Helvetica

This movie is brilliant. It's a documentary about the creation of the Helvetica font, sure. But it's also: a musing on the history of modern graphic design. A diatribe (by some) about a font seen as style-killingly ubiquitous. A visit to favorite graphic designs of years past. A reflection about what our fonts say about us.

If you are a graphic designer, you'll love it. If you live with a graphic designer, you'll shake your head and say, "Yup" in recognition. If you don't pay any attention to graphic design, you may think about it just a tiny bit more after seeing this movie. And you will definitely come out of it with SOME opinion about the Helvetica font.

This is an 80 minute long movie about a font. People talk about the font, the history, the meaning and the significance of helvetica. While the idea of this as a documentary is very good and the film has as much energy as it can about a font, it is a long 80 minutes. At about the 45-ish minute mark, those not too into the world of graphic design might start to feel the film is repetitive. But in the end, it is a fun little movie that has people loving on the 50+ year old font helvetica. If that is your idea of a good time, you'll love this. If you say to yourself, "80 minutes about a typeface?" - this movie may not be for you.

I saw this film last night at the Rochester Institute of Technology in the company of hundreds of budding graphic designers, new media specialists, and fans of typography. I found it utterly engaging. It wasn't just a film about a font. It was a clever device used to weave a story around graphic design, the importance of typography in the craft, and the passionate opinions on design in general elicited from this stellar cast of über creative professionals.

I feel that this film has a broad appeal beyond typography aficionados, which is admittedly a small tribe. The passion behind the ideals expressed by the graphic designers is undeniable and infectious.

The film was beautifully put together. The effect of showing the ubiquitous use of this font in cities around the world, with people walking by, buses, taxis, and cars whizzing past, etc. all set to a totally perfect music was wonderful. These vignettes provided transitions between interviews with world renowned designers.

You might have trouble finding a screening of this film but if you see it coming to a theater or film festival near you don't miss it!!

Helvetica is a beautifully created documentary about the Helvetica font. Now you might think this is a dry and boring subject (as I did before I saw the film) but it is in fact a fascinating tale of design and it's implications.

I think this is a film for anyone who wants to know what design is all about. Never mind that it's based on the font it is a statement on design in general too.

The interviewed people are all extremely interesting and succeed in conveying their passions and convictions. The video work is convincing too and shows very well how common and you might say oversaturated the world is with Helvetica.

This Film WILL change how you see writing. It teaches how to look for the font and it's influence in writing and advertising.

Great film, definitely a must watch.

Oliver

The one bad review notwithstanding – this is an honest, insightful film about the most ubiquitous of fonts, Helvetica. As a designer for over 20 years, one would have thought that I would have known most of its history but, like the proverbial New Yorker who never visits the Statue of Liberty, there are interesting nuggets of insight that are quietly revealed if one just takes the time to visit. Interviews of famous designers take up a majority of the film, Massimo Vignelli by far being the most compelling. Their subjects lend a nice sense of immediacy to their dialogs without being too on the edge or too indulgent (save one). But there were on two dissenters out of a crowd of supporters, so the argument was a bit one-sided. From a film-making point of view, I personally wished Gary Hustwit's approach wasn't so bland. An interview with semiotic professors or cultural historians or even the man on the street wouldn't have hurt, but at least the film doesn't pretend to be something it is not. Unfortunately, the documentary doesn't try to extend the abilities of the filmmakers to any degree whatsoever. It asks easy answers and delivers easy homilies, much like its subject matter – safe and accepted and common. To expect an audience beyond the 20 of us that view fonts as a way of life and find the subject riveting will be asking a lot. Is Helvetica the greatest font every designed? No, absolutely not. Is it the one of the most influential? Undoubtedly. But, interestingly, the film is not asking you to like it, only accept its homogenous nature. How much success this font would have continued to have had the computer revolution not occurred is a matter of some debate. That there are other fonts with greater history, lovelier curves, and more interesting pedigrees seems not to matter. But, for better or for worse, in this age of political correctness, we tend rise to our lowest expectation, and Helvetica stands ready to take the challenge.