IMDb रेटिंग
6.0/10
2.5 हज़ार
आपकी रेटिंग
एक लोकप्रिय बॉलीवुड अभिनेता एक हत्या को देखता है लेकिन हत्यारे की पहचान करने के लिए आगे आने से इनकार करता है.एक लोकप्रिय बॉलीवुड अभिनेता एक हत्या को देखता है लेकिन हत्यारे की पहचान करने के लिए आगे आने से इनकार करता है.एक लोकप्रिय बॉलीवुड अभिनेता एक हत्या को देखता है लेकिन हत्यारे की पहचान करने के लिए आगे आने से इनकार करता है.
- पुरस्कार
- 2 कुल नामांकन
फ़ोटो
Darshan Jariwala
- Ganpatrao Gaekwad
- (as Darshan Zariwala)
Amay Kadakia
- Rohit Khan
- (as Master Amay Kadakaia)
फ़ीचर्ड समीक्षाएं
Raj Kumar Santoshi as director is at his element while handling a script that demands its pound of action and strong dialogues. With Halla Bol he gets those occasional moments and on their basis the movie is worth a watch.
Movie star Ajay Devgan (Sameer Khan) knows the ropes of how the industry works and does his bit as a member of the film fraternity who bitches behind the back of colleagues, acts in umpteen commercials or turns sycophant, dramatic, romantic as the situation in reel or real life may demand. But when he becomes an eye witness to murder at a party (Jessica Lal episode revisited) his conscience is at a crossword.
With the aid of his theatre guru Pankaj Kapur (Sidhu) he declares Halla Bol on the nexus of politicians and important businessman who believe they can protect their guilty sons since they control the reins of 'Power' 'Paisa' and 'Public' in the country.
The plot dips and loses audience interest at times since its a script that has been done in different variants before but then you can trust the director to deliver a few moments that draw a clap from the audience.
The dialogues between Ajay Devgan and the Politician along with those few minutes when Pankaj Kapur reacts to a bribe are strong points and raise the movie above the ordinary.
Ajay Devgan puts in a spirited performance but the movie belongs to Pankaj Kapur who lights up the screen every time (reminiscent of Sunny Deol doing his bit with Damini).
For his portrayal as Sidhu - a reformed dacoit - and a bit of Ajay Devgan each time he hits out at the political big wig makes Halla Bol a movie to watch and get, shall we say a bit inspired.
Movie star Ajay Devgan (Sameer Khan) knows the ropes of how the industry works and does his bit as a member of the film fraternity who bitches behind the back of colleagues, acts in umpteen commercials or turns sycophant, dramatic, romantic as the situation in reel or real life may demand. But when he becomes an eye witness to murder at a party (Jessica Lal episode revisited) his conscience is at a crossword.
With the aid of his theatre guru Pankaj Kapur (Sidhu) he declares Halla Bol on the nexus of politicians and important businessman who believe they can protect their guilty sons since they control the reins of 'Power' 'Paisa' and 'Public' in the country.
The plot dips and loses audience interest at times since its a script that has been done in different variants before but then you can trust the director to deliver a few moments that draw a clap from the audience.
The dialogues between Ajay Devgan and the Politician along with those few minutes when Pankaj Kapur reacts to a bribe are strong points and raise the movie above the ordinary.
Ajay Devgan puts in a spirited performance but the movie belongs to Pankaj Kapur who lights up the screen every time (reminiscent of Sunny Deol doing his bit with Damini).
For his portrayal as Sidhu - a reformed dacoit - and a bit of Ajay Devgan each time he hits out at the political big wig makes Halla Bol a movie to watch and get, shall we say a bit inspired.
A complete waste of time
Halla Bol is a complete waste of time. The script and dialogues are poorly written, the direction is lacklustre and the acting borders on hammy.This movie was clearly aiming for the Rang De Basanti crowd but it falls far short of the mark because it does not have even one of the elements that made RDB connect with its audience_great script, terrific acting, good direction and a powerful social message that was never preached but shown.
Compared to that near-masterpiece, Halla Bol takes a step backwards by resorting to scenes such as the hero taking a leak on the villain's Persian rug and the hero's mentor staring down bullets in a truck no less! All of this might have been acceptable in the 80s when there was a downturn in movie quality and bad movies like DivyaShakti and Phool Aur Kaante became big hits, but movie-making has become_should have become_more subtle and thoughtful of late.
