The Mist

If, two years ago, you told me that within a couple of years two excellent Stephen King film adaptations would be released, I would probably have laughed it off. Films like The Shining, Shawshank Redemption, Stand by Me, The Stand and 1408 are usually pretty far between (Note that I consider The Green Mile and Carrie to be the most over-rated King adaptations, so they do not appear here). I like most of the films that have been made from Stephen King novels, novellas, and short stories mainly because I like Stephen King, but I do not recommend many of them as truly good films.

Frank Darabont's (writing and directing) The Mist adapts a horror novella of the same name. King's horror work has been the most difficult material to adapt, but this film is comparable to other genre stand-outs such as The Shining and 1408.

A brief, dramatic thunderstorm is followed by a freak mist that descends on a small New England town. As the mist permeates the town, people congregate in the local supermarket and hardware store to stock up and gather supplies. David Drayton (Thomas Jane), his son (Nathan Gamble), and his neighbor (Andre Braugher) are among them. Tension builds as a steady stream of military vehicles pass through the mist headed south from a nearby base. But serious concern doesn't start until one of the locals runs to the supermarket with blood spatters on his clothing and talking of monsters in the mist.

Indeed, there are horrors outside in the fog, but there are also horrors inside the market - as paranoia, irrationality and religion come into conflict with practical issues of survival.

Unlike many horror films, The Mist examines fear and its effects realistically, looks at the horror created by forces beyond human control and the even more terrifying horror that fear creates through forces that are completely within our grasp - our own fears, our beliefs and our treatment of each other. It does so using a classic formula which is comparable to films like Night of the Living Dead and, more recently, Feast.

The cinematography, editing and directing are all excellent. The acting is quite good - Marcia Gay Harden and William Sadler stood out for me - and the script is exactly where it needed to be for this adaptation.

Highly recommended for King fans and horror fans. Recommended for Sci-Fi fans. Weakly recommended for average cinema-goers who are not generally interested in horror.

Pop quiz. Tell me, what do you consider to be the most successful Stephen King adaptation, made for film or television? "Carrie"? "The Dead Zone"? "Salem's Lot"? "Stand By Me"? No! Not "Maximum Overdrive"!! (And if that is your choice, may God forgive you, because I won't.)

All of the above, except "Maximium Overdrive" of course, are great pieces of work. But my choice as the benchmark Stephen King adaptation would probably be "The Shawshank Redemption", directed by Frank Darabont.

Stephen King has been very good for Frank Darabont. "The Shawshank Redemption" has become a modern classic and "The Green Mile" was nearly as good. I am glad to say that "The Mist" is nearly as good again.

"The Mist" is a great film, perfectly structured, but a film that requires patience. It is a film of the slow build and of a gradual getting to know the characters, their obsessions, their fears and prejudices. It was nice to see a King horror film where his great talent of touching on the reality of a small town, has been exploited. It makes it all the more horrific when all hell does break loose, because the people who are getting hurt are ones that you know.

Thomas Jane is faintly wooden. Personally I would not have cast him, but all of the other performances are top notch. Marcia Gay Harden's possibly psychotic, fundamental Christian, Toby Jones' short, pudgy, perfectly ordinary hero, Andre Braugher's uptight, big city lawyer and William Sadler's scared, malleable blue collar worker. All excellent.

"The Mist" is not "The Shawshank Redemption" in one crucial way. Whereas "The Shawshank Redemption" was about hope and life, "The Mist" is about hopelessness and death. One thing that they have in common is an astonishing ending. The ending of "The Mist" is wonderful, horrific, twisted and shocking. Not anything that I saw coming.

"The Mist" is marvellous. Must see.

I must admit I never thought I would like this movie. Somewhere in the back of my mind I was thinking that it would be like the "The Fog"

In the end I thoroughly enjoyed it. It was a pretty good suspense/horror movie. The actors were great. As you watch it, somewhere at the back of my mind I was thinking how in the world is this going to end which meant it got me hooked.

Listen if you're still deciding whether you want to watch it or not, then watch it. You will not be disappointed.

I absolutely loved it as a kid. I liked the fact horror was relying on the unseen danger rather than just cheap jump scares. It gave you just enough monsters to keep you entertained and monsters never lacked in variety. CGI is a bit dated if you watch it today, but the plot, music and acting still holds up. A good movie based upon King's novel.

Main antagonist was a good fit by combining her fanatical and zealous belief that the apocalypse has come and the end days are here, all while charismatically taking control of survivors to manipulate them to her benefit.

Ending was very tragic, but host of seraphim soundtrack was to die for (pun intended).

Frank Darabont returns to the Stephen King well once again and this one is my personal favorite. I have a soft spot for horror stories, I know The Shawshank Redemption and The Green Mile are both much more subtle artistic masterpieces of modern cinema, I watch those films quite often and they tug at my heart strings each and every time. This film, however, is a fantastic character study with a subtly layered screenplay, powerful performances from it's ensemble of movie stars and "hey it's that guy!" character actors that also just so happens to include expertly directed gut wrenching sequences of horrorific monsters. It's a truly spooky film unlike most modern horror films. Darabont puts you right there in that supermarket, surrounded by panicked townsfolk and religious nutcases. Not only is the film scary, it's painfully tragic. I don't want to spoil the ending because it's so incredibly powerful so I'll say as little as I can but just don't expect every character that you've grown to love to make it out unscathed. This film has immense rewatchability unlike so many horror films that are meant to shock you momentarily with a jump scare then laugh it off with a quip. This is NOT that kind of film. Yes things get shocking but they're earned shocks and not just a series of the filmmakers shouting BOO!