Death of a President

"Death of a President" is a truly original and intriguing 'future documentary' about an event that hasn't happened yet. It is a reflection on the events surrounding the October 2007 assassination of George W. Bush in a Chicago hotel.

That future time is portrayed with an escalation of the anti-war fervor and a growing concern over the dangers posed by North Korea.

The film flips between staged scenes, real footage & documentary style interviews. It does a fine job of seamlessly blending those pieces to create a very plausible "precreation".

It is interesting watching this film on October 9th, 2006... a day which began with news of North Korea's first nuclear test. The first twenty minutes of the film are dotted with mentions of that scenario.

There are some chilling scenes in this film... especially early on, when you get a real sense of the protesters being contained and beaten down by Chicago police in full riot gear.

After a political speech in the hotel, the President is ushered down a standard meet-and-greet rope-line. It is at this point that the film lives up to its name. Shots are fired and one of the most frenzied scenes of any film this year ensues. Bush is thrown into a waiting limo, which speeds off to the nearest hospital. The crowd at the rope line is panicked beyond recognition. The FBI launches into gear. The media machine revs its engines. And the Chicago skyline lights the night air as an eerie sense of history-in-the-making takes hold.

Later that night, newscasters announce the death of George W. Bush and the film transposes into an FBI procedural... A virtual whodunit for us viewers. It feels very much like a David Mamet plot crossed with an Oliver Stone concept. It truly is a wonderfully imaginative idea played out with great skill and cinematic artistry.

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OK - The secondary question in reviewing this film is this... Is it wrong? Is it morally questionable to have such a premise be the focal point of a film? Is it in bad taste?

Well, I have always been one to follow Roger Ebert's mandate that, "It is not always what a film is about, but how it is about it." I try not to pass judgment on the subject, but on the skill of the film itself.

However, this is a very brazen subject. Even for a Bush-hating liberal like me, this approaches the line, if indeed it doesn't cross it. It comes dangerously close to going too far.

That being said, I think it stops short of that line and delivers a legitimate scenario that merits people's attention. I believe this film earns the right to touch on this subject. It is a quality film and should not be thought of as a sensationalistic attempt to shock audiences.

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Back to the plot... The film analyzes the hunt for suspects and forensic evidence. It follows the investigation all the way to a murder trial. I will not detail the story any further.

What this film does brilliantly is to shade the discussion toward issues like the Patriot Act, Homeland Security futility, the right to privacy, the right to a fair trial, and the apathy of the American public to seek truth and justice. It hints at Governmental manipulation, a wag the dog mentality. It tells personal stories of civilians and soldiers and suspects and Presidential aides. This film has a tremendously broad scope considering the budget.

"Death of a President" meanders patiently toward a conclusion you will probably not expect. This is a very thoughtful film that wants us to think carefully about the consequences of future terrorism. It asks us to contemplate the futility of such a crime and the repercussions it would have on future generations. In fact, it very much condemns this scenario as the worst thing that could happen.

I was riveted by this film. It is not just a scream for attention with a daring title. It has something very important to say and it says it very eloquently. That it dramatizes the assassination of a sitting President only adds to the palpable tension and urgency of its message. I think that "Death of a President" is one of the best and most important films of 2006. Go out of your way to see it as soon as you can!

© Written by TC Candler IndependentCritics.com

I felt this film fell short of achieving anything truly monumental- aside, of course, from a controversial title and subject matter. A piece of cinematic history it is not, and my opinion is that once the hype dies down and this film slips into 6.2/10 mediocrity people will soon forget all about it.

The 'whodunit' feel to this film, using documentary-style interviews with the people involved with the investigation to unfold the story, kept this film interesting. This technique aided in preventing it from being "just another documentary" because the outcome of this fictional future-event is unknown to the viewer, unlike most historical documentaries.

DOAP fails to talk about the worldwide and/or nationwide repercussions of such a devastating event as DOAP attempts to examine, which was disappointing and clearly beyond the intended scope of the film.

In my opinion, I'm glad I had a chance to attend the world premiere and it's definitely a film worth checking out when it comes to your video store, but DOAP is no more of a "must-see" than any other enjoyable, but ultimately forgettable, piece of fiction.

I was very skeptical before seeing this movie. Title and premise of "Death of a President" led me, and probably others, to expect either a shallow Bush-bashing hack-job or some sort of bizarre, "24"-like "we against the evildoers" hero-epic in a cheap documentary costume.

I'm happy to report: I was wrong. "Death of a President" is a very well written, performed and directed drama in the style of a modern (and hardly opinionated) documentary. And most surprisingly, it isn't really a movie about George W Bush.

It was a very smart move to make it a "mock" documentary, since it keeps the viewer on a skeptical distance to all the protagonists, so the movie doesn't push the audience into immediately placing the characters into the "good" and "bad" categories like it would be the case with a drama done in a conventional narrative. That gives room to examine the characters different motives and actions without having to rely on pressing the emotion-buttons too much. Of course this approach relies on convincing performances from all actors involved (mabybe even more so than with a conventional drama) to keep the illusion alive of actually watching a documentary.... over-acting could have been a disaster for this movie, and i'm very glad cast and director avoided that pitfall. Fine performances all around.

