जब एक मशीन जो चिकित्सकों को अपने रोगियों के सपनों में प्रवेश करने की अनुमति देती है, चोरी हो जाती है, अराजकता फैल जाती है. केवल एक युवा महिला चिकित्सक, पैपरिका ही इसे रोक सकती है.जब एक मशीन जो चिकित्सकों को अपने रोगियों के सपनों में प्रवेश करने की अनुमति देती है, चोरी हो जाती है, अराजकता फैल जाती है. केवल एक युवा महिला चिकित्सक, पैपरिका ही इसे रोक सकती है.जब एक मशीन जो चिकित्सकों को अपने रोगियों के सपनों में प्रवेश करने की अनुमति देती है, चोरी हो जाती है, अराजकता फैल जाती है. केवल एक युवा महिला चिकित्सक, पैपरिका ही इसे रोक सकती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 6 जीत और कुल 5 नामांकन
Megumi Hayashibara
- Paprika
- (वॉइस)
- …
Tôru Emori
- Inui Sei-jiroh
- (वॉइस)
Hideyuki Tanaka
- Guy
- (वॉइस)
Shin'ichirô Ôta
- Reporter
- (वॉइस)
Satoshi Kon
- Jin-nai
- (वॉइस)
Yasutaka Tsutsui
- Kuga
- (वॉइस)
Brian Beacock
- Hajime Himuro
- (English version)
- (वॉइस)
- …
Doug Erholtz
- Dr. Morio Osanai
- (English version)
- (वॉइस)
Michael Forest
- Dr. Seijiro Inui
- (English version)
- (वॉइस)
Shin'ya Fukumatsu
- Magician
- (वॉइस)
- (as Shinya Fukumatsu)
फ़ीचर्ड समीक्षाएं
I'm not an expert in anime, nor have I seen a lot of this genre, but I utterly admire the immense creativity of people like Hayao Miyazaki ("Princess Mononoke", "Spirited Away"). Satoshi Kon's "Paprika" is a great example of anime at its finest. The movie is a sea of original ideas and a visual blast. Apparently, the plot is about the theft of a machine that allows scientists to enter and record people's dreams, and how a detective and a young therapist called Paprika join forces to get it back. But there is so much going on and so many smart innuendos (remember: this is Rated R anime, not "Ratatouille" - even though I think the R rating is just too much in this case) that "Paprika" becomes one of the most original adult animations in recent memory - superior to Richard Linklater's "Waking Life" and even "A Scanner Darkly", I dare to say. I won't give away anything because I don't want to spoil a single scene, but I'd say that I see it as a movie about the power of movies over our life/dreams, and about the love people like me have for the Seventh Art. I don't know if that was Kon's original idea and honestly I don't care - it's not every day that you find a movie that amuses and says something to you in such an unpretentious way. Whatever was Kon's original idea, I think that he got what he wanted: a movie that both entertains and makes you think. Simply fascinating. 10/10.
Paprika isn't for the faint-hearted. Don't expect a story for children.
The story opens with a cop who's plagued by a recurring nightmare, so he seeks psychological help. If you've ever seen and enjoyed Alfred Hitchcock's Spellbound, it'll help you understanding what's going on in the film.
The cop forms a relationship with Paprika, a dream character who becomes his guide in helping him understand what happened in his past that makes him feel such shame in the present. Paprika assumes many forms in the everchanging dreamscape to relate to the other characters.
This seems all good at the beginning, but the device that enables dream analysis is stolen. This creates an even bigger problem than just nightmares; what happens when people can't control their dreams and has them hijacked by evil? Paprika isn't the easiest movie to sum up. On one level, it's like watching dreamy, fantastical animation, but there's also a deeper psychological question being asked: What is a dream exactly and to what extent does it affect your consciousness and waking life? How much fantasy is good for a person whether it be in dreams or spending time on the Internet? If you bury guilt and desire into your subconscious, how will it manifest in your dreams?
Paprika is definitely a visual spectacle. I don't recommend waiting to see it on video. I had the honor of catching it on the big screen, which I believe is necessary to capture the depth of the imagery. Parts of it really seemed like dreams I've had (times when I've tried to walk, but couldn't get anywhere and the harder I tried, the worse it got).
I put Paprika up there with Pan's Labyrinth. A lot of people will be turned off from it by the subtitles and another set of people will be lost by the mythology in it. If you don't have problems with these kinds of things, you will probably have a delightful viewing experience.
It takes a person with an analytical mind to put the plot together. If you follow the recurring images, the mythology will make sense. A lot happens on the screen. I didn't have a problem understanding what was going on and I enjoyed putting the puzzle together. I don't think most moviegoers are like that these days, so I can see them getting bored or annoyed because they can't figure out what's going on. If you prefer the Disney genre of animation, avoid Paprika, it will just frustrate you. If you're crave more than a simple plot, Paprika will satisfy that hunger.
The soundtrack is quite good too. It's a refreshing break from Elton John power ballads.
The story opens with a cop who's plagued by a recurring nightmare, so he seeks psychological help. If you've ever seen and enjoyed Alfred Hitchcock's Spellbound, it'll help you understanding what's going on in the film.
