Goong

That sums up the problem with K-dramas. The producers said that it was hard to make a show based on a graphic novel that hadn't been finished yet. It doesn't seem that they struggled that hard with the challenge since The Palace is just a mindless regurgitation of K-drama clichés that should have been put out to pasture years ago. Here is the premise of this show - Boy loves girl, girl rejects boy so boy gets involved with another girl that he doesn't really like (the only bit of originality in any of these series is why the boy gets involved with the second girl). The first girl then decides that she made a mistake so she tries to get back with the boy. The boy finds himself pulled between his first love and the new girl (because she is cute and good natured). The cute girl leaves the country (to study abroad or for business) and the boy realizes how much he loves her. Sound familiar? It should, it is the exact same plot of every single romantic K-drama that has been released in the last decade (and maybe longer).

When The Palace started I thought it would be different. The costumes and sets are gorgeous and the directing riffs on anime style. But, within a few episodes, the lavish production can't hide the fact that there is nothing new here. Even worse, all the digital trickery of the first few episodes completely disappears.

Here is a breakdown of how a typical episode works. Character meets character and they talk. Next scene of characters sitting and talking. More characters talking while riding in a car. Characters talk while they eat. And finally, characters talk some more. Nothing is ever implied which can be stated. When characters are alone, they talk too. Throw in some tissue thin villains (a vengeful ex-crown princess and her "too pretty to be a boy" ex-prince) and much ado about a retroactive enthronment, and you have a series that would have been long at 12 episodes, but is torturous at 24.

The only person to come through this series looking good is Yoon Eun-Hye who is a Korean Audrey Hepburn. The rest of the cast, especially Kim Jeong-Hoon (boys should be handsome, NOT pretty) and Song Ji-hyo (washed out, mousy, and without an ounce of personality), will leave you reaching for the fast forward button.

And one more thing, if we are supposed to believe that a character spent their entire life in England, the least the producers could do is find an actor that can speak English. Listening to Kim Jeong-Hoon mangle English that he obviously doesn't understand is painful.

Skip this and watch My Name is Kim Sam-Soon. It is the same exact story, too. But at least all the actors are good in that one.

Palace, also known as "Princess Hours", is a Corean television drama, based on a concurrent comic book. Upon its airing, it became one of the most popular dramas to air during its time period. Set in an alternate reality where upon Corea's independence from Japan, its people reinstate its royal family in the form of a constitutional monarchy. What unfolds over the course of the series is an emotionally charged, slowly paced, relationship drama featuring a quartet of principles, combined with courtly intrigue and remarkable production and art design.

This is my second experience with a Corean television drama and I came into it with a lot of skepticism after being disappointed by my previous attempt with Winter Sonata. However, I found Palace a lot more accessible and enjoyable and less contrived. One of its strongest aspects is it's production values and art design. The whole affair glows from the money that's pumped into it, from huge set pieces (the royal wedding parade scene was tremendous) and gorgeous costumes, to high quality video and sets. There's a lot of eye candy in the picture and it's easily one of the prettiest dramas I've seen in a while.

The story essentially follows a spirited high school girl, who by a long-forgotten betrothal, becomes the bride of the Crown Prince of Corea. It follows her entry into the monarchy and the ensuing turmoil as she and the palace itself adapts to their new situation. Throw in some complications with the Crown Prince's original love (who spurns him at first, leading to this marriage) as well as the return of the conniving exiled former Crown Princess and Royal Prince and you have courtly battles for power as well as the development of a tangled web of relationships. Granted, it doesn't take much effort to see how the story's going to play out as it's actually relatively straightforward. Instead of high degrees of "action", we instead follow, very slowly, the development of the characters as their collisions cause them all to react and grow. That said, while I found the characters fairly interesting, the show suffers a little from developing the characters too slowly, often threatening the characters becoming flat. This is especially true of the returned Royal Prince, who becomes fairly stale.

The newlyweds however, retain a lot of chemistry and their bickering on-off relationship helps propel the story forward and fortunately, the crux of Palace rests on that story. The other parts of the story don't lend themselves to much surprise and fail to provide the same dynamism, as such, I often found that many scenes could be trimmed or entire episodes rewritten and cut down to keep the pace of the story afloat. The underlying themes and "substance" to the story are a little weak and as such Palace becomes a little bit more of a confection, often veering into and from soap territory, but it wears its heart on its sleeve and its pleasures are in sharing those up front emotions with its viewers.

Props to the actors, the young unknowns that take the main roles. Although they are sometimes a little stiff, you can tell that they're not just rattling off the performances and the veterans do their jobs as well as you can expect from veterans of the screen. The direction gets a little quirky at times, perhaps thanks to its comic book heritage, with a handful of manic or ridiculous fantasy/daydream sequences, but ultimately, this is a straightforward work and it doesn't really falter where it counts.

