Diary of the Dead

This was quite a creepy film for the most part - the scene at the hospital was really creepy: the location, the build up and the pay off were all great.

Romero does a good job of showing the savagery of man. I think his vision is that we are not much different than the zombies as our humanity declines. He is also showing that the media and the government cannot be trusted to tell the truth.

It is a movie about zombies, and it has the usual excitement. Not a lot of gore, and the girl doesn't get her clothes ripped off, but exciting nevertheless.

I had no idea that this existed and I seem to be in the minority here as I didn't think it was too bad for what it is, though it's a bit polished for a George Romero film. Crude was usually his style. I don't recall liking the previous one, Land of the Dead, which seemed ridiculous, but it's been a while. I also have no idea if I've seen his final film, Survival of the Dead, as we've seen an awful lot of walking dead movies since he got this ball rolling in 1968. This has a dumb premise of some students, with cameras they won't let go of, filming a mummy movie when they hear about people dying and eating each other and seem so shocked and surprised. Don't these people ever go to the movies?! The acting's not bad here and there is some creativity, though yet another person running around filming everything is, as usual, beyond belief. Nothing special, but it held my attention.

I just saw a screening in Glasgow last night and was really impressed. After seeing Land of the Dead I feared GAR was destined to make only studio controlled zombie films that sold out his previous works, but this is something of a return to form. The budget is tiny and the actors unknown (as is the case with his best films), but the special effects are top-notch and there is plenty of gore that's made even more unsettling as seen through the lens of a camcorder.

The 'Point Of View' technique is bound to generate concern over similarities to other films using the same style (Cloverfield for instance) but Diary is a very different kind of film and certainly not a 'rip-off', but rather a smaller scale movie doing it's own thing.

There's humour (some real laugh-out-loud moments), social commentary (perhaps a little heavy handed, but relevant and intelligent), suspense, gore and everything else we've come to expect from a Romero film but bundled-up into a new and fresher style by the old guy. It was really interesting to see him trying something new.

As a fan of the genre and of Romero's works I was ultimately relieved and impressed by Diary after entering the theatre a sceptic. This isn't his best film and some fans will no doubt be let down, but after seeing it myself I was happy to see him back on track.

Thanks George.

I watch a lot of movies. Not that I'm an expert or anything but I have a pre-paid pass that means I can see as many movies I want at the cinema for a year.

And with that pass I watch everything. To the end.

I've seen a lot of terrible movies and a lot of good movies but Diary of the Dead was one of a very few that I have actually walked out on my own decision.

Being a George AR fan naturally I expected good things. Land of the Dead was enjoyable enough, I liked it. Bought it. I own all the others and I consider the original three to be horror masterpieces, but masterpiece this movie is not.

Plagued with dire acting, over-preachy inconsistent plot riddled with cringeworthy clichés, I could honestly find no good qualities watching this. Hated the characters(whiny, emotionless, clichéd, students) who just did not convince me that this was real at all. In fact the camera style, also similarly used in REC and Cloverfield is supposed to install a sense of realism but everything felt incredibly staged, from actors to scenarios and really detached me from the whole experience.

And with little action altogether(Judging from the 60mins I saw) it felt more like a film about a group of students pretty standard psychophysical debate set during a zombie invasion. In reality it should have been students trying to survive during a zombie invasion but with such a lack of emotion from every character it seemed like this was just a pretty average day.

All in all this is definitely one of the worst movies I've seen in recent years and has truly made me believe that George AR isn't just having a bad streak, but may be going completely senile.

However I may watch it if it ever comes my way, some people are giving it good ratings and now I want to see if it changes into a completely different movie after the 60th minute because the pile of pants I watched doesn't even deserve a vote or even a damn entry into IMDb for being such a half-assed, poor excuse for a film.

I really dislike the whole "found footage" genre, and I wish it would finally die. Luckily, this movie doesn't quite fit 100% into that genre, but it's close enough that I got fairly annoyed. Diary of the Dead is basically about some film school kids documenting the beginning of the zombie apocalypse, and thus it's more of a fake documentary than anything else. Unlike some movies shot in this style, one of the main themes involves criticism of the obsessive need to document everything rather than actually participating. There are also some shots at censorship, social media, and the propaganda potential for the mainstream media.

Unfortunately, Diary of the Dead feels like a watered-down reboot of his classic franchise, modernized and targeted at teenagers, with the requisite group of stereotypical dumb ass characters found in every direct-to-video slasher movie. The social criticism is blatant and lacks subtlety, and Romero resorts to outright lecturing the audience. I generally agree with Romero, but I prefer his older movies. He's never been particularly subtle, but this is just too overt and generic for my taste. He comes off as having been inspired by soulless ripoffs of his own work.

It's one of Romero's worst movies, but that still makes it better than much of the crap that litters the horror landscape. Hopefully, if we get any more movies from Romero, they'll be as uncompromising and powerful as his earlier work, but it seems as though Romero has had some real problems getting funding. Watered-down, mainstream Romero is better than no Romero, but it's difficult to recommend. This may be a good introduction to his material for younger audiences, though.