The cop forms a relationship with Paprika, a dream character who becomes his guide in helping him understand what happened in his past that makes him feel such shame in the present. Paprika assumes many forms in the everchanging dreamscape to relate to the other characters.
This seems all good at the beginning, but the device that enables dream analysis is stolen. This creates an even bigger problem than just nightmares; what happens when people can't control their dreams and has them hijacked by evil? Paprika isn't the easiest movie to sum up. On one level, it's like watching dreamy, fantastical animation, but there's also a deeper psychological question being asked: What is a dream exactly and to what extent does it affect your consciousness and waking life? How much fantasy is good for a person whether it be in dreams or spending time on the Internet? If you bury guilt and desire into your subconscious, how will it manifest in your dreams?
Paprika is definitely a visual spectacle. I don't recommend waiting to see it on video. I had the honor of catching it on the big screen, which I believe is necessary to capture the depth of the imagery. Parts of it really seemed like dreams I've had (times when I've tried to walk, but couldn't get anywhere and the harder I tried, the worse it got).
I put Paprika up there with Pan's Labyrinth. A lot of people will be turned off from it by the subtitles and another set of people will be lost by the mythology in it. If you don't have problems with these kinds of things, you will probably have a delightful viewing experience.
It takes a person with an analytical mind to put the plot together. If you follow the recurring images, the mythology will make sense. A lot happens on the screen. I didn't have a problem understanding what was going on and I enjoyed putting the puzzle together. I don't think most moviegoers are like that these days, so I can see them getting bored or annoyed because they can't figure out what's going on. If you prefer the Disney genre of animation, avoid Paprika, it will just frustrate you. If you're crave more than a simple plot, Paprika will satisfy that hunger.
The soundtrack is quite good too. It's a refreshing break from Elton John power ballads.
I have only seen this movie a few hours ago and am still stunned by simply how incredible it was. Who ever thought anime could be so fantastical? While the plot, at times confusing and going on the border of being a stereotypical anime, is terrific and i couldn't ask for it to be any better. Many reviewers condemned this film because of the randomness and lack of explanation for some parts, but i believe that Satoshi Kon did this on purpose. Kon simply made this movie like a dream; it is colorful, incredible, random, and offers scarce explanations. The film wants you to think about what the meaning of these "dreams" are, instead of telling you what the meaning is, much like what you would have to do with a real dream.
The best part of this film is that it can appeal to the non-anime fanatic crowd. I have seen all a few animes (only hayao miazaki films) so i wouldn't be called a true fan, and am not much into the science-fiction animes and what not that many people seem to love, yet i could not help but fall in love with Paprika.
Please, Please, PLEASE see this movie. Its too incredible to go under-appreciated by the world. Perhaps the best film of 2007, maybe one of the best from the past few years, if you see this movie you will NOT regret it.
The best part of this film is that it can appeal to the non-anime fanatic crowd. I have seen all a few animes (only hayao miazaki films) so i wouldn't be called a true fan, and am not much into the science-fiction animes and what not that many people seem to love, yet i could not help but fall in love with Paprika.
Please, Please, PLEASE see this movie. Its too incredible to go under-appreciated by the world. Perhaps the best film of 2007, maybe one of the best from the past few years, if you see this movie you will NOT regret it.
But then again, this isn't meant to be for children! Again Japan shows us, that animated movies, doesn't mean "child(ish) movies". Quite the contrary. With it's very complex story, this one will even leave some adults scratching their head after they see it. That's because there are many interpretations for this movie. Which make it a somewhat difficult experience.
Still a good one, but difficult to wrap your mind around it ... The story mind you, never get's out of hand or get's out of hand (in the sense, that it does make ... sense, in the end). If you're ready for a mind trip, this sure will be a great one to take/experience!
Still a good one, but difficult to wrap your mind around it ... The story mind you, never get's out of hand or get's out of hand (in the sense, that it does make ... sense, in the end). If you're ready for a mind trip, this sure will be a great one to take/experience!
I saw Paprika on the Fantastic film Festival of Amsterdam and i was amazed. Being a movie buff since the age of 14 and running to 30. Once in a while i get blown away by a new production. Always been a fan of manga this production from anime master Satoshi Kon is his latest entry is the magic world of drawing. Taking all the space and freedom this genre offers you will be sucked in to a world of fantasy en wonders. Kinda like when you first saw Charlie and the chocolate factory as a kid. The characters are totally lovable en the drawings are of the most beautiful i have ever seen in theater. The story is complex so, if you want to know what all the fuzz is about read another review en check the film.
it's my new love: Paprika 9 a.o.10
it's my new love: Paprika 9 a.o.10
क्या आपको पता है
- ट्रिवियाThe tall and short bartenders on Paprika's website are voiced by director Satoshi Kon, and the original author of the Paprika novel, Yasutaka Tsutsui, respectively.
- कनेक्शनFeatured in WatchMojo: Top 10 Beautiful Animated Movies (2014)
- साउंडट्रैकParade
Composed and Performed by Susumu Hirasawa
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- JP¥30,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $8,82,267
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $35,593
- 27 मई 2007
- दुनिया भर में सकल
- $9,66,886
- चलने की अवधि
- 1 घं 30 मि(90 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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