IMDb रेटिंग
6.2/10
58 हज़ार
आपकी रेटिंग
एक सच्ची कहानी पर आधारित, एक परेशान और नस्लवादी अफ्रीकी-अमेरिकी L. A. P. D. अधिकारी एक दोस्ताना अंतरजातीय जोड़े को जबरन बाहर निकालकर कुछ नहीं करने देगा, जो अभी-अभी उसके पास वाले कक्ष में गए.एक सच्ची कहानी पर आधारित, एक परेशान और नस्लवादी अफ्रीकी-अमेरिकी L. A. P. D. अधिकारी एक दोस्ताना अंतरजातीय जोड़े को जबरन बाहर निकालकर कुछ नहीं करने देगा, जो अभी-अभी उसके पास वाले कक्ष में गए.एक सच्ची कहानी पर आधारित, एक परेशान और नस्लवादी अफ्रीकी-अमेरिकी L. A. P. D. अधिकारी एक दोस्ताना अंतरजातीय जोड़े को जबरन बाहर निकालकर कुछ नहीं करने देगा, जो अभी-अभी उसके पास वाले कक्ष में गए.
- पुरस्कार
- कुल 1 नामांकन
Dartenea Bryant
- Woman
- (as Dartanea Dee Bryant)
Elizabeth Tulloch
- Nadine
- (as Bitsie Tulloch)
फ़ीचर्ड समीक्षाएं
A young successful interracial couple move into a new home in an exclusive California neighborhood. Chris Mattson (Patrick Wilson) and Lisa Mattson (Kerry Washington) are greeted with hostility by their new neighbor, LAPD Sergeant Abel Turner (Samuel L. Jackson), a widower and single father with a son and daughter. Chris and Lisa attempt to be cordial with Abel, inviting him and his family to their home and attending a barbecue Abel throws for some of his fellow officers. Despite this, Abel keeps becoming more disruptive and aggressive to Chris and Lisa. This eventually leads to retaliation on Chris' part and a confrontation with tragic consequences.
This movie despite its racial overtones doesn't break any new ground as a thriller. Patrick Wilson and Kerry Washington are a yuppie couple pushed too far and Sam Jackson as Abel is their disturbed neighbor/antagonist who wishes them harm. Definitely nothing new. The acting and script are okay with Sam Jackson's performance easily being the best. The ending is something that can be seen coming a mile away. This film is something you would watch on a slow day if it came on cable.
This movie despite its racial overtones doesn't break any new ground as a thriller. Patrick Wilson and Kerry Washington are a yuppie couple pushed too far and Sam Jackson as Abel is their disturbed neighbor/antagonist who wishes them harm. Definitely nothing new. The acting and script are okay with Sam Jackson's performance easily being the best. The ending is something that can be seen coming a mile away. This film is something you would watch on a slow day if it came on cable.
There's an inherent problem with making a movie of this kind: unless you're a creative genius of your time, these sorts of movies have the potential to turn real generic, REAL fast.
Reminiscent of Denzel Washington from Training Day, we see Samuel L. Jackson play an overly aggressive cop with an agenda, with the movie focusing on the problems he's causing for his new neighbors. A completely realistic situation that can take place anywhere. Problem is, because a movie like this is completely character driven, after you have the nice slow build up to the climax, once the tension snaps, you're relegated to basically a generically default final act of the movie where "the bad guy finally comes out of the proverbial shadows and literally chases the hero." (i.e. Disturbia, The Glass House). It's a shame too because the buildup on this was very good. Samuel L. Jackson was really scary here, he played that bullying, obsessive character perfect. The only acting problems I saw were 2-3 moments from Kerry Washington where her sad face was done poorly, with overly done lip quivers and facial movements (similar to Kirsten Dunst's crying scenes from the Spider-Man movies, except done in a BAD way).
With a movie like this, you pretty much have these possible outcomes:
1) the generic, semi-predictable ending (like we got here). 2) tragic ending with hero dying at the end. 3) an unpredictable twist coming out of left field (this has the potential to be very good or very bad). 4) a Great ending.
Unfortunately we usually get number one, since they wanna give the satisfying, safe, effective, tried and true, Hollywood ending. Most people are content with those types of cop out endings. I'm not.
