द लेजेंड ऑफ टार्ज़न

Was not expecting it to be so good.

I did go into it thinking I did not want to see a movie about a white dude becoming King of an African Jungle, and I think the filmmakers themselves tried to be favorable of that opinion.

If you have any familiarity with Tarzan, especially movies that came before, this film acts as a continuation of that. It tells the origin of Tarzan, a boy lost in the jungle and raised by apes to become a ghost like figure, but this film more focus on the life after Tarzan left the jungle and joined civilization were his legend became the stories that Edgar Rice Burroughs wrote about.

Samuel L Jackson plays a doctor who needs Tarzan's help when Tarzan gets an invitation to come back to the Congo, the doctor needs to come with him to find out if slavery is being practice there, but it turns out the invitation was a trap laid out by the the villain, Rom, played by the brilliant Christoph Waltz in his element, to deliver Tarzan to an old enemy, also played brilliantly Djimon Hounsou.

Jackson's role in this keeps it from being some white dude who saves Africa from other white dudes. This is one of his better supporting roles as he was funny and dramatic when needed. The chemistry between Jackson and Alexander Skarsgård works like a charm.

I love Djimon Hounson character as an African Chief seeking vengeance with Tarzan's death. It was very Black Panther like (or more like Black Cheetah, as the costume design shows).

I like Margot Robbie as Jane as well. At first it seem they tried too hard to to make Jane not just the chick Tarzan saved, but as the movie went on and her character developed , she went on a small adventure herself that was as exciting as Tarzan.

It's an action packed adventure through the Congo. The visual effects worked to make the terrain beautiful and dangerous and epic.

It's also fun an exciting, it will have you laughing throughout all the action.

It still floors me how fantastic this thing turned out. Worth seeing

The core Tarzan story is not only iconic, it speaks to something deep within us. It is at the same time the ultimate Romance and the ultimate Action tale. It is no coincidence that, almost a century ago, when young Hollywood looked to find a franchise for its new "talkie" motion pictures, they turned to the Tarzan tale, and spawned a franchise so successful that it literally outlived the shelf life of its star.

In my lifetime I have seen well over a dozen versions, retellings and re-imaginings of the Tarzan story. I have no doubt that after I am gone, producers and writers will continue to be attracted to it and continue to "make their bones" by bending it to their unique style.

That said, this one is not especially good. After a great opening scene, there is the filmic equivalent of "dead air" for about 35 minutes and when the script does finally get in gear it stumbles and falls, subject to a wildly disjointed narrative and equally bizarre editing.

Alexander Skarsgård has been impressive in other films (a race driver, a superhero) and I think with different material and a different director he could have connected. Christoph Waltz and Sam Jackson remain two of the most over-exposed stars in Hollywood and, good as they are, they are running out of clever ways to play the same character over and over. And over. And over.

I recently read (or re-read) about twenty of the original Tarzan books. I always wondered why we never saw a Tarzan movie that portrayed the character as he was written in the books.

In the books, the adult Tarzan was very well educated and spoke several languages, but in the movies he hardly knew any English and rarely spoke in complete sentences. In The Legend of Tarzan, Alexander Skarsgård plays the character much like I imagined him when I read the books. Tarzan's command of language is competent, and his interaction with other people is never awkward or stilted as it had been in earlier movies.

Some changes from the books that The Legend of Tarzan makes is the way Tarzan communicates with animals. Instead of using words (as in the books), Tarzan can read an elephant's eyes, and he calls crocodiles by mimicking a mating call. Another change is the removal of many of the more racist elements the books had in the depiction of African tribesmen, and they are not missed at all. One other element missing from the books is the science fiction or supernatural slant that several of the stories had. The Tarzan stories that had those elements were never my favorite ones anyway, so I don't mind that they are absent from this movie.

One aspect of Jane's character that was often ignored in the earlier Tarzan movies, is that Jane lived in the USA before she married Tarzan. Earlier movie Janes were often given a British accent and occasionally had a pampered upbringing. It was refreshing to see Margot Robbie's take on the character. This Jane is American, and is feistier than we usually see her.

Christoph Waltz and Samuel L. Jackson looked like they had a lot of fun in their roles. I enjoyed watching them, but it sort of seemed like they were there as "stunt" casting - nice but unnecessary. They were each good, but every time they appeared on the screen, I never really saw the characters they were playing, I saw the actors.

Overall, I liked the movie. At times it was a little more "epic" than it needed to be, but I guess that just added to the fun. Of all the film versions of Tarzan I have seen, this one is my favorite. I think anyone who enjoyed the books would most likely agree that this is the closest to the book character of Tarzan that we have ever seen.

(RATING: ☆☆☆½ out of 5)

THIS FILM IS RECOMMENDED.