Now, to the obvious elephant in the room (and the reason why this movie is so controversial): Why did the makers of the movie not just have a fictional president killed? Shock value? Some kind of perverse joy in getting rid of the real President? I don't think so.

First of all, having the real President Bush in the movie obviously makes this theoretical exercise just more authentic and convincing. And more importantly, the viewer is forced to place himself somewhere among the characters, to place his sympathy and antipathy bets just based on preconceived notions, so to speak. I doubt there are many people who don't have a clear opinion about George W Bush and his administration (I certainly have mine. And in the interest of full disclosure, I'm no fan, to say the least). But that opinion (whatever it is) is important for the movie to get it's point across: it's the setup to play effectively with the viewers prejudices.

"Death of a President" manages to make you look beyond the stereotypes and makes a solid point about the misleading force of preconceived notions (for the viewer as well as the characters in the movie). The tag line "Do not rush to judge" is well chosen. The movie in particular makes a valid point about the worrying tendency in the US (and the world in general, I cant think of any society that's not to some degree affected by this "disease") of more and more dumbing everything down to "us versus them".

Be it the inflation of the word "Terrorist" as a magic opinion maker, (and drifting away from the movie for a second) be it Republicans versus Democrats, be it the insane shouting matches that pass as talk shows these days or be it the bizarre notion of an inevitable "clash of the civilizations".

The movie isn't perfect though. For example, the character of Bushs speech writer was a bit over the top in her praise for the man, while the protesting crowds remained rather stereotypical. Also, some doctored shots didn't quite live up to the otherwise impressive technical level of this production.

Yet "Death of a Presindent" offers a bit of much needed perspective on the Terrorism-issue; it sure does it by rather drastic means but it doesn't fail to deliver. Of course for me, as a distant observer of the USA, the fact that the actual President gets "assasinated" in this movie doesn't have quite the emotional punch as it must have for Americans. So I can understand the very mixed reactions it gets from reviewers.

But if you feel up to it, go see it yourself and then make up your mind, instead of rushing to judgment based on title and plot outline.

This film, Death of a President had been labeled "controversial" long before the product hit U.S. shores. British director and co-writer, Gabriel Range first introduced his film on U.K. television, and later at the Toronto International Film Festival where it won the International Critic's prize. This film has been given limited release in U.S.

This docudrama opens with preparation for a presidential visit and speech at a Chicago hotel. You get a glimpse of the president's speech writer and an individual heading the Secret Service as they position themselves and prepare to protect the Commander in Chief. You get brief looks at large groups of protesters waiting in the streets to welcome the President.

And just like the title says - the President dies. All that happens in the first 20-minutes. The remaining 70-minutes of this film carefully details the hunt and investigation to find the killer. The impact on two minority families who may or may not be associated with the event. You see how an ethnic group becomes suspect and how hundreds are picked up for questioning. You get a peek at how the world receives the event and how the current phrases "terror attack" and "Al-Quida" are tossed into the mix.

The film is frightening because each and every scene is plausible. It's tightly written, directed and edited. The actors, who range from a close assistant to the President and First Lady to a spouse who may never see their innocent partner again, are all excellently cast.

Contrary to popular belief, Death of a President does not advocate the killing of a leader; instead it takes a credible look at America and the possible events following such an occurrence.

Trust me - this one you don't want to miss.

I was lucky enough to receive a ticket while waiting in the front of the rush line to view the world premiere of one of the TIFF's most controversial and talked-about films this year. With bag checks and guys with night vision scanning the audience for the entire screening looking for pirates (argh!), it felt like I was seeing the Prez himself.

Gabriel Range's mockumentary that is set 3 years after the assassination of President George Bush. This television-style mockumentary delves into interviews with suspects and those whom were responsible with protecting and then those who were in charge of finding the assassin and anyone else who was responsible. The way the film was laid out was that the identity of the assassin is unknown until everything else suspect was eliminated. All in all, a "who dunnit?" tale told by those involved in it.

Controversy and hype aside, as a mockumentary from the future it was very well done and convincing with great use of archival footage and staged scenes. However, if this were an actual documentary, my interest in the topic would've been different and more interested because I would've had a good 3 years of non-stop media coverage and countless discussions and opinions about the event, not to mention how such a thing not only affects everyone around the globe, but personally as well. For example, if I were to watch a fictional film about 9/11 before that horrid and devastating event, I wouldn't have the same reaction or emotional responses as if it were a documentary after that event.

Range's approach to fictional storytelling is fascinating indeed but lacks that personal touch to myself as a viewer. All in all, if released world-wide this film will probably garner much hype but it'll end up having no real bite to it.