this is an enjoyable series--well worth the watch. and if you want to put it in Hollywood lingo, then it is a 21st century "dog day afternoon", without the Attica chant. and if you don't know that film--see it. that's the meat of the series, but after viewing some decent twists in the middle, the end turns into a broke down copy of "heat".
and after watching a couple of episodes, it becomes obvious why the two leads went for this project: the writing and lead parts are exactly what mature actors dream of, and the producers must have convinced them that the small budget would be seen on the screen, and not end up on producer's expense accounts.
i'm an old recon marine, and some of the early tactical stuff had me cringing. but this can be partially discounted by the bandits being regular grunts and not trained for speed, but when the sarge called former marines--soldiers--throughout the series, i about soiled my sheets. we don't do that. we are not ordinary soldiers. i know. i was in the army and the marines.
but again, this is a great series--that is if you're into realistic television. it has many flaws: like dumping a cop in a populated area when he could have been dumped, blindfolded in the woods and thwarted the outcome; and whenever a killshot was needed and should be made by pros, they all shot as badly as the comedic, t.v. A team; and then there's the female vet/swat officer who acts like she was a three tour grunt who knifed tangos in their sleep for fun, instead of realistically being a truck driver who had a rifle in the cab too dirty to fire; and then there was the story's massively overworked murphy's law of extraction; and also the military insignia worn on swat gear (which would be a p.r. death to a police department), most probably used, against technical advice, as a time-saving Hollywood device so the viewers could identify officers wearing gas masks later in the show.
but throughout the strong points fully outweigh the weak. there is well fledged character development. and that is very hard to find. and all good springs from competent writing, a series time frame to grow in, and a production team dedicated to the project. despite obviously disregarding adviser input.
one of my favorites about this series is that it was not produced to go beyond one season--and then only eight episodes. that took balls. look how far they elongated "prison break", now there was a one season show extended over and over again because the ratings were strong.
and how the hell did it show up on spike? it may have been produced first then put up for sale--and spike was the only one ready to buy for the right price--or it may have been flatly rejected because it was too short for a series, and too long for a mini series, and since it fits neither.... anyway, what a shame, and this shows the limited vision of network t.v. executives.