IN BRIEF: A conventional approach to the Tarzan story which swings back and forth, without getting anywhere.

GRADE: B-

SYNOPSIS: The story of a little boy who goes ape.

JIM'S REVIEW: There have been many incarnations of the Tarzan legend, starting with Edgar Rice Burroughs original 1914 novel, Tarzan of the Apes. Our ape man has appeared in magazines, novels, comic books, movies, radio, cartoons, and television shows, all with varying degrees of success. Various actors have filled his loincloth, from the most famous actor in this role, Johnny Weissmuller in the 1940's, to Gordon Scott in the 1950's and Ron Ely taking hold of those vine reins in the mid 60's. His legend lives on once again in this modern day re-boot, The Legend of Tarzan, with Alexander Skarsgård as our muscle-toned hero.

The story adheres to its source and follows the basic outline of Burrough's novel. Told in flashbacks, we learn of an infant left in the jungle without parents and adopted by the great apes. Tarzan, now John Clayton III, Lord Greystoke, lived and thrives in his tropical environs until he was rescued and returned to England. Having difficulty readjusting to British society, he finds a comrade in the beautiful Jane Porter (a beguiling Margot Robbie). Upon his return to his childhood home in the Congo, Greystoke (a.k.a. Tarzan) discovers man's cruelty in the form of Belgian huntsman, Leon Rom (a typecast Christoph Waltz, playing, what else, but the villain). Whereupon Tarzan must takes sides to protect his adopted tribe of primates and protect his homeland.

Mr. Skarsgård plays Tarzan as an eloquent victim, more at home with his hairy friends than his human species. No "Me Tarzan, you Jane" monosyllabic banter here, and no loincloth either. This Tarzan mixes the physicality and brutishness of Stanley Kowalski with the sophistication and aplomb of a true noble gentleman, no small feat. If only the film matched his interpretation also.

The Legend of Tarzan is all too proper and seriously-minded which cuts down on the fun and adventure. David Yates directs his film solidly, keeping the action moving. Yet the production design by Stuart Craig seems too well-crafted for its own good, nothing out of place. It lacks authenticity in its detailing. This man-made jungle is just too pristine, so clean and sanitized just like its story. (When the vines look suspiciously like greenish rubber tubes and the cragged rocks like painted styrofoam, something is a bit off.) The special effects aren't that special either. Except for the primates, most of the animal kingdom is obviously the results of CGI, effective but slightly unreal and unsatisfying.

On the plus side, the fluid camera-work by Henry Braham has an acrobatic energy, especially as Tarzan travels from vine to vine, the best part of the cinematic experience. Mark Day's fine editing enhances the effect. The panoramic vistas help to give the film a sense of epic adventure, even if the adventures we witness never attain the grandeur of other epic film tales due to its script.

The narrative structure swings from its more interesting backstories (Tarzan's early life and upbringing, his adaptation to his aristocratic England, Jane's personal journey) which are only hinted, to the standard main story dealing with The Great White Hunter's poaching of ivory, diamonds, and the slave trade...granted all important subjects, but the treatment is painted in the most black and white terms with the widest of brushstrokes. That's the problem...there are no grey stokes in this Greystoke's version.

None of the characters are remotely real or believable, but the roles are well cast. There is a nice chemistry between the two leads, although their beauty reminds us too often of an Abercrombie and Fitch ad. Both are gorgeous human specimens who fortunately can act, even if the dialog that they are given by screenwriters Adam Cozad and Craig Brewer, is banal and stilted.

Given strong support is Samuel L. Jackson as the real life George Washington Williams, a political activist and do-gooder, but his character, as written, speaks in anachronistic modern day jargon. Still the actor brings much needed bravado and is amusing in his role. Djimon Hounsou as the avenging chief does some effective underplaying when Mr. Waltz again overplays the menace angle. However he does bring some interesting human quirks to the part. (Nice moment with the silverware arrangement, Christoph.)

All in all, the initial story line remains intriguing, the action sequences entertain, and Mr. S. makes an awesome impression, all swagger, six-pack, and sensitivity in a tight delightful manly package, although his fluent English language skills are never addressed.

This Tarzan has its flaws, but it does keep the legend intact, until the next chapter.

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This film tells the story of an English aristocratic son who is raised by animals in the forests of Congo. He grows up and goes back to England, only to go back to Africa to help the people who are getting enslaved by the Belgian king.

"The Legend of Tarzan" is so much better than the trailer. It has very little scenes of Tarzan growing up in the wild, and concentrates on his civilised adult life. He maintains a deep connection with the nature and the animals, which is a beautiful message that can be translated to everyone being friendlier to the environment. The story is engaging and at the end beautifully poignant. The two leads Alexander Skarsgard and Margot Robbie are both very visually pleasing, which adds to the charm of the film. I enjoyed it.