The Trial of Tony Blair

The year 2010 has come and long gone without these events transpiring, and setting it up as a future that never was ensured the movie would quickly render itself outdated, which is only one of many reasons that it was doomed to fail from the outset. The whole conceit of the movie is on that list, as it's utterly ridiculous that these events would occur in reality, and it is so hamfisted that it doesn't even work as satire. I'll confess I'm from the other side of the pond than most viewers and reviewers of the piece, but I appreciate a lot of British television series and movies, with this obviously not counted among them. Putting the special relationship on trial in an intelligent way that explored all of the complexities therein could have been compelling, but the makers of the movie settled for a simplistic version of Bush as the greatest of evil and anyone standing with him the same. It borders on apology for terrorists, as if it was unholy war started by the US that prompted terrorist attacks rather than the reverse, and it paints the problem as Blair being in thrall to Bush, never confronting Britain's past in the region, which preceded US involvement by centuries. It's more straw man argument than movie, and the missed opportunities for something more are reason enough to make this a must-miss piece of political theater and propaganda.

As if to prove that Michael Sheen doesn't have a monopoly over the role of Tony Blair, Robert Lindsay gives a magnificently comic performance in this very funny satire set three years in the future when Tony finally decides to stand down. Hilary Clinton is in the White House, George Bush is in rehab, ('he was found comatose on his ranch'. 'I'm surprised anyone noticed'), and the far from charismatic Gordon Brown scrapes through the General Election with a majority of two. It is then that Gordon bows to international pressure and allows Tony to be extradited to the Hague to stand trial for war crimes. Turning on the news immediately after watching this and hearing that one of the serving Prime Minister's closest advisors had been arrested in the 'cash for honours' inquiry only shows how prescient Simon Cellan-Jones' satire really is and how hard it may be to separate fact from fiction.

Alastair Beaton's script is a joy. It's clever, pertinent and side-splittingly funny but it is Lindsay's barn-storming, grand-standing performance as the deluded Blair that lifts this into a class of it's own. He is supported by a wonderfully straight-faced Phoebe Nicholls as Cherie, who chooses to distance herself from her liability of a husband and by Peter Mullan's blank and insipid Gordon Brown. Already a contender for best single programme of the year.

This satire is very amusing and shows how fickle politics and politicians are, however the show most not be taken too seriously. If you keep in mind the insane nature of the story, you may very well enjoy it as much as i did. Robert Lindsay is brilliant as Blair, but then he is brilliant in almost all of his roles, he does however nail Blair when showing him as his grinning media self, the portrayals of Gordon Brown and of David Cameron are also very funny, though the physical likeness of both is questionable the voices and actions are perfect.

The humour is biting throughout but then again so is much of the political comedy in Britain. If you are prepared to take this show at face value i am sure you will thoroughly enjoy it. I cannot wait for the second installment.

TTOTB is a worthy satire, the type of which could never be found on American television.

Those that see Tony Blair to already be a tragic figure will probably find this film to be both darkly humorous and somewhat sad. It is not beyond the pale to believe that someday a variety of figures related to the Iraq war fiasco could someday wind up at the Hague facing a war tribunal.

The films treats both the Labour and Tory Party with equally contemptible amusement. Understandably, Tony receives the brunt of the beating. At one point a protester is seen holding a placard reading "Tony Blair = 800,000 Iraqi dead". That figure is easily reachable given the current scale of the carnage and the fact that this film takes place in 2010.

It is equally conceivable that as the killing fields of Iraq continue to gestate for a few more years, that whatever benefit of the doubt Bush and Blair are currently given for the rose-colored fantasy of bringing democracy to the Middle east, will have long since wilted. In that they took a regime that was contained, and had US air power flying over it continually for ten years enforcing a no-fly zone, only to topple a sovereign nation against the wishes of the United Nations, a logical case could certainly be made before a war tribunal.

Having unleashed the Furies resulting in hundreds of thousands of innocent deaths, not to mention turning multiple millions more into refugees...well, characters have stood before the Hague previously for a lot less.

The satire of the film derives mainly from the same faith-based morality that drove Blair to act so questionably to begin with. Here, with the walls closing in, abandoned by his former allies and facing a trial, he never can quite get a grasp on the situation he is in. Like Mr. Bush, whose faith-faith certitude never allows him to consider the folly of his ways, likewise, Mr. Blair is intellectually incapable of seeing how anyone could ignore the benevolence of his own heart, as he sent his country to war, squandering its blood, treasure and national reputation.

By the time in the film when new PM Gordon Brown comes to see him, and Blair feels sandbagged in believing that Brown too has abandoned him, Tony criticizes his belief that Brown is merely acting on orders of the White House (and current President Hillary), to which Brown responds, "I wonder who I learned that from."

A very black satirical comedy. Not any less timely than "Dr. Strangelove" which came out at a time when everyone felt the dire threat of nuclear annihilation from either the Soviets or the U.S.. Yet it is also a film that could possibly turn out to be much less satire that prescient drama depending on how events play out over the next half dozen years, the precise levels of the human carnage unleashed by Blair and Bush's geo-political experiment, as well as the international mood and tolerance come the next decade.

The premise of the programme was that after eventually standing down as Prime Minister Tony Blair is called to the Hague to face war crime charges. Ithought this, although slightly far fetched was a great piece of Drama and shows why More4 is one of the best channels to come out of the usual dross of digital channels. Robert Lindsays portrayal of Tony Blair was magnificent and rather than doing an impression of Blair instead gave a great performance. Peter Mullan as Gordon Brown was inspired and it was well into the show before I even realised that it was him playing the part, and although only seen briefly Alistair Armstrong as The image conscious David Cameron was brilliant. The soundtrack also was well devised from Johnny Cash to The Killers. But perhaps the most impressive part of the drama is not the funny elements or to see Blair get his just desserts, rather the idea that the War on Terror has had a deep emotional impact on Blair causing him to have hallucinations and nightmares. All in all a great programme.