I can recommend Palace quite simply because it's easy to get into, has a lot to look at, and has a emotionally hooking central love story. While it does plod at times, I found myself enough enchanted by the principal protagonist and her Cinderella story that it was still easy to watch the whole thing through to the end. I don't think Palace rewrites the book at all when it comes to its medium, genre or format, but I think it's a fun ride. It doesn't hurt that I love its alterna-history imagination as well. It's fun, lightweight (even though it gets heavy for the characters) entertainment and a decent entering place into the world of Corean dramas. 8/10.

The story setting is the romance between the prince of korea and an ordinary girl schoolmate. Like Fated to love, romance grows after their marriage. It is always fascinating too to watch life within the palace, like in King2heart.

The plot is well-written. Their love grows so naturally as they face difficulties together.

The most funny and memorable scene is when they first stay together in a room for a night. Serving maids waiting outside the room to check if they actually sleep together. But actually nothing happens between them. It is so funny to see how the male lead has to suppress his sexual needs.

Female lead is cute and pretty. Her character in the story is so optismistic and lovely. She refreshes the life of the royal family. Male lead is always stern looking. . But this suits his role as a cool prince.

A drama that survives through time. Still regards as a classical love story after more than 10 years.

It was a really hard sell when a core part of the plot was the male lead treating the female lead like a piece of crap, combined with the "oh no he doesn't know how to express his feelings", these tropes are better left in fanfiction. The case was even worse due to the absolute lack of any chemistry between any of the four leads, this was the definition of negative rizz. It got even worse, all of the three leading cast Ju Ji Hoon & Song Ji Hyo & Kim Jeong Hoon brought an utterly abysmal joke of a performance, admittedly, this was their first main role and was totally incomparable with their current performance, all of them went to do much better and bigger things, it's better to forget they worked on this drama. On the other hand, Yoon Eun Hye was pulling the entire thing together, solo carrying whatever left to be salvaged. Her dynamic with her friends and family was quite good, but not with any of the leads. The puppets at the end of each episode were a nice touch, it would have been nicer if they incorporated that in the drama itself. The earlier parts of the drama were generally better, the events in the palace were a bit boring. To build up for the climax, the last 4 episodes created the last point of tension however it was seriously atrocious writing, one of the worst conflicts I've seen a writer come up with. It was just pure bad writing from that point until the last frame of the drama. If they slapped in some random terminal illness nuances it would've been a better serviceable finale. If anything, I'm only remembering this drama for its awful last few episodes. At least it was much better than Boys Over Flowers (2009).

Imagine a pact being sealed between the late emperor and his commoner friend years ago, being materalised in the modern times.

Adapted from a best-selling comic in Korea and "Princess Hours" as its English translation of the title, it's about the adventures and mis-adventures of a commoner-turned-crown princess. Chae-kyung, a student who takes design at an arts school, has always got her friends around her. And despite her family situation, she takes things in her stride. But it all changed when the current Crown Prince of the royal family 19-year-old Lee Shin is attending the school, leaving the school all in a buzz of excitement.

But Chae-kyung don't let that get into her head till a public confrontation with the Crown Prince happened. At the same time, rumours went around that the Crown Prince has to find a wife in order to continue the royal line.

But Lee Shin longed had a girl he liked, but she rejected his proposal. Then it was know that many years ago, Chae-kyung's late grandfather who is a friend of the late emperor (who happened to be the late grandfather of Crown Prince Lee Shin), had made a pact that their future grandchildren will fall in love and be married. It became interesting because Chae-kyung is the only female in school who dared to go against Lee Shin.

The marriage did went ahead and it even invited worldwide media attention. This is where the former Crown Princess and one-time famous actress Hwa Young and her 19-year-old son Lee Yul come into the scene given they had been staying in the UK for 14 years. Hwa Young had asked her son to return home before she did, in order to stage a comeback into the royal family where she was banished from 14 years ago after the death of her husband. Unfortunately, her son slowly took a liking for his sister-in-law. To make it more complicated, the two of them are classmates.

Along the way, there are many obstacles for the royal family (domestic problems and beyond) and even in the form of Lee Shin's former girlfriend as well. A whole new can of worms had also been opened as well on the royal family's past along the way. But, can Chae-kyung save the day, given she has a happy-go-lucky personality especially in the eyes of the Queen Mother.

The clash of commoner life meets royalty can be quite a hit in the modern era, where royal life can still be seen as a novelty sometimes.