The Killing of John Lennon

As a film, "The Killing of John Lennon" is extremely well done. It is expertly crafted. Well directed. Well acted. Well edited. Well shot. But that is a technical appraisal. I have a difficult time respecting this film because its emotional impact relies on one and only one factor, John Lennon's murder. If you do not care about John Lennon, the film has no impact. This is why this talented filmmaker chose his subject. Had he made a nearly identical fictional film that featured the murder of someone who the audience does not literally love, he'd have a film that very few would feel the need to watch. He'd also have a film that I could respect.

Instead, he has a film that Beatles and Lennon fans will watch, even if it in spite of themselves. And if Sean Lennon or Yoko Ono said, "You're raping John's corpse," well, I don't see how the filmmaker or the company that might buy and release this film could deny that in fact their money is soaked with John's blood.

The director himself was both arrogant and evasive at the Q&A after the movie. Someone in the audience asked, "Do you think Chapman would be happy after seeing this film?" Instead of answering, the director said, "I don't think he will ever get out of prison, and if he does someone will shoot him immediately." I assume that he avoided a real answer because the real answer is, "Yes. He'd be ecstatic. The fact that there's not one but two films about him will completely affirm whatever parts of his psychotic mind still cling to his desire to be someone. I've made Chapman very happy, that is for certain, even he never sees this movie." I did want to ask why he titled the film with "Killing" and not "Murder." He seemed the sort to enjoy a discussion on semantics.

I support this director's right to do the wrong thing, and only wish he'd have either chosen to not exercise it or would have made some effort, even if it were a disclaimer at the end of the film to express an acknowledgment of the exploitation and perhaps make amends for it. I am not saying that the filmmaker has to donate some or all of his profits from this film to a charity that supports the families of murder victims, but I am saying that he should. The Lennon family certainly doesn't need the profits, if there are any, from this film. And the filmmaker should not want the profits, because it is not his skills that will draw an audience but John's name and the world's affection for him.

I give this film a 4 because technically it earns a 7 and thematically earns a 1, which averages to 4.

I have read many Lennon biographies as well as numerous detailed accounts of Chapman's life. The books that I have read go deep into his background and they explore what conclusions can be made about his thought process and motivations.

In that regard, this film presents a strikingly superficial rendering of who Chapman was and what was motivating him. While skipping realistic depth and detail, the film uses atmospheric shots, music, and creative editing to conjure an atmosphere that is in effect, an art project.

Given the subject matter, I find it distasteful.

The shots of Chapman walking around in a clearly 21st-century time square (the film is set in 1980) are silly. The randomly sped-up shots of him maniacally grimacing are irritating, and, honestly, a bit cheesy.

I will give the film credit for it's depiction of Lennon at the end, I found him strikingly life-like.

If you really want to learn about Chapman, get one of the recognized books on the subject matter and delve deep.

This film is an art-school project that reveals nothing and presents a superficial, unbelievable caricature of Lennon's murderer.

"I was nobody, until I killed the biggest somebody on earth". The words of Mark David Chapman perfectly sums-up this Andrew Piddington biopic of the estranged murderer of John Lennon. Not only does the film track Chapman's movements in the months leading up to the fateful event, but it also follows what happened to the killer from the moment he shot the infamous Beatle, right through to his committal into a psychiatric hospital. The unknown Jonas Ball's portrayal of Chapman is splendidly subtle and disturbing and combined with the artful and experimental direction of Piddington, 'The Killing of John Lennon' makes for an aesthetically pleasing yet chilling examination into the mind of a killer who just wanted to be famous.

Killing of John Lennon, The (2006)

** 1/2 (out of 4)

The first of two films looking at the murder of John Lennon in the past couple of years. This one here tells the story of Mark Chapman (Jonas Ball) starting three months before the murder and a year afterwards. This here is certainly a little better than Chapter 27 but both movies have major problems, which in the end means that neither are worthy of the subject matter. On a technical level this one here is pretty strong with its nice direction and performances but I think it's tries to do too much. The movie covers a pretty long period but it kept hitting me as a been there done that feeling. We've seen countless movies trying to get inside the head of a crazy person and this is where the movie fails. I never did feel as if we were inside Chapman's mind no matter what crazy sayings were coming out of his mouth or how many times he read from The Catcher in the Rye. This here makes the first thirty-minutes really drag as we are seeing Chapman in Hawaii as he slowly comes to realize that it's his destiny to kill the ex-Beatle. When things get to New York the movie picks up a bit but we still have to listen to Chapman talk, talk and talk. The most interesting part of the story being told happens after the 77-minute mark when Lennon is killed. Unlike other films, we get some rather graphic details of the murder with all five bullets shattering through Lennon. I'm sure some fans might find it hard to watch these moments but we also continue with what Chapman did after the murder. Everything involving what happened minutes and hours after his arrest are very well done and are quite interesting but soon we get more dragged out scenes of talk. I'm positive there's a very good movie to be told here but perhaps someone should look at the murder away from Chapman's eyes. Ball delivers a fine performance as Chapman and others in the cast fit their roles just fine. In the end there's a lot of interesting footage here and it's very well made but there's also a lot of weak stuff that really kills it.

Re-enactment of the months leading up to the shooting of John Lennon in the life of Mark David Chapman using his own words and the actual locations.

Stunningly made and extremely well acted film is the cinematic equivalent to being dropping into the mind of a mad man. This is a often a scary portrait of a man on the edge. Through the use of words and images one can get a sense of what it may have been like inside the brain who killed John Lennon. Its a wonderful achievement that makes me want to see what director Andrew Piddington has done before and will do after (It appears he's done mostly TV documentaries). The early part of the film is very unnerving since you begin to see and understand what Chapman was thinking and going through. It is not an easy thing to identify with a killer and there are moments when Piddington makes you do that. (I know several people who don't want to see this film at all because they want to have nothing to do with the subject) As well made and well acted as the film is the film falls down in one key area, its simply too long. Running almost two hours the film simply begins to run out of steam as we watch the monotony of Chapman's life become monotony on screen. Some scenes seem to go on too long and others seem be a repeat of things we've seen before. What worse is that its an intriguing thing to think and feel like a madman its another to feel trapped in his mind and after a while the sensation becomes one similar to drowning and one wants to simply tune out and shut down. I hate to say it but I think probably a half hour could be removed to speed things up.

Well made enough to be worth a look on cable (I saw this on the pay service IFC on Demand) or as a rental where you may be ale to get through the slow bits by walking away for a while.

6.5 out of 10.