Feng kuang de shi tou

From plot to transition, from angle of lens to rhythmic montage, from editing to tone, from contrast to freeze frame..., you can get the impression involving Guy Ritchie, who may be referred as the Godfather of Film Noir. This story starts with a priceless emerald, a squad of slack guards and two gangs of thieves, one of which is amateur, while the other is professional judging from the looking. It is not difficult to speculate what would happen from this kind of stereotyped beginning. We can't tell which part is the imitation and which is the original. It's a concise and smart comedy, somehow, whose genre is quite different from traditional dramas we can watch at the Chinese cinema. Anyway, for the director, we can say, it's almost an perfect homework. It would make somebody laugh, but it is difficult to have the audience impressed as a milestone movie.

The film is full of Chongqing dialects throughout the film. The dialects are spoken very authentically, which makes them very funny.

The stories inside are linked one by one, and when you read it, you can't help but praise. It's too coincidental.

The Baotou played by Guo Tao is very interesting, with joy and worries of small people, and insists on justice in his heart. Protecting the jadeite was because he felt that he had served as a policeman. It was also to keep the factory from closing down and wanted to make money to pay back the debt.

Among them, he has a lot of competition with a series of thieves. He handled the complacent, entangled and irritable emotions as a security guard against thieves particularly well.

Another interesting point of the film is the comparison of a group's attachment to jadeite and the misjudgment of true and false jadeite. It really confirms a sentence: the value of a thing depends on its location. So false is true, true and false, depending on your attitude towards it.

The whole film opens with a close-up of the face of the hero, bao shihong. The lens slowly changes from black and white to color. At the same time, bao shihong appears in the eyes of the audience with an indescribably facial expression.

Review. Not to mention, this film can really withstand the test, and it's not something that can be summarized simply by imitating Garridge or multi storytelling. In particular, the characters in several groups are not only functional entities that create laughter points as structural stories, but almost every character portrayed has a clear and distinct personality that closely follows the main storyline with prominent laughter. They are also close to life and reflect reality, which is rare. In this regard, stones are actually better than firearms. The most valuable thing is not treating the audience like fools. Domestic movies all point to shooting like this, okay.

The new narration of Chongqing dialect, the classic lines with black humor style, the unique narrative skills of ring and ring, the absurd and logical plot, as well as the montage technique, timely Peking Opera and other music, constitute the crazy stone directed by Ning Hao