Il commissario Montalbano

I'm Italian and just want to give a few replies to your questions (sorry my English). -"Why there are any people in the background?" The emptiness of places isn't just for a stylistic purpose, neither because of a low budget, but has realistic reasons: the show is set in a stereotypical group of little towns. Now there aren't jobs in country-lands and a lot, A LOT of people moved on in bigger cities or even in the north of the country or abroad. So the south of Italy is full of empty little towns, with spectacular views but just a little count of old people living in it and a lower one of the young. Often Montalbano moves between them and it's almost normal that there are few people and cars. A little bit is the director's choice, but it's more realistic than you think. -Catarella is "too stupid for police"? He isn't stupid, he clearly has a sort of mental disease/neurodiversity. He has difficult in little everyday acts, but he also has skills in his job, so he can be a productive member of society. It isn't too unlikely. In Italy the state has to help disabled people who have difficulty finding work, paying them a little pension. So if possible public institutions prefer to hire them than pay them to do nothing. By low, all the public offices have to prefer disabled people for some jobs, if they are however able to do it. -Italian men really behave and gesture that way? Yes, absolutely. I'm Italian and I ever notice any non-ordinary expression in Zingaretti interpretation and body language. He seems to me just strong and old fashioned manly, but not exaggeratedly expressive at all, so, yes, hand gestures are quite realistic. Infact, it's an Italian production, with Italian actors, it would make no sense to put a foreign stereotype about us for purpose. The stereotypes that you can find are all inner, as the old religious ladies and so on.

Now, my opinion? I like Montalbano and especially the work with regional language and the locations. Sometimes I think there is a little to much of machismo in it, but It's a traditional tv show. I really appreciate the mix of investigation, feelings an irony: I love detective story with a funny side, and I valuate more characterizations than action scenes, so it's my kind of show.

Love detective mystery dramas and non-English/American ones also fascinate me. 'Inspector Montalbano' is one of the best and most entertaining examples. It is not easy breathing freshness into a well-worn genre but 'Inspector Montalbano manages to do so with aplomb.

Watching 'Inspector Montalbano' is, as said in my review summary and one that to me is apt, like eating a delicious Italian meal that immensely satisfies and leaves you wanting more. There may be very familiar tropes, but in a way it's inevitable and doesn't detract from the enjoyment at all. A couple of stories (like last night's "The Mud Pyramid") may not be as engrossing as most others, or have the most logical, easy-to-follow-entirely plots or the most cooked-all-the-way-through denouements, but this doesn't matter when far outweighed by the rest of the show being so good.

If you love all things Italian (with them having some of the best scenery, food and music of any country) and love detective mystery dramas, 'Inspector Montalbano' will be right up your alley most likely. It's beautifully shot always and the scenery is stunning, making those who've never been to Italy want to book a holiday there as soon as possible. The music is never over-bearing or low-key with a nice atmosphere and flavour.

Scripts are always tautly written and infused with beautifully balanced and hilarious humour. The subtitles are not hard to follow, while the cases are absorbing and rarely feel convoluted while suitably challenging the viewer. The characters may be stereotypes but well-written ones, especially one of the most fascinating foreign detective mystery dramas titular characters there is to me and the scene-stealing Catarella (hilarious comic relief but more than that).

Acting is terrific, especially from Luca Zigaretti who is a treasure in the title role. Angelo Russo's comic timing is a refreshing and always perfectly timed joy. Direction is always paced beautifully and tight while sometimes appropriately deliberate.

Overall, brilliant. 10/10 Bethany Cox

I really like this series of DVDs. I have read all of the novels by Andrea Camilerri and I think they have done a good job of capturing the "spirit" of Montalbano: he appreciates good food, beautiful women and chasing bad guys...not necessarily in that order as his long suffering girlfriend Livia finds out when he investigates a case while telling her they are on holiday.

Not speaking Italian, I have to read the subtitles, and they have done a very good job since I don't read particularly fast and I still don't have to resort to the pause button on the DVD player all that much.

The thing that I appreciate the most is the scenery of Sicily. Camilerri's books can't give you a true sense of how beautiful it "seems". I say "seems" because I find the portrayal of daily Sicilian life a little strange: there are hardly ANY people milling about in the background of most of the exterior shots. There isn't any real car traffic either. I don't know anything about Italian cinema so I can't say how common this might be. Perhaps there are union rules which make actor "extras" too expensive. I suspect it might be an artistic choice though. It certainly makes you want to visit this imaginary Sicily though: beautiful beaches and historic ruins completely devoid of tourists in T shirts and flip flops. Also, while Camilerri's books do indicate that Montalbano's house overlooks the beach...you don't really get a sense of how unrealistic that might be until you see it on the DVD: they must pay police detectives 20 times what they pay them in real life for him to afford his "house". After you see the house, you expect his car to be a Ferrari, but, strangely, it seems pretty ordinary.

To sum up, even if you aren't a huge fan of mystery or police procedurals, you can enjoy these DVDs simply for the stunning scenery: it might be better than actually going there and coming up against the realities of modern life.

For those of us raised on 'Inspector Morse', 'Inspector Montalbano' comes as a welcome breath of Sicilain air. Not that I didn't like 'Inspector Morse' per se; just that Morse, and his Swedish clone Wallander, fit a certain stereotype of a detective, namely the brooding, grumpy old man. Montalbano, on the other hand, is also a stereotype, but a very Italian one. He wants an easy life, good food, a relaxing environment, if he loses his temper occasionally, it's only out of frustration of things getting in his way, on the other hand, if he's faithful to his girlfriend, that's only because being involved with two women would be just too complicated. He, and the rest of the cast, play their roles as comic Sicilians to perfection: and while this might not be altogether serious drama, the combination of Mediterranian beauty, comedic moments and ropey murder plots makes for a very agreeable evening's viewing. On seeing my first episode I was underwhelmed; but once you know the characters, it's great fun.

Set in Sicily, Italy, and based on a series of novels, INSPECTOR MONTALBANO has proved successful in various parts of Europe. I caught it on BBC4, the cultural channel of the BBC. It takes a lot to infuse what might be termed an over-familiar genre with touches of originality, but INSPECTOR MONTALBANO achieves this task successfully. This is chiefly due to the interplay between the three main characters (Luca Zingaretti, Angelo Russo, Cesare Bocci), who work successfully as a team yet continually bicker with one another. The shooting-style also helps; there is an extensive use of outdoor locations - as opposed to the uniformly gray interior sequences of many British detective series - and a greater reliance on pans and zooms, rather than shot/reverse shots. This gives the series an epic feel, despite the familiarity of the story lines. The scripts are tautly written with plenty of opportunities for throwaway lines from the main protagonists. Definitely worth a look as a refreshing alternative to Anglo-American detective series.