The Guitar

Even though it is not the feel & sound good movie of the year, "The Guitar" rocks! Saffron Burrows mesmerizing performance is all the string it needs for this movie to be helmed a success. Burrows stars as Melody Wilder, a grieving New York woman who is told she has terminal throat cancer by her pessimistic doctor. Unfortunately, Melody's life tunes continue to be somber when she is downsized by her employer, and downsized by her boyfriend. Melody is about to take the suicidal route until she sees an ad for a short-term rental for a NY loft apartment. She then decides to hibernate during her last days of existence in the loft while charging all her credit cards to the max on food, furniture, and eventually The Guitar. Melody since childhood has been yearning to own & learn to play the guitar, but had never amplified (whatever that means) herself to do so until now. In the loft, Melody self teaches herself to play the guitar and all its melodies. Situations turn a bit more sexually wilder for Ms. Wilder when she beds a black furniture mover employee and a pizza delivery girl during her loft stay. I will not reveal more of "The Guitar" because it will spoil some dead or not-so-dead issues which the film's plot line reveals. "The Guitar" had a sundance twist to it as it was helmed by novice Director Amy Redford, daughter of Robert. Ms. Redford's impressive debut is worth a Sundance Festival salute. Amos Poe's semi-implicit screenplay worked brilliantly; it's "quality" not "quantity" wording approach was "poewerful". But it was Burrows' stunning acting was what I thought jammed the most about "The Guitar". Her facial expressions and nonverbal cues spoke volumes on stellar acting. Her commendable characterizations will not succumb to acting death any time soon. Remind me, why wasn't she nominated for acting awards last year? "The Guitar" is slow moving and its not an easy plot sell, but do not pass on playing this Guitar notably for Burrows' resounding acting! **** Good

The storyline is engaging and thought provoking. There were moments where I felt inspired by the main character's plight.

However, throughout the movie, I could not help but feel irked by a number of the unoriginal and overused techniques the director employed to force the audience to feel something. For example: the slow, melodramatic montage scenes in which the main character twirls in the sunlight with a shawl wrapped around her; the scenes in which the main character, reflecting on her childhood,is shown as a 7 year old girl sitting sadly by herself on the stairs as she watches and hears her parents argue.

There was also a lack of honesty about the character. One example in which this lack of honesty manifested itself was in the 'heroin-chic' appearance that the main character took on as she rapidly accepted that she was going to die. This says more about the director and the director's 90's influence than it does about the actual character.

Either way, this movie is definitely worth a look just for the life lessons alone.

For fans of Saffron Burrows, it will be an enjoyable 90-minutes of your time. She does the best with what little material she has to work with and turns in a gutsy, raw performance. The first half-hour is especially strong as the camera focuses almost exclusively on Burrows as her character copes with the diagnosis of a terminal illness, losing her job and being dumped by her boyfriend… all on the same day.

This is a very small budget production and it shows. The 21-day shoot makes for a slightly rushed and rough finished product. The directing by Amy Redford is on par, or slightly better, for an indie film. The sound and lighting were all acceptable as the majority of the film takes place in a huge penthouse loft with ample sunlight during the day and candle light being effectively used in the evening. There isn't much in the way of a supporting cast as this is primarily a showcase for Burrows displaying how one person might cope given this horrible scenario.

Some people will openly criticize how the Melody Wilder character initially deals with her dire situation, but I had no problem with it. I rather enjoyed it, actually. If you like Burrows or the premise as stated in the plot summary, I recommend seeing this film.

However, I personally prefer "Henry Poole Is Here," also released in 2008, by the talented director Mark Pellington (Arlington Road, The Mothman Prophecies). It has a larger budget which is used wisely by casting some well known as well as virtually unknown actors, and possesses quality direction and superior production aspects. The camera work is especially good.

Great film all the locations were real downtown LES spots especially the Antique Shop "Billy's Antiques" and they used the real shop and owner Billy.Also the Everyothers are a great band.The music is very enjoyable not hokey. Paz de La Huerta's part is completely on the other end of the spectrum from Boardwalk Empire,Limits of Control and Enter the Void.Critics have said she can play only one type of role ..well they have not seen The Guitar.The film feels ice cold just like it is in January in New York City.I find the plot totally believable because people do weird things when they know that they are going to die.I know Amy Redford will follow the great tradition of film making.I hope she makes another one soon.

Obviously we all have seen hundreds of movies when someone is counting his last days. This one is not what anyone can expect.

Watch it from heart, believe in writer and director and try to listen the message in movie. It can change your life. Its sad, funny, refreshing, keep you hooked till last minute and takes your entire night thinking on it.

Special movies are not for everyone. If you are little depressed, lonely, missing something in life other than money, the message in movie will teach you life. Take my suggestion, watch the movie and see if you are like all others or different.