Not Going Out

I realize they had to update the show with kids, but the show is at its best with the adults. or maybe its the writers. bring back Daisy :)

On the first showing, I thought, 'well, that could have been better'. The second episode came on and I decided to give it another try. I laughed myself silly. This proves that comedy on Friday nights is finally making a comeback. Only into the fourth episode and I'm looking forward to the next episode. Lee Mack is brilliant and his timing is perfect. Tim Vine comes out with some great one liners. As for Megan Dodds, wow. Not only is she gorgeous, she can act. She may be just the reason I returned for a second helping and I'm glad I did. There maybe a few cheap laughs here and there, but they just warm you up for the smattering of funny gags, slapstick falls and superb lines. Worth staying in for. I just hope we see a second series and a DVD box-set.

Ah - this used to be genuinely funny and very clever - but alas, no longer.

The best of this series was when it featured Tim Vine (S1-5). Since then it has become tired, hackneyed, predictable and rather tedious.

There was a time when the episode scenario was at least faintly believable but then this moved into a new era where it did not matter what was happening so long as there was time for the usual jokes with their canned laughter accompaniment.

We could just about live with the dim character played by Katy Wix but after she left it became increasingly unfunny. The main characters were given children who seem to appear once in a blue moon and the series is frequently populated by morons who do not question the imbecility of what is happening.

Loved this once - now it has become embarrassing. Such a shame.

I have to agree profusely with some comments that have been made on this title. Watching the two series I have been compelled by the nature of the comedy-which I have accertained as a compromise between stand-up comedy and a sitcom. Rather than to shroud the characters true feelings, as has been done before, all characters speak their mind. This brings the result of a comedic 'battle' between them in which their unresolved disputes and generic arguments are turned to light-hearted funny quirks in the viewers perspective, as the drama unfolds for all those involved-namely for the unfortunate Lee, who seems to be at the tail-end of most decisions and seems to have most bad-luck.

Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.

When it switched from being about Lee Mack trying to get off with Sally Breton, especially when Tim Vine was in it, it was hilarious. Then it was a fast and clever comedy with adult humour.

Series 8 metastasised not just into a family sit-com but the blandest, mundane, most inoffensive sort of thing possible. Mildly amusing but not funny.

The two shows are so different that they really should have changed the name of it. So much so that when you say you like Not Going Out to someone, you have to qualify that by saying: the early seasons only of course. The two shows are as different as 1970s Genesis with Peter Gabriel to 1980s Genesis with Phil Colins.