Rajkumar Santoshi is a capable director and I appreciate that he wants to give a social message in every movie he makes but maybe he simply does not know how to do it! He resorts to sermonizing without a care as to the audience's intelligence in understanding what he is trying to say. Maybe he should just concentrate on entertainment and leave the social messages to the Rakeysh Mehras and Aamir Khans.
Even if you don't agree with everything I say, you will agree that throughout the screening you will be thinking that Rang De Basanti was much much better and Mr.Santoshi should have left the industry-bashing to Om Shanti Om. Industry-bashing? That's right!!Santoshi has depicted the industry as a place of back-biting, bitching and the casting couch which the hero happily indulges in with a starlet curiously named Sania. There are some people who will think that these portions show the real face of the industry. Don't believe everything you see!
All in all, raise your voice against movies like this and don't spend your hard-earned money on this bomb.
* out of ****.
Halla Bol is a complete waste of time. The script and dialogues are poorly written, the direction is lacklustre and the acting borders on hammy.This movie was clearly aiming for the Rang De Basanti crowd but it falls far short of the mark because it does not have even one of the elements that made RDB connect with its audience_great script, terrific acting, good direction and a powerful social message that was never preached but shown.
Compared to that near-masterpiece, Halla Bol takes a step backwards by resorting to scenes such as the hero taking a leak on the villain's Persian rug and the hero's mentor staring down bullets in a truck no less! All of this might have been acceptable in the 80s when there was a downturn in movie quality and bad movies like DivyaShakti and Phool Aur Kaante became big hits, but movie-making has become_should have become_more subtle and thoughtful of late.
Rajkumar Santoshi is a capable director and I appreciate that he wants to give a social message in every movie he makes but maybe he simply does not know how to do it! He resorts to sermonizing without a care as to the audience's intelligence in understanding what he is trying to say. Maybe he should just concentrate on entertainment and leave the social messages to the Rakeysh Mehras and Aamir Khans.
Even if you don't agree with everything I say, you will agree that throughout the screening you will be thinking that Rang De Basanti was much much better and Mr.Santoshi should have left the industry-bashing to Om Shanti Om. Industry-bashing? That's right!!Santoshi has depicted the industry as a place of back-biting, bitching and the casting couch which the hero happily indulges in with a starlet curiously named Sania. There are some people who will think that these portions show the real face of the industry. Don't believe everything you see!
All in all, raise your voice against movies like this and don't spend your hard-earned money on this bomb.
* out of ****.
This film is a brilliant and yet not so great a film. This film had its flaws, the story line got a bit too filmy in a few places, was not so practical... a few goofs here and there but in the end what I feel what matters is the overall feel and effect, where this film did very well.
Analyzing this film, Rajkumar Santoshi does have a habit of touching an extreme, portraying a world with people who live either in the black or the white, he tends to leave out those who reside in the greys... That is where this film lacks in the story, that it is not practical.
But the same point comes to his rescue when it comes to involving the audience in his film, it becomes much easier for a viewer to associate himself with an extreme.
The music was a part that got left out of the rain, had someone like AR Rahman done the music and the background score, the film would have got a lot more value added to it. The acting was good, with all those in the lead doing an exceptional job...
If one overlooks a few flaws this film surely makes for a great viewing, and surely does touch your heart!!!
Analyzing this film, Rajkumar Santoshi does have a habit of touching an extreme, portraying a world with people who live either in the black or the white, he tends to leave out those who reside in the greys... That is where this film lacks in the story, that it is not practical.
But the same point comes to his rescue when it comes to involving the audience in his film, it becomes much easier for a viewer to associate himself with an extreme.
The music was a part that got left out of the rain, had someone like AR Rahman done the music and the background score, the film would have got a lot more value added to it. The acting was good, with all those in the lead doing an exceptional job...
If one overlooks a few flaws this film surely makes for a great viewing, and surely does touch your heart!!!
What to say about Halla Bol...it is a commendable movie to watch. After a long time I have seen a movie which has so much power in it and it inspires all of us to fight against injustice. A must see film that lifts our spirits to raise our voice against crime.
I applaud the effort of the actors who did justice to their role and added strength to the movie. It is one of those rare films that motivate people of India to fight back. Ajay Devgan has given an outstanding performance. I believe that if more movies like this are made that bring social issues to limelight then the nation will be motivated to fight crime. And even if the public is not motivated, the film still conveys the message of standing up for what you believe in life and that is what I am taking from this movie. I thank the director for making an effort to reach the masses from this film.
In two words "Good Work".
