The Lodger

Jack the Ripper continues yielding many remakes and related fictional movies like this, are countless until now and growing, The Lodger is based on the book of Marie Belloc Lowndes who wrote it in 1913 exposing an alleged theory that a London's landlady had rent a room to heinous serial killer, who already had took to the large screen by the master Hitchcock in 1927 as silent movie, upon this premise the director David Ondaatje built up an intricate and so complex screenplay to translate to Los Angeles's district nowadays the newest Jack the Ripper, stuffed of sterling actors as the British Alfred Molina, the pretty Hope Davis, the veteran Philip Baker Hall, the newbie Shane West and the Australian Simon Baker as the Lodger, it's a thriller movie, just displaying the misdeeds in succinct way, few drops of blood are shown implicitly, the modus operandi also follows the steps in chronological order of British Slasher at small district West Hollywood whereby has a sameness of the Whitechapel Londoner, starting with Ellen Bunting (Hope Davis) and his drunkard odd husband Bunting (Donal Logue), due they have financial problems she rents an outside room to the smooth outsider Malcolm (Simon Baker) who require strict privacy, meantime appears many butchered corpses of prostitutes on the district, the Inspector Chandler Manning (Alfred Molina) in charge of the inquiry who had in the past a resembling case, meanwhile Ellen has been involved sexually with the young Lodger, his bad temper husband also has a suspicious behavior as well, then the smart director puts several potential suspects including the weird Inspector Chandler Manning, who are in trouble with his wife on collapse breakdown at hospital in recovery, calls attention of his newcomer partner Street Wilkenson (Shane West), scored by a splendorous opera music the movie flows easy, by the way utterly underrated !!

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First watch: 2021 / How many: 1 / Source: DVD / Rating: 7.25

The Lodger (2009)

** 1/2 (out of 4)

Yet another remake of Alfred Hitchcock's 1927 film but this one is set in current day Los Angeles where a maniac is killing hookers. While a detective (Alfred Molina) tries to solve the case, an unhappily married woman (Hope Davis) rents her guest house to a mysterious writer (Simon Baker). One could argue that we really didn't need yet another version of this story but I think they did enough interesting things here to make this version worth watching. I think it falls well short of the 1927 and 1944 versions but I did like a few of the changes they did here. Setting the story in current times allows the filmmakers to use stuff like DNA and other scientific things to try to solve the cases. It also helps that the filmmakers are able to use the Jack the Ripper sideline as someone trying to copy his murders. I will say that the final ten minutes of the movie are without question the best thing in the film because it offers up a couple very nice twists that actually work. I'm certainly not going to give them away but I enjoyed them very much. The performances are also another major plus as Molina is excellent as the detective obsessed with solving the case. Shane West is good as his partner and Philip Baker Hall is also strong as the police chief. Rachel Leigh Cook plays the detective's daughter in a small role. Both Davis and Baker are also good in their portion of the story. I think some of the attempted style is a bit overdone and especially the scenes showing the L.A. freeways. I think less would have been a bit more in regards to the style thrown in by the director. Still, fans of the story will probably want to check this one out and while it's not a complete success it's at least good enough to be worth watching.

When a prostitute is found slain in West Hollywood, the veteran Detective Chandler Manning (Alfred Molina) investigates the case with his rookie partner Street Wilkenson (Shane West). Manning is facing a domestic problem with his wife that had had a nervous breakdown and is interned in an institution and his daughter that blames him for the situation of her mother. Meanwhile, the unstable and disturbed housewife Ellen Bunting (Hope Davis) and her frequently absent husband Bunting (Donal Logue) are facing financial problems and need to rent a guest house in the backyard. When the mysterious writer Malcolm Slaight (Simon Baker) rents the house, Bunting never sees the lodger and believes his wife is fabricating the tenant and her family has given the money to them. When a second hooker is found dead on the street, Manning concludes that the killer is copycatting the crimes of Jack the Ripper and is the same serial-killer that had murdered other streetwalkers seven years ago. Further, he concludes that the criminal Alonzo Rodriguez was wrongly sentenced to death for the murders.

When I decided to watch "The Lodger", my expectation was low and I expected to see a conventional thriller full of clichés. Fortunately I was wrong and I had a great surprise. This low-budget film has a good story and screenplay that keeps the mystery until the very last scene. There are subplots only to create diversion to the viewer and keep the mystery of the identity of the killer. My vote is six.

Title (Brazil): "O Inquilino" ("The Lodger")

Tense film about murders with thrills, chills , suspense and an amazing final . This intriguing and exciting story is based on a successful novel and it deal with a serial killer in L . A . executing his crimes like Jack the Ripper . An enigmatic lodger ( Simon Baker ) living in a Guesthouse whose owners are a grumpy security guard ( Donald Logue ) and his wife ( Hope Davis ), booth of them involved an uneasy relationship . Meanwhile two detectives are investigating a series of grisly neighborhood murders , a veteran Detective ( Alfred Molina ) and a rookie (Shane West).

This is a thrilling story about astonishing murders in West Hollywood whose elusive killer is imitating to Jack the Ripper , it has two converging plot lines with various suspects and red herrings . Story's core is interesting and script is dense with information and drama . Good performance by Hope Davis as the psychologically unstable landlady . Excellent Alfred Molina as troubled Inspector engaged in a cat-and-mouse game and fine Simon Baker as suspect lodger who may or may not be guilty of a series of gruesome killings. The picture is packed with an adequate musical score by John Frizzel and colorful cinematography by David Armstrong . The motion picture is professionally directed by David Ondaatje .

The Jack the Ripper character has been adapted on several occasions for cinema from the silent as ¨Pandora's box (1929) ¨ , multiple versions of ¨Lulu ¨ a prostitute killed by Jack , ¨ From hell (2001) ¨ played by Ian Holm and for TV in which appears as character in numerous series as ¨Jack the Ripper (1988)¨ played by Ray McNally and recently in ¨Sanctuary ¨ played by Christopher Heyerdahl .

This I have to admit is a very B-movie. If it were not for the actors in it I wouldn't even call it a C-movie. However the storyline is very engaging. I wouldn't dare compare it to any other movie however and most of the critics have already slammed it because "Hitchcock's version was better" (although this movie has been made by several others as well).

The director has done a fairly good job with the budget he has and has made some very good decisions at least in casting the actors in their roles. The movie is mostly a "copycat" film, but the concepts are still the same. Obviously it is not possible to follow the storyline of "jack the ripper has left England and is now in the United States" as in the original Lodger story because it is now 2009, which in the end doesn't really help or hurt the film at all. It was also nice to see Rebecca Pidgeon in a film again although her character is mostly just thrown in to "tie" the ending together in a "Psycho-esque" kind of way. Donal Logue seems like the typical husband who doesn't SEEM to understand his wife, played by Hope Davis, who may or may not be imagining things. And finally Alfred Molina is basically cast as himself, stubborn, difficult, and determined.

Everyone is a suspect and Ondaatje does a very good job keeping the pace while switching seamlessly between the detectives investigating and the Bunting residence where "The Lodger" is. However, whether or not you feel "cheated" by the end of the film is up to you. I however was not very surprised by the modern day twists that are thrown at the audience in the end. Definitely worth seeing in the theater if you can.