IMDb रेटिंग
7.5/10
4.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn animated retelling set to Prokofiev's suite.An animated retelling set to Prokofiev's suite.An animated retelling set to Prokofiev's suite.
- 1 ऑस्कर जीते
- 6 जीत और कुल 2 नामांकन
फ़ीचर्ड समीक्षाएं
A careful crafted version of Prokofiev composition, in which the wolf, the grandfather, the goose, the crow, the hunters , the names of shops and the crow are pieces of a clever crafted story about courage, determination, wisfome, curiosity and empathy.
Being an animation by Suzie Templar, the real surprises are far to can be many.
But, like The dog, the traits of Peter are just admirable, reflecting his states, condition and energy of age in beautiful manner.
A nice portrait of friendship and bravery and precise defined attitute about life.
Delightful can sound too much but, served by music of sergey Prokofiev, the film is just beautiful in profound sense, for each detail and nuance.
Being an animation by Suzie Templar, the real surprises are far to can be many.
But, like The dog, the traits of Peter are just admirable, reflecting his states, condition and energy of age in beautiful manner.
A nice portrait of friendship and bravery and precise defined attitute about life.
Delightful can sound too much but, served by music of sergey Prokofiev, the film is just beautiful in profound sense, for each detail and nuance.
Peter lives in the countryside with his oppressive and restrictive grandfather. He is unwelcome in the town and his only friend appears to be his duck. Playing outside on the ice one day, Peter's grandfather takes and locks him in the house leaving the duck unprotected when a wolf comes. Witnessing the death of his friend in the jaws of the wolf, Peter sets out to get instant revenge with a deadly and dangerous plan.
In this updating of the famous story, we find ourselves in a modern (yet also ancient) setting that feels like it is Eastern Europe. The story is well delivered and is a good mix of issues regarding the young boy Peter and the variety of emotions he goes through across the film. Although it is short it is engaging and interesting and I found all of it to be easy to watch and enjoyable. The plot is easy to follow but will provide food for thought for older pre-teens. Animation wise the film looks great. Some viewers will bemoan the washed out and depressed look of the film but for me this was a strength as it allows the touching moments of happiness to stand out more but more importantly gives the whole thing a nice edge that I thought worked and drew me in.
It also suits the character of Peter as here he is dead eyed and worn down but yet with sparks still in him. It is an interesting character and one that the silent "script" brings out well. Of course this is more to do with the skill of the animators as they bring out so much with the stop motion figures. It does lack the smoothness that modern child audiences will be used to but it is better for it, suiting the rough, bleak feel of the film and, despite what I said about not being "smooth", it looks great throughout. The music is good as well, matching the mood of any individual scene and shifting well when required as another reviewer commented, it is a good way of getting children into this type of music.
Overall then an engaging and enjoyable animated take on a famous story. It has a great bleak atmosphere and a strong story and central character. Shown over Christmas 2006, it proved to be a welcome break from mass produced cartoons with simple cloying messages and is worth seeing if you get the chance.
In this updating of the famous story, we find ourselves in a modern (yet also ancient) setting that feels like it is Eastern Europe. The story is well delivered and is a good mix of issues regarding the young boy Peter and the variety of emotions he goes through across the film. Although it is short it is engaging and interesting and I found all of it to be easy to watch and enjoyable. The plot is easy to follow but will provide food for thought for older pre-teens. Animation wise the film looks great. Some viewers will bemoan the washed out and depressed look of the film but for me this was a strength as it allows the touching moments of happiness to stand out more but more importantly gives the whole thing a nice edge that I thought worked and drew me in.
It also suits the character of Peter as here he is dead eyed and worn down but yet with sparks still in him. It is an interesting character and one that the silent "script" brings out well. Of course this is more to do with the skill of the animators as they bring out so much with the stop motion figures. It does lack the smoothness that modern child audiences will be used to but it is better for it, suiting the rough, bleak feel of the film and, despite what I said about not being "smooth", it looks great throughout. The music is good as well, matching the mood of any individual scene and shifting well when required as another reviewer commented, it is a good way of getting children into this type of music.
