stephen (it's Cumberbatch, who could resist) and he falls madly in love with her.

Stephen's ex-girlfriend works for the government and recommends him to help with a new information system, TIA (Total Information Awareness), the ultimate information gatherer. With the job comes the promise of funding his work. Stephen uses his access to TIA to investigate what happened to his brother.

Okay, that's sort of plot one. Plot two is a virus that's killing people in the middle east. It is impossible to discover the etiology of the virus because a) the bodies are destroyed immediately so no one can get a blood sample; and b) bioscientists are suddenly dying left and right.

My major problem with this series is that the writer waited too long to meld these two plots. The other problem for me was Robert Carlyle, an excellent actor, but was he a good guy or a bad guy? I'm embarrassed to say I never figured it out.

Otherwise, the story is chilling because it's becoming true. And the performances - Cumberbatch is perfection as a man forced into reality and absolutely terrified. I don't think I've ever seen a male character in anything act this frightened, but it is right on. He had great chemistry with Marinca, who did a fine job as well.

Definitely worth seeing, though your attention may drift from time to time. This could have been a fantastic miniseries if it had been put together just a little better. Very thought-provoking nonetheless.

This is definitely worth watching if you are a fan of George Orwell's famous novel "1984". The series takes on much of the same material and ends in an equally depressing way. So if you are not bothered by the lack of a happy end, go ahead and watch this. Aside from the frustrating story, this does include some fabulous acting, though. Benedict Cumberbatch gave an Oscar-worthy performance. He really did all he could with his - admittedly - rather badly written character, Steven Ezard. It was very hard to emphasize with Steven because he was so unpredictable and not all of the inconsistencies could be chalked up to his mental state. But BC managed to draw you onto his side, at least. The script itself has some confusing dialogue and takes a long time to explain what was actually going on. It's okay that you have to keep guessing who's on what side but the key elements of the story and the main parties should have become clearer a lot sooner. Still, the time to review the series' issue is certainly here. Public surveillance and monitoring of individual citizens is not a distant vision any more like it was for George Orwell. It is very real and present at this date. Just think about smartphones. Or credit cards, bonus club cards,... Let's not even start with CCTV! We really ARE just one small step away from the scenario in this series and that is a system to combine and cross-reference all the data gathered through the various monitoring tools. If something like that would be found you'd be just where "The Last Enemy" begins. So, the series might be founded on frightening fiction that will probably become fact really fast, but it still should have ended on a more uplifting note. I do hope our future is not THAT bleak.

It isn't difficult to be paranoid about the intrusiveness of the computers, cameras and new ways of identification. The possibilities of misuse and control are immense. Ergo, comes this more than slightly disheveled and confusing TV mini series. It bombards us with gadgets and technical lingo, and unfortunately most of the time forgets about people and their motifs, what makes them tick and bleed. In this world in near future there is no way of escaping, our all existence is monitored and recorded, under the guise of anti-terrorism and state security.I do not disagree with the concerns of this TV show, for me the problem with it is that it does not manage to fully connect us or make us care for the protagonists. In the end it is like a cold video game for lonely souls not unlike most of the characters of this moderately successful endeavor.

And it is not just because I am Romanian, either. I agree, the series is a bit slow at times; things happen that cannot possibly happen at others. But it is worth watching it till the last episode, which pretty much explains away most of the inconsistencies.

Saying anything about the subject would spoil it, so I'll just say this: I have a friend who despises all corporate or governmental attempts to control the individual. If he would have seen this series, he would have paced nervously the whole time, cursing as he walks.

It is medium budget UK/Romania coproduction about the perils of personal data processing in a not too distant future. Most of the things in the series is possible even now, if they would have more powerful cameras installed and a bunch of software analyzing every bit of data in real time.

Bottom line: definitely worth watching, as one of the few quality series that are also believable, make a point and are also dark not all about how to make the audience comfy in their potato couches. And if Robert Carlyle plays in it, it is a must see.

This five-part mini-series started superbly. A dramatic first episode, full of incident, laid out the main themes and built up the tension. The next two episodes maintained the tension, developing the near-future main storyline about a surveillance society and its impact on citizens. Robert Carlyle appeared (and disappeared), as threatening as only he can be and kept the excitement level high.

But then it faded away. The plots became too convoluted, with too many themes and unresolved or unnecessary twists – notably a scene where Carlyle creeps into a house and downloads a laptop. What was that about? And the final episode was so disappointing – it was as though the writer (Peter Berry) had only enough material for half an episode. So the pace slowed down, the increasingly unconvincing love story took over, with long, lingering and time-wasting glances, and the main surveillance theme sank under the weight of biological, genetic and political extra plots that led nowhere. It could have been a gripping thriller if it had been stripped down to a feature-length film but in the end it only left the feeling that five hours had been wasted. And this is despite excellent performances, particularly by Benedict Cumberbatch, Robert Carlyle and Geraldine James - the script could not match their talents.