The Thing

First off, I will have to make a disclaimer: I love the 1982 John Carpenter's "The Thing". That being said, this review will try to be fair. Hopefully.

First off, "The Thing" is a prequel. I always have a fascination of prequels because they have a unique approach to writing in that the events must lead up logically to a movie already made rather than taking the idea of the first movie and going in different directions with it. This creates a lot of confinement and there have been some really cool prequels that, even in this confinement, still feel fresh and take whatever franchise into a new direction (case in point, From Dusk Til Dawn 3). So already, this movie has both a reputation to live up to (the 1982 movie is very highly regarded by John Carpenter fans, horror fans and even fans of good drama and story telling) and adding in the fact that the writers must somehow lead up to the original movie is a tough task to undertake. Overall, it was a valiant effort...but missed the mark.

The entire concept of the monster of this movie is that it dissolves any sort of trust between people. When these people are in a confined location like Antarctica, it becomes a boiler room situation with wills being tested, fears being escalated and the overall sense of any safety even with someone you've known for a while completely in chaos. I feel that this Thing movie missed that sense of despair, confinement and overall breakdown of the relationships between colleagues and comrades and even enemies when a shape shifting impostor is thrown into the mix. This is made blatantly evident when over half the characters don't seem worthy of care by the audience. Most have no personality to connect to, and the sheer number of characters just makes it worse to get to know these people. So when they start dropping like flies, one really doesn't care a whole lot.

And really, that's the fundamental flaw with the movie and why the whole thing feels forced. The pacing wasn't as deliberately slow, the whodunnit aspect didn't feel properly in place, and finally...and again, this criticism is as a fan of the original movie...why on earth did the thing not try to hide more than it did? At one point, it seemed like the movie shifted gears into a simple monster movie with *insert beastly monster* just running around killing which was completely uncharacteristic of the original movie where the thing, even when found out, would try to make an escape to hide again...

So in all, as a standalone movie, it wasn't bad at all. It was a nice return to gory disgusting things that go bump in the dark. But as a prequel, it missed the mark I think the film makers were trying to hit. John Carpenter laid out a very specific and deliberate tone to the original movie that this one just couldn't seem to figure out how to replicate...no blood test needed to find this impostor.

I don't think people give this movie its due. Of course it's not as good as the 1982 movie but that doesn't mean it's bad. It's a very faithful prequel and sticks to the story excellently. If you watch them both back to back it's almost like one long movie (and it's a great night in) The performances are great. The setting, as in the John Carpenter classic is claustrophobic yet somehow vast and there are some very tense scenes. It is let down by cgi. I would have liked to have seen some of the practical effects that were talked about in the movie's marketing but it's a product of the time. Overall I enjoyed it.

A solid 7/10.

I didn't go see The Thing in 2011 for two reasons. One, I was reluctant to support a prequel when what I had really wanted for thirty years was a sequel. Two, the movie seemed to have vanished from the theaters only after a few weeks. In the meantime, I only heard negative things(no pun intended) about this film so I didn't feel like I was missing out.

However, something really weird happened when I finally caught it on HBO. I liked it! No, I mean I really liked it. To be clear, the criticisms about it being an unnecessary and almost too similar story to John Carpenter's classic are all fair. And, like most sic-fi movies today, there is more cgi than I would care to see. But the people making this movie clearly worship Carpenter's movie every bit as much as any die hard Thing fan. They go to great lengths to match up to the events suggested from the 1982 version and I personally appreciate them doing so. I also liked their method of detecting who was the Thing. It was different than MacReady's test but it was original.(Nothing will ever top the petri dish sequence and dialogue, Carpenter and Russell just nail it).

If you're a fan of the original looking for something completely different or a "new take" on The Thing From Another world, than this movie is not for you. But if you're like me, and always wondered who put that ax through the door or what events led up to the two-headed thing burnt up in the snow at the Norwegion compound than I highly recommend this flick.

Initially I had thought this to be yet another of the countless Hollywood remakes, and I was thrilled to find out that it was not so. Being a prequel, this movie definitely had something to live up to, as Carpenter's original version is nothing short of a masterpiece.

This 2011 prequel actually did a good job, and I think it was a good addition to Carpenter's work.

