Sugarhouse

British crime movies are hardly a rarity in this day and age, but "Sugarhouse" stands head and shoulders above 95% of the other releases in the genre. On the surface, it's a remarkably simple movie about two troubled men and the problems that arise when one tries to sell a gun to the other.

Both Stephen Mackintosh and Ashley Walters deliver incredible performances as the two men, and are supported by an equally impressive offering by Andy Serkis as 'Hoodwink', the local drug-lord who was the original owner of the stolen weapon. Serkis oozes menace whenever he's on-screen, and his sudden bursts of violence are frightening to behold.

The writer deserves an equal share of the credit. I've lived in London for several years and can confirm that the terms and slang used by the characters are authentic. Secondly, the story is well written and keeps the interest throughout; a palpable feeling of tension and dread growing as the situation grows steadily worse. If there's any complaint to be made, it's most likely that the story could have found a more comfortable place on the stage than the screen due to the minimal number of locations used (most of the action takes place within one warehouse) and the long (but always interesting) conversations between characters.

I wasn't sure whether I'd enjoy watching "Sugarhouse" due to my overexposure to British crime movies, but i'm glad that I did. It was one of the better movies I've seen recently and surprised me in how well-made it was. Long after the eerie final scene, i find myself thinking back to those two broken men who met at a crucial point in both of their lives and subsequently changed each other - for better or for worse.

If you're a fan of serious crime movies such as "Reservoir Dogs" of "The Long Good Friday", it would be well worth your time to take a look at "Sugarhouse".

Sugarhouse is something that has been done in the past quite a lot in British cinema with the likes of Bullet Boy and Kidulthood, a film centred around the raw realities of life and of course crime. There isn't really anything new with Sugarhouse, but what it does do is revitalise classics like those above and give you a more up to date adaption.

This adaption in question includes the talents of Steven Mackintosh and Andy Serkis, both well known British actors along with new British talent Ashley D. Sugarhouse is dark, compromising and of course brings up questions about morality and human nature. Violent at times but of course this is what makes this specific genre so appealing and riveting! I'd recommend this film to fans of either Rollin' With The Nines or Kidulthood.

Filmed on a relative microbudget, I was surprised this film was chosen by Slingshot as their first project, as the script really doesn't hold water and some clumsy dialogue really grates on the nerves.

As far as British films go I suppose it could have been a lot worse, and while I really didn't enjoy it the performances pull it through, right before it gets plain silly. In terms of the negative feedback that it's racked up here, most I agree with, however complaining that this film is awful because it's "like watching a play" is one of the most idiotic comments I've ever read, you're really telling us more about yourself then the film! It was based on a play which is usually no bad thing (have a look at The Big Kahuna for a good example of a one-set movie)

Sugarhouse is an uncomfortable watch, with painful, often ugly violence and dialogue that is more often than not shouted. It turns to become, mainly a two-man show with white middle-class, jacket-wearing Steven Mackintosh who ventures into ghetto-land somewhere in decaying urban London to buy back a gun used in a murder and black, crack-addict Ashley Walters.

Being far nearer in real life to Mackintosh than Walters (by a far margin!) it wouldn't be right for me, myself to say how realistic the dialogue is, or the scenarios. So, I'm not going to try and pretend to say things like it's 'hip' or 'savvy', but looks and sounds really not very nice.

Walters, plus his chums generally give Mackintosh a hard time, over how a privileged a life he has and much angst and verbal ricocheting carries on. When director Gary Love's camera swings back and forth to them, it's an odd duet experience, so chalk and cheese.

Andy Serkis has been accused of overacting in Sugarhouse and we certainly get our money's worth from his psychopathic drug-dealer character. We see him at the start, nude, stretching his muscles and revealing his many tattoos. More revealing than is necessary, some critics have said, but it gives us a very clear indication that here we have a shaven-head bully more akin the Hannibal Lecter than Peter Pan.

As such, as Hoodwink, he is the colour and propulsion in this film. It would be quite dreary without him and who's to say what is over-the-top? It's of a type of person that thankfully I don't know and hopefully never will. His Irish accent seems pretty good too.

The film certainly came under my radar and watching it on BBC2 now, I was surprised that it was made 5 years ago and I'd never heard of it or referred to.

I got an invite to see a Preview screening of Sugarhouse Lane last Wednesday & it was a well attended affair in a Hotel screening Room.

The film is set in London, but not the tourist type London you'll have seen in most British Films. Thankfully there's no shot of 'The Gherkin' building which seems to have plagued all films set in London since around 2000.

Most of the action (if thats the right word) takes place in around a derelict warehouse in/or around a Council estate. D takes Tom to this place in order to do some business but has other plans. Unfortunately this is were the films Stage origins let it down because, the film becomes wordy & rather confined to this single location. The film is beautiful to look at, the DoP should be very proud of themselves. I saw the film in the company of a Film Director and that was a comment he agreed with. Look out for the final Crane shot at the end of the film which is just great..

As to the performances, there's a really great performance from Ashley Walters as D a Crack Addict/Hustler. IMHO it much more than the clichéd "Blackman Druggie" part British Black actors are asked to play. It's a really convincing turn as an addict up there with Willie Ross's Drunk Father in 'Rita, Sue and Bob Too' and Samuel L. Jackson's performance in 'Jungle Fever'. There's also a good performance from Andy Serkis as Hoodwink a Northern Irish hard man. Oh, look out for the girl who plays Hoodwinks girlfriend I think in the titles she's called 'Pregnant Girl'. She's in the film for no more than 5 - 6 minutes tops but there's something really striking about her.

I must admit I was expecting something different but that said, I was pleasantly surprised. The film is much better than say other films set in London with Urban theme's like 'Breaking and Entering'. A film well worth having a look at when or if it gets a UK Theatrical release.