The Black Balloon

Thomas (Rhys Wakefield) has just started at a new high school. His father serves in the armed forces and the family has to relocate regularly. His brother Charlie (Luke Ford) has severe Autism and Attention Deficit Disorder. He's not able to speak and because he's the size of an adult, caring for him is not easy. At the start of the film we see him grunt with delight as he tramples a newly-bought carton of eggs into the kitchen floor.

While Thomas's mother (Toni Collette) has accepted her son's condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she's not put off.

It's been a number of years since I've connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we're drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.

One of the film's many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother's outrageous acts prove most amusing. On other occasions, they're heartbreaking.

Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he's an actor playing a role.

Toni Collette is first-rate as the ever-loving mother. She's heavily pregnant and when complications arise from her pregnancy, we can't help but wonder if the third child will be like Thomas or Charlie.

The most likable of the characters is Thomas's classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It's interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.

THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.

THE BLACK BALLOON won the Crystal Bear at this year's Berlin Film Festival. It's an important film and deserves to be seen. The Australian Film Industry, sadly, does not have a good reputation, at home or overseas. But if we make films like this one, that's sure to change.

It's a pity this film will not be more widely seen. It is an authentic demonstration of what it's like to live with one of the most enigmatic of mental disorders, autism, which afflicts about one person in 1000 (the more common and milder Asperger's syndrome affects about 6 in every thousand). Elissa Down, the maker of the film, has personal experience – two of her brothers are autistic – and with the aid of some truly accomplished acting she avoids cheap dramatics and conveys some genuine feeling.

The family portrayed has its eccentricities but you could not describe it as dysfunctional. Dad (Eric Thompson) and Mum (Tony Collette) not only have a strong love for their autistic teenager Charlie (Luke Ford) but they have learned to cope with his behaviour. The dramatic tension comes from younger brother Thomas (Rhys Wakefield) who loves the brother he has grown up with but finds the effect Charlie's' behaviour has on other people hard to take. Charlie has a few less than endearing habits like throwing tantrums at supermarket checkouts and bursting into other people's houses to use their toilet. The general adolescent horror of people who are different doesn't help much either – having a "spastic" as a brother is not good for the image. Yet Thomas's developing relationship with neighbour and fellow lifesaving squad member Jackie (Gemma Ward) gets a positive push from his situation.

As director, Elissa Down has a nice light touch, and the prejudice and distaste the family have to deal with are neatly sketched in. There are plenty of amusing moments; when a fight breaks out in a bus queue outside a high school several male teachers try ineffectually to stop it and it is the tiny but determined female lifesaving coach who, furiously blowing her whistle, restores order. Tough army NCO Dad holds conversations with his teddy bear and the two brothers wind up on stage together as dancing monkeys after Charlie's original partner throws a tantrum.

It has been suggested that autism, which has a strong genetic component, is a variation on normal rather than a defect, but its severely disabling nature means it has to be regarded as a malfunction. Autistic savants with freakish mathematic powers a la "Rainman" are extremely rare. People with mild forms of autism can function quite well in society, but Charlie is not one of those and will require care for the rest of his life. All this film is asking is for a little understanding of the pressures on families who have to support people like Charlie. I wish one of the commercial channels would show this in prime time instead of the usual reality show crap.

As my folks both worked in mental health care facilities, this movie reminded me of visits to their workplace. The audience at my screening were very quiet, yes I know it is a drama, but some aspects of Charlie behavior and reactions of others is quite funny. I felt guilty laughing in some scenes, hopefully it is not a sign of underlying mental issues!

It does make you feel for those who care and live with people with special needs. A movie such as should be a real wake up call, love your family, it's the only one you have got.

A good movie overall.

7/10

The Black Balloon opens with an awkward dance between filmmaker and audience, the latter trying to suss whether the able-bodied actor is playing an autistic character or is lazily impersonating the illness, all obvious ticks and embarrassingly broad gestures. Filmmakers often deploy mental disability for shallow manipulation (hello The Proposition), wherein the strings of the characterisation appear painfully obvious.

It becomes apparent, however, that debut filmmaker Elissa Down has instead crafted a very fine and perceptive film, indeed. A semi-autobiographical, coming-of-age drama, The Black Balloon connects for its frank exploration of a difficult subject. Though she opts for every cliché imaginable- the ocker father (Erik Thompson), the tireless mother (Toni Collette), the wish-fulfilment girlfriend (model Gemma Ward), family strife- Down has weaved these seams for surprisingly effect.

Sixteen year-old Thomas (Rhys Wakefield) is an impish, often self-involved hero, perpetually embarrassed by his autistic older brother, Charlie (astonishing newcomer Luke Ford). Though his pregnant mother is confined to bed rest, Thomas often shirks his responsibilities and becomes prone to intense bitterness. The Black Balloon darkens sooner than you would expect for an Aussie drama and honestly reflects upon the repercussions of Thomas' selfish behaviour.

Down's direction is very strong and visual, especially in the moments of Thomas' embarrassment and anguish, culminating in a brutal sequence at the dinner table. The violence here is sudden and deserves full credit for its unexpected impact. Although heartfelt and touching, Down's film is never cloying and earns its warm moments through genuine pain and reflection.

This true to life film is a inside glimpse into a family that is, at its core, held together by the mother. Toni Collette plays the mother of an autistic son. Her performance is real and a driving force in the film. Her autistic son Charlie is a trial for the entire family and for his mother, whose life is so static and day in day out, she has come to accept Charlie for the person he is and she does this through simple love.

At the center of the story is the other son, Thomas (Rhys Wakefield) and his burden of keeping his brother Charlie a secret and his further burdens of family life. When father Simon is away from the home it is Thomas who tries to run the household. Charlie is played by Luke Ford who gives a wonderful performance (remember him from The Mummy: Tomb of the Dragon Emperor). Their family struggles with bouts of seeming normalcy and shocking bits of harsh truth and bitter reality.

Thomas develops a strained relationship with a girl that is nice to him. This girl, Jackie (Gemma Ward) is striking and upon making it clear that she likes Thomas finds that he doesn't know how to deal with this. Both solid performances by Gemma Ward, a model, and Rhys Wakefield with his truthful, from the gut acting.

Written and directed by Elissa Down, who has two autistic brothers in real life, obviously brings her experiences to bear and is innately able to bring pressure to this trouble torn family while bringing out some very emotional love. The winner of this film is Toni Collete whose acting through the turmoil is completely convincing. The acting together with a strong script really make this a movie worth seeing.