Letters to Juliet

Even though you know what's coming, bring a hankie or two. The women are gorgeous (and some of the men) and wise. The men need a little schooling in the art of love, except for Lorenzo - another of those Italian caricatures who seems transformed into flesh and blood from Carrara marble. The real surprise here is how little of the movie was actually filmed in or around Verona, Italy. Where was it filmed? Mostly at a glorious inn a bit north of Siena, and around the hill town of Montalcino, which is farther south - all in Tuscany. The film is really something of an infomercial for the large Caparzo winery and their various tourist properties. On that level, the movie succeeds brilliantly. The men who are dragged to see it will be fascinated to see where Chianti Classico and Brunello di Montalcino are grown. The women, however, will want to be taken back to Verona (literally and figuratively) to find out if Juliet's house, balcony, wall and statue really exist (they do, although she didn't). And what about the secretaries? They exist, and they really do answer letters. Each year, in fact, they choose the preceding year's best and bestow a prize. Wonder if that's how this movie was really inspired?

What a surprise this beautiful and easy going film was. Letters to Juliet is a nice afternoon at the cinema, while doubling as a postcard from Italy. Amanda Seyfried is on a roll, her lovely awareness of roles will propel her into super stardom. As young Sophie, who is engaged to a over zealous chef, her life is changed dramatically when she finds an ancient letter buried in a sacred site in Verona. The home of star-crossed lover Juliet provides serious love aspirations for all who visit. Sophie, a fact checker but would be journalist pursues the writer of the letter, Vanessa Redgrave, then takes off on a road-trip with her grandson in tow to find the lost recipient. The film is lush, sensual on the eyes but light enough to just relax & enjoy. Vanessa Redgrave sparkles and reminded me of Miss Daisy at times. Amanda Seyfried delivers pure delight, her saucer wide eyes had me transfixed. Wonderful.

I saw this film at an early screening and couldn't have been more delighted. The film is charming, adorable, and sweet with many laughs to be had as well. The message of romantic love being timeless and one that can cross many generations was very well appreciated and felt. The scenery of Italy in the film is gorgeous. There are breathtaking shots that make you want to hop on a plane after the film is over and go there yourself.

It was also truly refreshing to watch a film that I don't believe contained a single cuss word or sexual innuendo. (We need more of these movies). You could see this movie with your teens or your grandmother without the slightest bit of concern about being embarrassed of what might show up on the big screen. You walked out of the theatre feeling happy and remembering your own love story -- or hoping for your own love story to come.

Don't miss this one if you get a chance to see it. You will not be disappointed.

Fairy tale romance. I liked this more than I expected to. Getting sucked into the beautiful locations and then the story which you reach a point with where you just have to see through, will she find Lorenzo?

The story follows wannabe writer Amanda Seyfried, vacationing in Verona Italy with her busy fiancé. She goes to a wall where the heartbroken leave notes to Shakespeare's tragic heroine, Juliet. Finding a letter from 1957 she decides to write back to the now elderly author who then comes to Verona with her grandson. The trio set out to find Vanessa Redgraves long lost Lorenzo. A simple and enjoyable movie with breathtaking views, made me want to return to Italy.

I had expectations of seeing a nominal quality love story going in. I was pleasantly surprised that this film was a noticeable cut above the average. I enjoyed it a great deal; and judging from the audience, so did everyone else.

A long time ago I realized that the way the best love stories work is to make the audience wish they could be the character on the screen. This movie does this in spades.

The major weight of carrying the film rested squarely on the shoulders of Amanda Seyfried. Other than being very lovely shoulders, she did an excellent job of portraying her character. She has a great range of endearing expressions. I've seen her in a couple of other films that I enjoyed her in, but none better than this; even considering the broader production values of "Mama Mia". She was radiantly beautiful and added just the right note of intelligence, warmth and charm. In one scene where her character described her excellent education, it didn't seem ludicrous coming from her as it has in the past from other actors. I'm looking forward to seeing more of her - and not just because of her radiant beauty either.

The rest of the cast did an admirable job as well. Gael García Bernal did well in his role of Seyfried's distracted workaholic fiancé. Later in the film, the arrival of Christopher Egan as counterpoint to Bernal was handled with better than average skill by Egan. His grandmother, played with subtlety by Vanessa Redgrave, was the focus of the story and has never seemed more sensitive and caring. But hey, fellas, whoever was wrangling the script (Rivera/Sullivan), she wasn't believable saying she was 65 when she's 73. But that was the only off note to me. Finally, Oliver Platt added an enjoyable aside as Seyfried's boss.

Finally, the rest of the productions elements, sets, costumes, locations, etc are all right on the money for the theme and feel of the film; nothing out of place of awkward looking. Excellent entertainment all around.