I applaud the effort of the actors who did justice to their role and added strength to the movie. It is one of those rare films that motivate people of India to fight back. Ajay Devgan has given an outstanding performance. I believe that if more movies like this are made that bring social issues to limelight then the nation will be motivated to fight crime. And even if the public is not motivated, the film still conveys the message of standing up for what you believe in life and that is what I am taking from this movie. I thank the director for making an effort to reach the masses from this film.
In two words "Good Work".
It is encouraging to know that in the current scenario of rip offs, remakes and comedies, a filmmaker is there who has the courage to make films on social issues which need to be addressed. Halla Bol is Rajkumar Santoshi's hard hitting movie inspired from a well known real life incident. It has a slow and unimpressive start but gains after the intermission. In the second half you see the good old Rajkumar Santoshi back in form in some well directed scenes. In short some straight conclusions about the movie are : 1. It is inspired from the famous "Jessica Laal" Murder case which questioned our judicial & political system. 2. It can also be seen as a redefined version of Rajkumar Santoshi's own masterpiece "Damini". As here Ajay Devgan witnesses a murder and then fights for the justice. 3. There are few firsts in the movie. A hero using the main hall of a minister's home as his bathroom and Vidya Balan giving some bold statements as the wife of Ajay Devgan to the press reporters. 4. This time Santoshi's 'Sunny Deol' is the powerful "Pankaj Kapoor" who is equally power packed and punchy as Sunny was in "Damini". He is such a great actor that even when he has not got that physical appearance, still he makes you believe when he fights many men single handedly. He gets a author backed meaty role and does full justice with it. The film belongs to him completely.
Ajay Devgan plays the role of Bollywood Star who was there in a party where a girl was shot dead. As he comes from a good social background he stands alone against all oppositions and becomes a witness. He is quite impressive but also seems similar to his act of "Aprahan" and "Gangajal" . Pankaj Kapoor is there for his support who was once a dacoit and had surrendered after a moral transformation. The movie is enjoyable in parts, specially the confrontation scenes between Ajay Devgan and the politician father of the murderer, with some powerful dialogues inviting cheers from the viewers. But its all the way "Pankaj Kapoor" which you remember coming out of the theater for his gem of a performance. Vidya Balan has nothing to do as Ajay's wife except one good scene with the press. Whereas music is satisfactory & could have been better, the background music on the other hand enhances the impact of the scenes. The movie is tense and lacks lighter moments of good humour. Rajkumar Santoshi only manages to impress in the second half. If only the first half had been more entertaining and engrossing, it could have resulted into a better movie. "Halla Bol" lacks the complete ingredients of a blockbuster, still it's a welcome change to have a movie on social issues after "Rang De Basanti" and the movie should be watched only for one person, that's Pankaj Kapoor.
Ajay Devgan plays the role of Bollywood Star who was there in a party where a girl was shot dead. As he comes from a good social background he stands alone against all oppositions and becomes a witness. He is quite impressive but also seems similar to his act of "Aprahan" and "Gangajal" . Pankaj Kapoor is there for his support who was once a dacoit and had surrendered after a moral transformation. The movie is enjoyable in parts, specially the confrontation scenes between Ajay Devgan and the politician father of the murderer, with some powerful dialogues inviting cheers from the viewers. But its all the way "Pankaj Kapoor" which you remember coming out of the theater for his gem of a performance. Vidya Balan has nothing to do as Ajay's wife except one good scene with the press. Whereas music is satisfactory & could have been better, the background music on the other hand enhances the impact of the scenes. The movie is tense and lacks lighter moments of good humour. Rajkumar Santoshi only manages to impress in the second half. If only the first half had been more entertaining and engrossing, it could have resulted into a better movie. "Halla Bol" lacks the complete ingredients of a blockbuster, still it's a welcome change to have a movie on social issues after "Rang De Basanti" and the movie should be watched only for one person, that's Pankaj Kapoor.
क्या आपको पता है
- ट्रिवियाThe film posters displayed in Ashfaque/Sameer Khan's display room are actually Ajay Devgn's own films over the years. You can also see Ajay's photo of the time he received his second National Award for The Legend of Bhagat Singh (2002) from the then President of India APJ Abdul Kalam in 2003.
- साउंडट्रैकJab Tak Hai Dum
Performed by Sukhwinder Singh
Music by Sukhwinder Singh
Lyrics by Sameer & Late Dushyant Kumar
Music on T-Series
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Halla Bol?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Муки совести
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $41,60,120
- चलने की अवधि
- 2 घं 22 मि(142 min)
- रंग
- ध्वनि मिश्रण
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