Helvetica

Helvetica is a beautifully created documentary about the Helvetica font. Now you might think this is a dry and boring subject (as I did before I saw the film) but it is in fact a fascinating tale of design and it's implications.

I think this is a film for anyone who wants to know what design is all about. Never mind that it's based on the font it is a statement on design in general too.

The interviewed people are all extremely interesting and succeed in conveying their passions and convictions. The video work is convincing too and shows very well how common and you might say oversaturated the world is with Helvetica.

This Film WILL change how you see writing. It teaches how to look for the font and it's influence in writing and advertising.

Great film, definitely a must watch.

Oliver

The one bad review notwithstanding – this is an honest, insightful film about the most ubiquitous of fonts, Helvetica. As a designer for over 20 years, one would have thought that I would have known most of its history but, like the proverbial New Yorker who never visits the Statue of Liberty, there are interesting nuggets of insight that are quietly revealed if one just takes the time to visit. Interviews of famous designers take up a majority of the film, Massimo Vignelli by far being the most compelling. Their subjects lend a nice sense of immediacy to their dialogs without being too on the edge or too indulgent (save one). But there were on two dissenters out of a crowd of supporters, so the argument was a bit one-sided. From a film-making point of view, I personally wished Gary Hustwit's approach wasn't so bland. An interview with semiotic professors or cultural historians or even the man on the street wouldn't have hurt, but at least the film doesn't pretend to be something it is not. Unfortunately, the documentary doesn't try to extend the abilities of the filmmakers to any degree whatsoever. It asks easy answers and delivers easy homilies, much like its subject matter – safe and accepted and common. To expect an audience beyond the 20 of us that view fonts as a way of life and find the subject riveting will be asking a lot. Is Helvetica the greatest font every designed? No, absolutely not. Is it the one of the most influential? Undoubtedly. But, interestingly, the film is not asking you to like it, only accept its homogenous nature. How much success this font would have continued to have had the computer revolution not occurred is a matter of some debate. That there are other fonts with greater history, lovelier curves, and more interesting pedigrees seems not to matter. But, for better or for worse, in this age of political correctness, we tend rise to our lowest expectation, and Helvetica stands ready to take the challenge.

Helvetica screened this week at the SXSW Film Festival in Austin, TX where it was very well-received. In a million years it would never have occurred to me to do a documentary on a type font. The film makers somehow came up with the idea of doing a cultural history of the Helvetica font which has become the almost universal default modern font over the past 50 years. Fonts are almost like the air we breathe. They play a very subtle and almost unnoticed and usually uncommented upon role in our daily lives. The social and psychological ways in which Helvetic informs all our lives are quite fascinating.

Helvetica is a humorous film that combines a series of interview clips with a variety of often rather quirky graphic font designers with shot of various street signs and corporate logos. The film provides a great deal of insight into the role of the Helvetica font in shaping Western culture. Helvetica is both entertaining and informative in that it provides great insight into a ubiquitous aspect of modernity about which most of us are completely oblivious. I hope that many people get the opportunity to see this unusual and insightful film, because it opens a fascinating window for better understanding our society. Since versions of Helvetica are also the default font on most computers, many of us type in Helvetica constantly without even realizing it.

As I walked home from the film, I couldn't help noticing that many of the street signs in Austin appeared to be in Helvetica.

This movie is brilliant. It's a documentary about the creation of the Helvetica font, sure. But it's also: a musing on the history of modern graphic design. A diatribe (by some) about a font seen as style-killingly ubiquitous. A visit to favorite graphic designs of years past. A reflection about what our fonts say about us.

If you are a graphic designer, you'll love it. If you live with a graphic designer, you'll shake your head and say, "Yup" in recognition. If you don't pay any attention to graphic design, you may think about it just a tiny bit more after seeing this movie. And you will definitely come out of it with SOME opinion about the Helvetica font.

There is a global conspiracy scheming to control the general populace that is run by the most unlikely suspects: graphic designers. Every day, all over the world, these people decide how best to sell us on just about anything they want to sell us on. Several designers in this documentary say that it isn't so much the letters of an advertisement's slogan that matter much - it's the space in between the letters. What's so important about the empty space? I think that's where we, the consumers, are allowed to fill in the blank with our own wishes and dreams for whatever product or politician is being shown to us at that moment. But that's not really what this movie is about.

Helvetica is the most commonly used typeface in the modern world. Crate & Barrel, Target, American Airlines, and Energizer are some of the more notable companies that use Helvetica and its derivatives in their corporate logos. Countless other businesses have used it in their advertising. The reason for this is that it was designed for the specific purpose of being as universally acceptable as possible. It is not exactly stylish in and of itself, though many designers have used it stylishly because the typeface is merely a tool of the designer. They can make it stick out or blend in to their liking, and these seem to be the two main schools of thought over the use of Helvetica. The old school designers like it for its simplicity and boldness where newer, younger designers mostly see it as a generic relic from the 60's. One man who calls Helvetica a symbol of conformity and socialism apparently doesn't understand the irony of his using a MacBook at the same time he states this.

This film is focused on the Helvetica typeface - its creation, its purpose, and its uses - but it speaks volumes about the design/advertising industry as a whole. There are thousands of people who are striving everyday to make the average Citizen Schmoe feel a certain way and think a certain thing, to control and exploit our buying and behavioral patterns. They may not all be shilling Tide, but it is alarming to see inside that culture. Like any trend in the art world, Helvetica has gone through ups and downs. It was designed in the 50's as an answer to the kitschy, colorful designs of the era. It was meant to be powerful and grounding, not light and airy. It was used heavily throughout the 60's, but the designers got tired of it and abandoned Helvetica's straight lines for "grungy" design in the 80's and 90's. Since Helvetica was built to have almost no personality, designers started giving their work more of that with handwritten text and goofy designs which would have been considered printing accidents in decades past. In fact, one man actually received praise for a mistake that was made in publishing. So the new designers of the 90's were going wild, the older men shook their heads, and our current generation of designers were learning how to use Helvetica in wild ways. The lifespan of the font has come, gone, and come again, much like leg warmers are bound to someday soon.

The reason Helvetica is still being used today is because it works. People see those solid, strong letters and they instantly feel secure in the idea it's portraying and comforted by its mere presence, which makes it "ideal" to some people for use as public signs labeling streets, restrooms, subways, etc. It's mind control in a font. It's pretty fascinating stuff, to be sure. But be careful out there, readers. Next time you have to choose between Mobil and Arco gas stations, just remember they're both using the safety of Helvetica to lure you in. And then make the decision to go electric.

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