अपनी भाषा में प्लॉट जोड़ेंA career retrospective of Fishbone, an all African-American rock band from Los Angeles who created a high energy blend of funk, metal, ska, and punk and experienced a career as chaotic and u... सभी पढ़ेंA career retrospective of Fishbone, an all African-American rock band from Los Angeles who created a high energy blend of funk, metal, ska, and punk and experienced a career as chaotic and unique as the music they created.A career retrospective of Fishbone, an all African-American rock band from Los Angeles who created a high energy blend of funk, metal, ska, and punk and experienced a career as chaotic and unique as the music they created.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Walter A. Kibby II
- Self
- (as 'Dirty' Walt Kibby II)
Phillip Fisher
- Self
- (as Phillip 'Fish' Fisher)
Tracey Singleton
- Self
- (as Tracey 'Spacey T' Singleton)
DeAndre Gipson
- Self
- (as Dre Gipson)
Curtis L. Storey Jr.
- Self
- (as Curtis Storey)
André 'PaDre' Holmes
- Self
- (as PaDre Holmes)
Elaine Fisher
- Self - Norwood and Fish's Mother
- (as Elaine 'Mama Fish' Fisher)
फ़ीचर्ड समीक्षाएं
10raspbury
This is a must see for fans of the band. I found out a lot about things that went on with the band I hadn't heard about previously. Very insightful into the the music industry and how fickle it can be. This film touches on everything from personal infighting to race relations in America during the late 70's and 80's. Why does one band make it big while others are left by the roadside or still struggling after 30 years? This film won't exactly answer that, as there's so many factors that contribute, but it does explore many of the facets of one of the hardest working bands of the last 30 years. Go see it if it's playing near you. Bring a friend or three, even if they aren't fans, they may become one after.
Such a treat to learn more about one of the greatest bands ever. The comments from their contemporaries are priceless - and getting to know Angelo and Norwood on such a personal level was so insightful. My only complaint about the movie is it tended to paint a rather bleak picture of the band's existence and didn't focus enough on the great things they've continued to accomplish like their continued success touring in Europe or their album "Still Stuck in your Throat". In fact - this album was skipped altogether - which is sad - as it is a "later career" record - and is surely one of their top 3 of all time. Nonetheless - Fishbone certainly deserves far greater praise and success than they enjoy today. Let us hope this film helps push them higher, as there is no band on the planet more deserving.
I was very pleased on how raw and real this documentary was. I was surprised at how much detail the director was able to get about this remarkable band in under 2 hours. I appreciate the director including the stories of all the original band members and focusing on the relationships and difficulties they have all faced and continue to face while being able to focus on the originality of their music. It was funny, informative, and gives these talented men the recognition they deserve. This movie was well overdue and fans will love it. It brought back so many nostalgic memories about how Fishbone helped shaped my teenage years by opening my eyes to new and refreshing rock, ska, reggae mix of music. No one does it like Fishbone, and no one ever will.
Someone said this is a must see film for the fans of the band. I respectfully disagree. It is a must see film, period. I saw it during SXSW and I didn't know anything about the band (shame on me!) and I LOVED the movie. The characters are engaging, the story develops as if it was a narrative film, and of course the music is great. Racial issues are presented in a very refreshing tone. It has a great sense of humor that reflects the band's sense of humor and critique. Summing it up: it is a fun, moving and informative film. And then yes, I became a fan of the band. If you have a chance, don't miss it. You will be glad you didn't.
Watching Everyday Sunshine: The Story of Fishbone at 14 Pews in Houston, you get the feeling you're in the right place to watch this particular movie. The church-converted movie theater is a beautiful venue with warm, red planks of wood lining the walls and ceiling as well as artwork displaying oil spills in vibrant contrasting colors.
