Halla Bol

A complete waste of time

Halla Bol is a complete waste of time. The script and dialogues are poorly written, the direction is lacklustre and the acting borders on hammy.This movie was clearly aiming for the Rang De Basanti crowd but it falls far short of the mark because it does not have even one of the elements that made RDB connect with its audience_great script, terrific acting, good direction and a powerful social message that was never preached but shown.

Compared to that near-masterpiece, Halla Bol takes a step backwards by resorting to scenes such as the hero taking a leak on the villain's Persian rug and the hero's mentor staring down bullets in a truck no less! All of this might have been acceptable in the 80s when there was a downturn in movie quality and bad movies like DivyaShakti and Phool Aur Kaante became big hits, but movie-making has become_should have become_more subtle and thoughtful of late.

Rajkumar Santoshi is a capable director and I appreciate that he wants to give a social message in every movie he makes but maybe he simply does not know how to do it! He resorts to sermonizing without a care as to the audience's intelligence in understanding what he is trying to say. Maybe he should just concentrate on entertainment and leave the social messages to the Rakeysh Mehras and Aamir Khans.

Even if you don't agree with everything I say, you will agree that throughout the screening you will be thinking that Rang De Basanti was much much better and Mr.Santoshi should have left the industry-bashing to Om Shanti Om. Industry-bashing? That's right!!Santoshi has depicted the industry as a place of back-biting, bitching and the casting couch which the hero happily indulges in with a starlet curiously named Sania. There are some people who will think that these portions show the real face of the industry. Don't believe everything you see!

All in all, raise your voice against movies like this and don't spend your hard-earned money on this bomb.

* out of ****.

This is one of the movies which will remain in my collection for lifetime, and like to watch it again and again. I am a big fan of Rajkumar Santoshi's movies except for Family which deserved nothing mark. Though he is considered as a commercial filmmaker, but the way he makes every movie has deep relations with the real world. Another example in this category is Prakash Jha.

Halla Bol is about Sameer/Ashfaque, a street actor turned superstar after stepping in Mumbai's B-Town. Before he was under guidance of old aged dacoit Siddhu for fighting against social and political corruptions. But after he gained superstar position in the film industry he avoids to step in controversy as it would spoil his stardom and popularity. In that way, he faces the case for Rashmi Sahani murder case, in which he was a perfect witness.

It is clear that Ajay is a favorite choice of Santoshi for casting in this kind of movies which have social messages to the citizens. Ajay and Vidya Balan couple looks great and cool. But the one who makes this movie interestingly worth a watch is Pankaj Kapoor. His convincing and motivating role as a dacoit turned reformer Siddhu is superb and deserved 10 out of 10 because only his presence takes the movie in forward. Santoshi did a brilliant job by casting such a talented actor in his project. But the most irritating role included here is of Darshan Jariwala as minister Ganpatrao. His performances look damn dull and blunt, as well it could have been prepared much more serious or lively.

After all, Halla Bol cannot be as great as Santoshi's previous The Legend of Bhagat Singh or Khakee but still can be accepted as useful to the audiences. This is not for them those who simply watch movies for timepass, leisure or fun...but for them those who want to view the world's real happenings inside a movie. So it's upto audiences to consider it great or junk.

I can rate it 7 out of 10.

What to say about Halla Bol...it is a commendable movie to watch. After a long time I have seen a movie which has so much power in it and it inspires all of us to fight against injustice. A must see film that lifts our spirits to raise our voice against crime.

I applaud the effort of the actors who did justice to their role and added strength to the movie. It is one of those rare films that motivate people of India to fight back. Ajay Devgan has given an outstanding performance. I believe that if more movies like this are made that bring social issues to limelight then the nation will be motivated to fight crime. And even if the public is not motivated, the film still conveys the message of standing up for what you believe in life and that is what I am taking from this movie. I thank the director for making an effort to reach the masses from this film.

In two words "Good Work".

This film is a brilliant and yet not so great a film. This film had its flaws, the story line got a bit too filmy in a few places, was not so practical... a few goofs here and there but in the end what I feel what matters is the overall feel and effect, where this film did very well.

Analyzing this film, Rajkumar Santoshi does have a habit of touching an extreme, portraying a world with people who live either in the black or the white, he tends to leave out those who reside in the greys... That is where this film lacks in the story, that it is not practical.

But the same point comes to his rescue when it comes to involving the audience in his film, it becomes much easier for a viewer to associate himself with an extreme.

The music was a part that got left out of the rain, had someone like AR Rahman done the music and the background score, the film would have got a lot more value added to it. The acting was good, with all those in the lead doing an exceptional job...

If one overlooks a few flaws this film surely makes for a great viewing, and surely does touch your heart!!!

Raj Kumar Santoshi as director is at his element while handling a script that demands its pound of action and strong dialogues. With Halla Bol he gets those occasional moments and on their basis the movie is worth a watch.

Movie star Ajay Devgan (Sameer Khan) knows the ropes of how the industry works and does his bit as a member of the film fraternity who bitches behind the back of colleagues, acts in umpteen commercials or turns sycophant, dramatic, romantic as the situation in reel or real life may demand. But when he becomes an eye witness to murder at a party (Jessica Lal episode revisited) his conscience is at a crossword.

With the aid of his theatre guru Pankaj Kapur (Sidhu) he declares Halla Bol on the nexus of politicians and important businessman who believe they can protect their guilty sons since they control the reins of 'Power' 'Paisa' and 'Public' in the country.

The plot dips and loses audience interest at times since its a script that has been done in different variants before but then you can trust the director to deliver a few moments that draw a clap from the audience.

The dialogues between Ajay Devgan and the Politician along with those few minutes when Pankaj Kapur reacts to a bribe are strong points and raise the movie above the ordinary.

Ajay Devgan puts in a spirited performance but the movie belongs to Pankaj Kapur who lights up the screen every time (reminiscent of Sunny Deol doing his bit with Damini).

For his portrayal as Sidhu - a reformed dacoit - and a bit of Ajay Devgan each time he hits out at the political big wig makes Halla Bol a movie to watch and get, shall we say… a bit inspired.