Sleepwalking

New director William Maher and writer Zac Stanford previously worked together in THE CHUMSCRUBBER and the similarity of vision is apparent in SLEEPWALKING: both films deal with the empty shells of hollow people aimlessly seeking connection in a world that has become foreign territory. It is a dark, cold, brooding film that somehow manages to maintain our attention with the hope that the gloomy tunnel though which the characters are passing will have a semblance of light at the end.

Joleen (Charlize Theron) is the inadequate, loving-but-inconstant mother of twelve-year-old Tara (AnnaSophia Robb) whose reckless an aimless life leads to constant moving and lack of roots. Evicted form her latest residence Joleen and Tara move in with Joleen's younger brother James (Nick Stahl) whose similarly aimless life is defined by a trashy apartment and a mindless construction work job. Tara is sullen, disappointed in her mother's erratic, irresponsible behavior, and when Joleen once again takes off 'on a new idea', Tara is left with James - trying to figure out an existence for survival. James loses his job due to absenteeism, takes up residence in the filthy basement of his nerdy co-worker Randall (Woody Harelson), while the town cop (Mathew St. Patrick) reluctantly places Tara in a foster home to await the return of Joleen. Tara prefers life with James to her 'imprisonment' and the two take off on a road trip, seeking some degree of happiness and love in a world gone berserk. When James runs out of money, he heads to his old home farm for refuge, an unlikely endpoint as his and Joleen's childhood was warped by their abusive farmer father (Dennis Hopper). The return to the farm, James hopes, will provide connection to Tara's past, but instead it results in a tragedy that ultimately moves Tara back to her 'home' and to Joleen, while James drives off into the unknown future, finally awakened from his sleepwalking through life.

The film is as bleak as the flat and snowy countryside (the film was shot in Canada's winter) and that countryside reflects the desperate loneliness of the characters. The small cast offers solid portrayals with the work of Nick Stahl being the standout performance. Theron, Robb, Harelson, Hopper, and Deborra-Lee Furness (in a small but poignant role) make the best of a shaky script. This is a mood piece and can become depressing if the viewer expects resolution of the sad and empty lives the characters lead. But there is a haunting quality to the look of the film that stays with the viewer, especially in the mystery in the eyes of the character James as he drives into an unknown but awakened future. Grady Harp

If you peer honestly at this film, it depicts familial dysfunction, and the havoc it engenders in children; they are the innocent creatures that are damaged irrevocably. They say all you need is one person while you are raised who attunes to you lovingly and with empathy; thats all it takes. When you are abused at an early age, you will lack individuation and psychosocial integration. Perchance if you have children, whether you want to or not, you will pass this information on, that is stored in every cell of your body. Braking the generational abusive cycle requires more than knowledge it requires healing. Nick Stahl is a great actor, who gets better with age, using little to say so much. The child actor is decent too.

The pacing of this movie is a little slow. There were times when i almost gave up on it, and wanted to stop watching it, but didn't. I am glad i finished this movie because there is something so honest, and pure about the subject matter.

What's great about this movie is it's not flashy like people think movies need to be. It is not over the top, not glamorous. This movie is striped to the bare essence of what it takes to make a good film or better, great acting, and a genuine story line.

The movie has a slow start, but a rapid ending that leaves you wanting more. The characters are really well developed. I feel a close connection to all of them. I feel like they are real people, and that's unusual to feel when watching a movie.

It's a movie about choices, about how one moment can change your life. The decisions we make are not always right, most of them are made on impulse, but we still have to deal with the aftermath, and learn a lesson along the way.

My interpretation of "Sleepwalking" as extremely depressing may spring from the fact that I knew nothing about it when I started watching it. Charlize Theron plays down-and-out Jolene, who dumps her daughter Tara (AnnaSophia Robb) on her brother James (Nick Stahl) and disappears. James now has to reconsider how he has lived his whole life.

The wintry setting in this movie has the same effect as the setting in "Affliction": as bleak as can be...especially after what ends up happening after James and Tara go on the road. Definitely not a film that will leave you feeling good. Not to demean the movie at all; I do recommend it. You just have to understand that this is a VERY depressing one, exactly the sort of movie to premiere at the Sundance Film Festival. I don't know whether or not you'll like it, but I still encourage you to at least check it out. Also starring Dennis Hopper, Woody Harrelson and Mathew St. Patrick (who played Keith on "Six Feet Under"). I assume that director William Maher is not the same as Bill Maher of "Real Time with Bill Maher".

I watched this movie today and I must say that it was absolutely amazing. It is drama by genre but most of the time this kind of movies are much better than we thought. With four amazing main actors this movie couldn't fail although only two actors, AnnaSophia Robb and Nick Stahl are keeping this movie so good. After Tara's (Robb) mother Joleen (Charlize Theron) leave's her with her uncle James (Nick Stahl) their lives are start to fall down. James gets fired from his job and social service takes Tara to foster home. One day James comes to visit Tara and by her request they leave the city by car in unknown direction. On they trip they would get more closer, and some events will open their eyes from a long dream. Nick Stahl is great as James. His character's childhood was abuse by his father as his sister Joleen. Charlize Theron is solid, but real star of this movie is AnnaSophia Robb. She has only 14 years old and already playing complex roles like this one. She is going in the right way by now.