Five minutes prior to screen time, though, the venue is less than quarter-full and on the same day the media were falling over themselves singing the praises of the soon-to-be-open Sundance Theater downtown, you also get the feeling that more people really ought be here to appreciate a fine independent film and local art house. You can't help feel the same about Fishbone.
The film is essentially a tribute to unfulfilled promises, or as Angelo Moore characterizes in the film, "famous but not rich." On some level, this film could have been about any brilliant, genre-challenged African- American band pre-2K, like Living Colour or Bad Brains. It just happened to be about the craziest.
Central to the film is the relationship between Moore and Norwood Fisher, with Fisher at times debating between Moore's hyper-creativity and sometimes overbearing disruptive behavior, and Moore talking about every damn single thing he can. While the film mostly portrays the two separately in interviews, it's when the two are together fighting over the future direction of the band that you get a true sense of how much admiration and enmity exist between the two. It's a scene virtually every band or family plays out, but the shared history and stature of the two make the familiar argument more significant. It's like the first time you realize your father is human after all.
However, the arc of the movie hinges on Kendall Jones. The events surrounding his tenure in and out of the band as well as the band's efforts to reach out to their friend bring an unexpected emotional pull from a seemingly care-free, everyone-else-be-damned band. It's here where I have my only criticism of the film in that Jones's account of events feels unfinished and unresolved.
Still, as the film closes with the title song of the film, you get an understanding of what makes this band really great. It is and always has been in the performance. Sitting in the pews of the once-church with the gospel-inspired coda of the song bouncing against the walls, I could imagine a history of what this former place of worship might have been and what it could be with just a little promotion and recognition. In seeing the band on screen performing one of its best known, you could say the same for this collection of individuals both blessed and cursed by their unwillingness to do anything less than what they want for themselves and their art. And in leaving that night under a slight rainfall, I found myself rooting and hoping that a little sunshine would fall both on Fishbone and the neighborhood movie house.
Five minutes prior to screen time, though, the venue is less than quarter-full and on the same day the media were falling over themselves singing the praises of the soon-to-be-open Sundance Theater downtown, you also get the feeling that more people really ought be here to appreciate a fine independent film and local art house. You can't help feel the same about Fishbone.
The film is essentially a tribute to unfulfilled promises, or as Angelo Moore characterizes in the film, "famous but not rich." On some level, this film could have been about any brilliant, genre-challenged African- American band pre-2K, like Living Colour or Bad Brains. It just happened to be about the craziest.
Central to the film is the relationship between Moore and Norwood Fisher, with Fisher at times debating between Moore's hyper-creativity and sometimes overbearing disruptive behavior, and Moore talking about every damn single thing he can. While the film mostly portrays the two separately in interviews, it's when the two are together fighting over the future direction of the band that you get a true sense of how much admiration and enmity exist between the two. It's a scene virtually every band or family plays out, but the shared history and stature of the two make the familiar argument more significant. It's like the first time you realize your father is human after all.
However, the arc of the movie hinges on Kendall Jones. The events surrounding his tenure in and out of the band as well as the band's efforts to reach out to their friend bring an unexpected emotional pull from a seemingly care-free, everyone-else-be-damned band. It's here where I have my only criticism of the film in that Jones's account of events feels unfinished and unresolved.
Still, as the film closes with the title song of the film, you get an understanding of what makes this band really great. It is and always has been in the performance. Sitting in the pews of the once-church with the gospel-inspired coda of the song bouncing against the walls, I could imagine a history of what this former place of worship might have been and what it could be with just a little promotion and recognition. In seeing the band on screen performing one of its best known, you could say the same for this collection of individuals both blessed and cursed by their unwillingness to do anything less than what they want for themselves and their art. And in leaving that night under a slight rainfall, I found myself rooting and hoping that a little sunshine would fall both on Fishbone and the neighborhood movie house.
क्या आपको पता है
- कनेक्शनFeatures Back to the Beach (1987)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Everyday Sunshine - A História do Fishbone
- फ़िल्माने की जगहें
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
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