Overall then an engaging and enjoyable animated take on a famous story. It has a great bleak atmosphere and a strong story and central character. Shown over Christmas 2006, it proved to be a welcome break from mass produced cartoons with simple cloying messages and is worth seeing if you get the chance.
Peter and the Wolf is one of Prokoviev's best and most accessible works, one of my first introductions to classical music as well. This animated short film is just outstanding(even better than Disney's version and the excellent ballet production with if memory serves correct Anthony Dowell as the grandfather), highly acclaimed and wholly deserving of it. The animation is great, very professional and detailed if not quite as refined as other animations seen. The atmosphere it evokes too is naturalistic, charming, sinister(but not too scary) and very Russian. The characters are modelled very well, standouts being the cat and the wolf. Prokoviev's music is fantastic as expected, the orchestra perform it beautifully and bring out the different personalities of their characters through the different instruments very successfully. The strings and horns are particularly good. The story has been tinkered a little, but the spirit is there as are the basic details, and it's still engaging and touching. The characters are very well-defined, Peter's a likable hero and the wolf is a very scary nemesis. In conclusion, an outstanding short film. 10/10 Bethany Cox
I loved this, watched with my 8 year old daughter. It has laughs and suspense and sadness and happiness.
The animation is incredible, especially the cat, and the characters are so endearing.
I enjoy having films for my daughter that aren't filled with inane dialogue and cute little witticisms, as there are really so few nowadays that are really funny for kids. She enjoyed just watching and listening to the music, as she was able to comment on what was happening, or what she thought of the characters, without being afraid of missing a line.
We recommend it to all.
The animation is incredible, especially the cat, and the characters are so endearing.
I enjoy having films for my daughter that aren't filled with inane dialogue and cute little witticisms, as there are really so few nowadays that are really funny for kids. She enjoyed just watching and listening to the music, as she was able to comment on what was happening, or what she thought of the characters, without being afraid of missing a line.
We recommend it to all.
In interviews on the DVD, Templeton says that hers is a darker Peter & The Wolf than others. Compared to Templeton's other work (the brilliantly crafted, deeply moving, but thoroughly distressing "Dog" and the creepy "Stanley", for instance), and considering the way she ends her "Peter", I'm not sure it's as dark as she thinks it is.
This Peter and the Wolf is clearly not for little kids (when the wolf eats Duck, Peter's best friend, there's no hint that she — swallowed whole in a single gulp in Prokofiev's tale, but taken in several gore-free bites here — is alive and quacking in the end), but for anyone old enough to appreciate the scope of this mini masterpiece, a rewarding discovery awaits.
The sense of connection between Peter and the Wolf is palpable. Two starving beasts get a taste of what they crave: The Wolf, a scrawny duck, and Peter, escape from his grandfather's stern, austere care. If you crave stop-animation with depth, substance, and beauty, you will find this brief film a 30-minute treat, too.
This Peter and the Wolf is clearly not for little kids (when the wolf eats Duck, Peter's best friend, there's no hint that she — swallowed whole in a single gulp in Prokofiev's tale, but taken in several gore-free bites here — is alive and quacking in the end), but for anyone old enough to appreciate the scope of this mini masterpiece, a rewarding discovery awaits.
The sense of connection between Peter and the Wolf is palpable. Two starving beasts get a taste of what they crave: The Wolf, a scrawny duck, and Peter, escape from his grandfather's stern, austere care. If you crave stop-animation with depth, substance, and beauty, you will find this brief film a 30-minute treat, too.
क्या आपको पता है
- ट्रिवियाAt 32 minutes, this is the longest film to win the Best Animated Short category in the Academy Awards through 2010.
- कनेक्शनFeatured in Troldspejlet: एपिसोड #36.7 (2007)
- साउंडट्रैकPeter and the Wolf Op. 67
Written by Sergei Prokofiev
Played by The Philharmonia Orchestra conducted by Mark Stephenson
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Peter and the Wolf
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- £20,00,000(अनुमानित)
- चलने की अवधि32 मिनट
- रंग
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