The Jane Austen Book Club

In California, the favorite dog of the lonely Jocelyn (Maria Bello) dies and she meets her best friends in the funeral: the six times divorced Bernadette (Kathy Baker); the housewife Sylvia (Amy Brenneman) and her lesbian daughter Allegra (Maggie Grace); and the young French teacher Prudie (Emily Blunt), whose mother is a dysfunctional woman.

When Sylvia's husband Daniel (Jimmy Smits) dumps her for a younger woman, Bernadette and Jocelyn organize a reading club of Jane Austen to distract her with Allegra and Prudie. Meanwhile the sci-fi fan Grigg (Hugh Dancy), who owns a software company and was raised with three sisters, flirts with Jocelyn and she invites him to join the club with the intention of introducing him to Sylvia. They plan to read and discuss the novels "Sense and Sensibility" (1811), "Pride and Prejudice" (1813), "Mansfield Park" (1814), "Emma (1816), "Northanger Abbey" (1818) and "Persuasion" (1818), one per month.

Meanwhile, Prudie's marriage with Dean (Marc Blucas) is in crisis and she flirts with the student Trey (Kevin Zegers). Aleggra falls in love for Corinne (Parisa Fitz-Henley) and tells her private life to her affair. But Jocelyn does not understand the feelings of Grigg. While reading the novels, their lives entwine with the characters of the writer, leading each one of them to find what is looking for in love.

"The Jane Austen Book Club" is a delightful film for common viewers, but certainly wonderful for Jane Austen's fans. The story about love, second chance and Jane Austen novels has one of the most pleasant and charismatic cast that I have ever seen, with very beautiful and charming mature and young actresses and great actors having top-notch performances. In the end, the film gives the desire of reading Jane Austen's novels. My vote is seven.

Title (Brazil): "O Clube de Leitura de Jane Austen" ("The Jane Austen's Reading Club")

I have noticed a disturbing and frequent pattern in movies whereby it is depicted as normal for an old man (usually unattractive and overweight) to be in a romantic relationship with a much younger (always attractive and slim) girl. But it's extremely rare to see this in the reverse and when you do see it, it is never a 'normal' relationship, but always something purely sexual, unhealthy and fleeting. I'm assuming that is because it is not of interest nor does it fulfil the fantasies/daydreams of the typical older, overweight and un-attractive men who run the Hollywood film industry.

So, it was such a lovely breath of fresh air to finally have a script where two main characters, an older woman with a younger man, have a healthy, sweet and normal romantic relationship, that is depicted to last. This is far more common and 'normal' in modern real life than depicted in Hollywood movies, not to mention much more interesting to the large female audience.

Emily Blunt's acting is fantastic.

An enjoyable film that, for the genre it's in, was not very predictable, and in this way was a very pleasant watch. I really wasn't sure what to expect. I figured with Jane Austen's named tagged onto it it'd be some kind of emotional film with lots of angst. Perhaps it might be a period piece. But this isn't what I got.

I have to admit that I've never cracked a Jane Austen novel, but had seen many a British import on PBS rendering Austen's works for the small screen. And I half expected a costume drama to unfold on the screen, but got something that was a little more cliché in one way, but very unique in another.

The film uses Austen's plots as set piece examples from which the characters learn, apply to their personal lives, and grow. I have to say that I saw some aspects of my own personal life ingrained in this film. One might call it art imitating life, imitating art, only to imitate life once more. As an audience member whose been through some unique experiences as of recent, I found it heart felt. But I digress.

The film is respectably shot. Warm lighting compliments respectable though average cinematography. But then again the film isn't about wowing the audience with stunning visuals. It's about presenting characters and how they relate to one of the great writers of all time and her works.

The humor revolves around the unexpected, as do the more tragic and hurtful points. But even here there's a sort of unpredictable-predictability that, because of its exuberance, can be accepted for what it is. The characters behave as expected, but are surprised with the audience when the unexpected pops up. We can sympathize with them and their situations. It's what might be called the ultimate in character empathy--Austen style.

And isn't that one of Austen's great hallmarks? Her ability to create characters one can believe and sympathize with on all levels? Austen's books are used to create a tapestry of themes to navigate the highs and woes of life. The film's irreverent narrative remains intelligent, adult, somewhat prosaic and marginally didactic, but highly enjoyable for the most part.

A respectable chick-flick. :-) Enjoy!

I like movies with spaceships in, preferably exploding at some point. Also shooting, sword fighting and violent death. Oh, and car chases. And if I can't have the above, then can there at least be some explicit sex please?

And yet I loved this movie.

I loved the nerdiness, I loved the intimacy, I loved watching it unfold exactly as you know it's going to. And the chemistry between Hugh Dancy and the gorgeous Maria Bello crackles off the screen.

I know, I know, you could level this movie without much effort. You wouldn't even need that big of a stick. But you find yourself not caring.

This film is pure pleasure, start to finish. I gladly relinquish one of my Man cards for saying that. I'm off to watch something with guns in to compensate, though.

I saw this movie at the Toronto Int'l Film Festival and made a point of learning as little as possible about what it was about and who was in it. Such a refreshing way to be invited into a story.

Though this movie will never win an academy award and it's premise revolves around a well-known British author, this is a very "Hollywood" movie.

The ensemble cast is like a large-scale painting with each character portraying different colours and brush strokes. Their diversity brings perspective and depth to the story.

I loved Bernadette's (Kathy Baker) ballsy and ebullient pseudo-matriarchal figure; and I silently cheered for Jocelyn (Maria Bello) to break out of her disciplined and 'in-control' habits, but it was Emily Blunt's portrayal of Prudie that shone a light giving the sharpest and most emotional contrast of all. She, who steadfastly distanced herself from the social class she grew up in, and worked tirelessly to elevate herself "to the manor born", convinced herself, with her stylish bob, Chanel-esquire attire and fanciful forays into french phrasology, that she was beyond the mundane and ordinary. She convinced me she was both strong and fragile, and my heart broke along with hers. What a lovely performance.

This isn't high-brow film by any means. The audience's biggest challenge is listening for and extracting the many Austen quotes that get zipped and zinged throughout the film. We are ultimately drawn to watching the ever-changing relationships, like petri dishes being poked and provoked.

This movie will be enjoyable even for those unfamiliar with Jane Austen's novels. A visually appealing, emotionally satisfying, safe and somewhat predictable film. Most likely to be pegged as a chick flick because it's heavy on relationships. Guys' loss.