What impressed me was the creature effects. The effects team really had managed to put together something unique here. And there was really a sense of something not-of-this-world about the grotesque shapes and abnormalities the creature assumed. And best of all was that the effects and make-up all looked so life-like and real.

The acting in the movie was good, and I think it was a really great touch that they had put together a mix of American, Danish and Norwegian actors/actresses. And the best part was that people actually did speak Danish and Norwegian, and not just English with a Scandinavian imitated accent, as you tend to see in American movies. So thumbs up on this detail.

As in the original Carpenter movie, they really had caught the feeling of isolation and paranoia in this 2011 movie as well. However, it was a shame that there really wasn't anything new or innovating to be told from the story here. It was a bit like they were just making soup off the broth Carpenter already used back in the day.

However, all in all, "The Thing" (2011) actually did entertain me thoroughly and I think it was a good enough prequel in its own way. Just don't expect something overly new here.

Prequel, sequel or whatever they want to call it, the most positive comment I can give to "The Thing" is that it sparked my desire to re-watch John Carpenter's 1982 original and perhaps even the almighty 1951 pioneer classic "The Thing from another World", just so I can spot the little connections and audit if everything – in fact - interweaves nicely together. I've read quite a lot of harsh and severely impolite reviews on this film, but personally I must say I enjoyed it very much. Admittedly, however, I might be a bit prejudiced one two specific levels, namely a) I do not worship the Carpenter milestone like many fellow genre lovers do. It's a terrific and very influential classic, of course, but I don't consider it sacred and wouldn't rank it in my personal top 10 or so. And b) I'm a Belgian who spends a lot of time in The Netherlands. What does that have to do with anything, I hear you say? Well, not much indeed, except for the fact that "The Thing" was the directorial debut of Dutch filmmaker Matthijs Van Heijningen Jr., and if you'd know how many Belgian and/or Dutch directors aspire to build up careers in Hollywood, yet how very few of them ever even come close, this is praiseworthy to say the least. Van Heijningen literally came out of nowhere and all of a sudden now directs a relatively large-budgeted Sci-Fi horror flick with a massive reputation and a cast full of fairly famous faces. His father may have earned quite some money producing famous Dutch flicks, but this is nevertheless an impressive and respectable accomplishment.

"The Thing" 2011 is a fast-paced and visually astonishing, albeit unsurprising Sci-Fi/horror shocker. I state unsurprising because the film follows the exact same narrative structure and introduces very similar characters as in John Carpenter's original, which makes this nonetheless some kind of crossover between a prequel and a remake. Norwegian expedition members stumble upon a gigantic spacecraft underneath the thick ice of Antarctica and even discover a deep-frozen alien specimen within the same perimeter. Expedition leader Dr. Halvorson recruits American paleontologist Kate Lloyd to investigate the remains, but he clearly has a hidden agenda and wants to keep the discovery as confidential as possible for reasons of profitability. Whilst under observation, the alien naturally thaws and promptly goes on an unstoppable annihilation rampage thanks to his unique ability to duplicate the people it already killed. The one essential aspect this version lacks is undoubtedly the atmosphere of paranoia and hostility. Once the alien's hunting methods are known, there's general distrust and fear between the characters that isn't illustrated as tense as in Carpenter's film. There's a sequence in which Dr. Lloyd demands that everyone opens their mouth to check if they have teeth fillings, simply because the alien is unable to reproduce artificial body corrections. This particular sequence is a bit suspenseful, but simultaneously overlong and somewhat silly, because – like one of the group members righteously remarks – people suddenly can get banned from the circle "because they floss". On a more positive note "The Thing" definitely outshines the vast majority of other horror releases nowadays, thanks to the presence of authentic characters instead of irritating genre stereotypes... Of course, it would have been quite impossible to cast scantily clad babes and dim-witted jocks as arctic explorers... Also, the 1982 film may have benefited tremendously from Ennio Morricone's musical guidance, but Marco Beltrami provides a new score that is nearly as intense. But the biggest trump of "The Thing", and probably the main reason to grant it at least one viewing, is the gore. Even though all the special effects and make-up is computer engineered, Van Heijningen Jr. and his crew succeeded in making the special effects look as raw and disturbing as in the original. There are multiple gory highlights, for example the forming of the notorious two-headed creature, that will appeal to horror freaks of ALL generations; younger ones as well as skeptical John Carpenter groupies.