Reminiscent of Denzel Washington from Training Day, we see Samuel L. Jackson play an overly aggressive cop with an agenda, with the movie focusing on the problems he's causing for his new neighbors. A completely realistic situation that can take place anywhere. Problem is, because a movie like this is completely character driven, after you have the nice slow build up to the climax, once the tension snaps, you're relegated to basically a generically default final act of the movie where "the bad guy finally comes out of the proverbial shadows and literally chases the hero." (i.e. Disturbia, The Glass House). It's a shame too because the buildup on this was very good. Samuel L. Jackson was really scary here, he played that bullying, obsessive character perfect. The only acting problems I saw were 2-3 moments from Kerry Washington where her sad face was done poorly, with overly done lip quivers and facial movements (similar to Kirsten Dunst's crying scenes from the Spider-Man movies, except done in a BAD way).
With a movie like this, you pretty much have these possible outcomes:
1) the generic, semi-predictable ending (like we got here). 2) tragic ending with hero dying at the end. 3) an unpredictable twist coming out of left field (this has the potential to be very good or very bad). 4) a Great ending.
Unfortunately we usually get number one, since they wanna give the satisfying, safe, effective, tried and true, Hollywood ending. Most people are content with those types of cop out endings. I'm not.
An excellent story about a dirty cop for a neighbor and Patrick Wilson's character not being able to do much about it. Great that it's not the type to contrive racist things all over it instead it's more subtle. I love how the movie gets away with 2 f bombs! Lakeview Terrace is under appreciated and highly entertaining in my opinion; deserves more credit!
So I have to be brutally honest here, I was mainly looking forward to see "Lakeview Terrace" because I really thought it was going to be awful. And it did look that way to me by the trailers. So I went to laugh at it, but when it started to keep getting better and better, I couldn't really laugh at it anymore. Now not saying that this movie does not have flaws, because IT DOES. But it surprised me with its thematic elements, and really suspenseful scenes. But the cons are that it is a really heavy PG-13 film, and I personally thought they could have made it 10 times better if they had crossed the line into 'R'(which wouldn't have taken much more) and really fleshed out some things that are just hinted at because of their content. And the main con to the film for me was that there was no message at the end of the movie. It just ended, no theme or statement about the story. Just ended without saying "Now the moral of the story is..." So overall I'd recommend this movie to you. The good out-weighs the bad and its really a lot of fun.
This movie became more interesting as I continued to watch it. Samuel Jackson played an excellent part as the antagonistic evil Able Turner. This movie teaches me to never move next door to a cop no matter how friendly they appear to be. But Lakeview Terrace is a bit extreme with the cop next door type of deal. Not only that the Mattsons had to deal with a cop living next door but he's a racist. Able abused his power as a police office by spying on the Mattsons and acting upon it. I know somehow that's illegal to snoop into people's privacy. This is one of the best parts Samuel Jackson played in a movie next to Pulp Fiction and Shaft 2000. Kerry Washington was excellent as the Ms. Lisa Matton,Kerry is versatile. Overall Lakeview Terrace is a interesting movie that build ups to a powerful climaxing ending. Recommend anyone to watch it with a family or friend.
क्या आपको पता है
- ट्रिवियाThe plot for this movie is loosely based on real-life events that happened in Altadena, California, involving an interracial couple and an African-American Los Angeles Police Officer.
- गूफ़Abel Turner has a goatee in every shot, including on duty. LAPD grooming standards prohibit beards and goatees while on duty.
- भाव
Chris Mattson: Y'know what, Abel? Fuck you.
Abel Turner: [laughs] Is that a 'We Are the World' 'fuck you'?
Chris Mattson: No. It's a special one. Just for you.
- साउंडट्रैकShoot Me Down
Written by Peter Carr, Kevin Chase, Shahzad Mahmood, Christian Peck
Performed by Boy Kill Boy
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Vecinos en la mira
- फ़िल्माने की जगहें
- Hawthorne, कैलिफोर्निया, संयुक्त राज्य अमेरिका(exteriors: library)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,92,63,506
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,50,04,672
- 21 सित॰ 2008
- दुनिया भर में सकल
- $4,46,55,002
- चलने की अवधि1 घंटा 50 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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