Auf der anderen Seite

This is the "Short Cut" concept once again, but in a much more clever way. It says that everybody are destined to get together. For better and for worse. We don't know it, but our movie audience understands.

This is also about the relation between Germany and Turkey and West and East at the present moment. The two are closer now than they used to be, but both parts are still hurt after each meeting. Unconditional love is hard to reach, but people try, without knowing it.

A movie about sadness but also a little about hope. Many things are too late, but some things aren't. You'll definitely sit through the final scene, for reasons which shall not be mentioned here.

Faith Akin, renowned for his energetic movie 'Gegen die Wand', brings another story about the Turkish-German community. The movie focuses on three families who are all connected in some way. In a beautiful way Akin shows the struggle of a Turkish prostitute, a professor of German literature, a young Turkish rebel, a student English and Spanish and a retired widower to find peace and happiness in their lives. Akin manages to avoid the many pitfalls which can lead to clichés. The characters remain just ordinary people with genuine emotions and problems. The movie also depicts the impact of globalization and multiculturalism in nowadays Germany and Turkey. It's the most debated topic of our time. To what extent do we want newcomers to adapt to their new surroundings and to what extent do we accept them to cherish their own cultural heritage. In an even broader perspective, it deals with the clash between the Islamic and western world. 'Auf der anderen Seite', which means on the other side, shows how Turkish immigrants come to love their new country, Germany, without losing their Turkish roots. I think Akin invites us to try and imagine the backgrounds of people, so there will be less misunderstanding. This view is symbolized by Lotte, a German student, who decides to help Ayten, a Turkish political activist who fled Turkey. She doesn't know the Turkish girl but just wants to help her, because the girl has nowhere to go. This quest even brings her to the shores of Istanbul, a city where East meets West in the most literal way.

In the end, 'Auf der anderen Seite' is a story of love and hope which is most endearing and sheds a refreshing light on the global trend of clashing cultures. Any one who is interested in these topics and just loves a very well made movie, ought see this German-Turkish production!

The Edge of Heaven

This is such a powerful, expansive, yet intimate movie about one of the things that matters most in our times, it's hard to fault it. The acting, the events, the setting, and implications of all these characters meeting and not quite meeting, suck you in. If it seems to have a lull now and then, you end up feeling the pace of their lives, and the pace of life itself. The events, even when they have a comic twist, are so heady and difficult they could make whole films each by themselves, but here they work through several related sections within a single tapestry.

As strong as the acting is, the core of the movie is the series of events, the plot. You'll see early on some coincidences beyond reason, making the plot almost Shakespearean, and therefore artful. The roles are each character are just a little surprising, just enough to keep us curious, yet each character represents a distinctive aspect of the crosscurrents of German and Turkish cultures and worlds, such as old people assimilating and young people refusing to assimilate. Even more than the mixing of Mexican and American worlds here in the U.S., this is a dramatic and more contentious melding, fraught with all those dangers of misunderstanding we hear in the news every day. Yet when it's brought down to the level of individuals, even seemingly unyielding ones, humanity wins.

I don't know how this film will carry itself in a couple decades. As well made as it is, it feels rooted in the moment, and when the times change yet again, there might be some kind of art or magic or transcendence missing to make it fully transport a viewer. It will remain interesting, but possibly less moving. But then, maybe the themes, of parents and children, of friends looking for who they miss and avoiding who they can't stand any more, might just be universal. But as a reflection of our world right now, 2009 (or 2007, when the movie was finished), it helped clarify just what life is like out there, beyond cinematic glitter and glam, beyond hyped up violence and romance. And beyond even the limitations of documentary in creating aura.

The Edge of Heaven happens to end with such lyrical highs, the name of the movie hits you hard. We are reminded of what exists beyond all the trappings that made so many people in the previous two hours so miserable, and it's there for us to tap into and to have in common, regardless.

"Auf der anderen Seite" is the first Faith Akin-movie I have seen, and I was surprised by how balanced and mature it was. Looking at Akin's young age and the "gang"-background of his youth, I was expecting something much louder, more brutal, more explicit, more devastating. What "Auf der anderen Seite" is, is a deeply humanistic and thoughtful movie.

The thing that I loved most about it, is that every single character is written so well. No one is a villain or a bad person per se, they're all just human, struggling to do what they think is right. The actors and actresses portraying these characters are fabulous. I've rarely seen such convincing and natural performances.

Finally, the story itself is original, unagitated and beautiful. The individual plot lines don't come together as you think they would or as you think it might be best for the characters. When the movie ends, you will find that everything did resolve in a way. It's hard to explain it, if you haven't seen it. Let's just say this: "Auf der anderen Seite" doesn't have the average Hollywood-solution, but it will leave you with a lot to think about when the credits quietly start running.

This movie really impressed me, and I can't wait to finally see Akin's other works. Apparently Germany's finally got a really interesting filmmaker deserving of all the praise he gets.

In his film The Edge of Heaven (2007), under original title Auf der anderen Seite (On the Other Side), Fatih Akin, a German writer-director of Turkish parentage, intertwines two stories, whose protagonists get caught in seemingly hopeless situations, both resulting in individual tragedies, stories with a cross section on the character of a young Turkish German professor, Nejat Aksu (Baki Davrak) whom we first meet living in Bremen and lecturing in the German literature university classes, who returns to Turkey, on a (futile?) quest for the lost daughter of his father's suddenly deceased girlfriend, and (unexpectedly?) stays there where he, quite appropriately to his vocation and interests, buys and maintains an Istanbul bookstore with exclusively German books (or books translated in to German) on offer, two stories which gradually approximate each other, but never actually "resolve" one in to another. Still, the end is open, with the possibility for resolution, future cleansing what-so-ever, of the souls heavily burdened with guilt from the past.

Film touches real life situations, ranging from usual family tensions and quarrels, through losses suffered due to physical separation or emotional disorder, all the way to ultimate loss, death of the dear one, and in doing so engages audiences on the first-person level, because nobody is spared from at least a single such experience, or two or more. Such an easy and deep identification with on-screen happenings, with how they develop, how they are mended or not... is what we feel all along, and what we carry out of the theatre when the film is over... Split between two sides, Life and Death on the edge, but who's to tell which side is the Heaven and which one is the Hell?

Heavy matters tackled, yet easy to relate to, feel for affected characters and empathize with them, in an emotionally charged and very engaging film.