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Mio fratello è figlio unico

  • 2007
  • R
  • 1 घं 48 मि
IMDb रेटिंग
7.0/10
6.9 हज़ार
आपकी रेटिंग
Mio fratello è figlio unico (2007)
This is the theatrical trailer for My Brother Is an Only Child (Mio fratello è figlio unico), directed by Daniele Luchetti.
trailer प्ले करें1:55
5 वीडियो
12 फ़ोटो
अपराधइतिहासकॉमेडीड्रामा

अपनी भाषा में प्लॉट जोड़ेंTwo brothers come of age in a small Italian town in the '60s and '70s.Two brothers come of age in a small Italian town in the '60s and '70s.Two brothers come of age in a small Italian town in the '60s and '70s.

  • निर्देशक
    • Daniele Luchetti
  • लेखक
    • Antonio Pennacchi
    • Daniele Luchetti
    • Sandro Petraglia
  • स्टार
    • Elio Germano
    • Riccardo Scamarcio
    • Angela Finocchiaro
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    6.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Daniele Luchetti
    • लेखक
      • Antonio Pennacchi
      • Daniele Luchetti
      • Sandro Petraglia
    • स्टार
      • Elio Germano
      • Riccardo Scamarcio
      • Angela Finocchiaro
    • 25यूज़र समीक्षाएं
    • 95आलोचक समीक्षाएं
    • 71मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 19 जीत और कुल 29 नामांकन

    वीडियो5

    My Brother Is an Only Child: Theatrical trailer
    Trailer 1:55
    My Brother Is an Only Child: Theatrical trailer
    My Brother Is An Only Child: I'm A Complete Man
    Clip 1:49
    My Brother Is An Only Child: I'm A Complete Man
    My Brother Is An Only Child: I'm A Complete Man
    Clip 1:49
    My Brother Is An Only Child: I'm A Complete Man
    My Brother Is An Only Child: Concert
    Clip 1:34
    My Brother Is An Only Child: Concert
    My Brother Is An Only Child: Revolutionary Talk
    Clip 1:16
    My Brother Is An Only Child: Revolutionary Talk
    My Brother Is An Only Child: In The Woods
    Clip 1:51
    My Brother Is An Only Child: In The Woods

    फ़ोटो12

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार34

    बदलाव करें
    Elio Germano
    Elio Germano
    • Accio
    Riccardo Scamarcio
    Riccardo Scamarcio
    • Manrico
    Angela Finocchiaro
    Angela Finocchiaro
    • Amelia Benassi
    Massimo Popolizio
    Massimo Popolizio
    • Ettore Benassi
    Ascanio Celestini
    Ascanio Celestini
    • Padre Cavalli
    Diane Fleri
    Diane Fleri
    • Francesca
    Alba Rohrwacher
    Alba Rohrwacher
    • Violetta Benassi
    Vittorio Emanuele Propizio
    • Accio adolescent
    Claudio Botosso
    • Prof. Montagna
    Antonino Bruschetta
    Antonino Bruschetta
    • Segretario Bombacci
    • (as Ninni Bruschetta)
    Anna Bonaiuto
    Anna Bonaiuto
    • Bella Nastri
    Luca Zingaretti
    Luca Zingaretti
    • Mario Nastri
    Pasquale Sammarco
    • Padre Tosi
    Lorenzo Pagani
    • Bertini
    Matteo Sacchi
    • Ragazzo Biliardino
    Gianluca Viola
    • Nipoto Bombacci
    Vincenzo Santillo
    • Piermario
    Alessandro Vicca
    • Lupo
    • निर्देशक
      • Daniele Luchetti
    • लेखक
      • Antonio Pennacchi
      • Daniele Luchetti
      • Sandro Petraglia
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं25

    7.06.8K
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    फ़ीचर्ड समीक्षाएं

    8Buddy-51

    coming-of-age film with a political twist

    Based on the novel by Antonio Pennacci, "My Brother is an Only Child" is a tale of two brothers growing up in Italy in the turbulent 1960s and '70s. Though remarkably alike in disposition and temperament, the two siblings, nevertheless, find themselves on opposite ends of the political spectrum. Manrico (Riccardo Scamarrio), the older of the two, is a committed Communist who rallies the workers in his town to stand up for their rights. Accio (Elio Germano), his younger brother and also the narrator of the story, is a hardcore Fascist who venerates Mussolini and participates in violent protests against the Marxists. A hothead and a bully by nature, Accio (the name actually means "bully" in Italian) finds a convenient outlet for his rage and violence in the thuggery and strong arm tactics he and his fellow fascists use against their adversaries. Manrico and Accio have obviously had a tumultuous love-hate relationship their entire lives, and things get even more complicated when Accio falls in love with Manrico's girlfriend, Francesca. But each man must ultimately decide where his true loyalty finally lies - with family or with the ideological cause that moves and empowers him. This becomes an even more complex question when one of the brothers becomes increasingly disillusioned with the goals and tactics used by his side, while the other grows increasingly radicalized in his commitment to his.

    Director Daniele Luchetti brings renewed life to the coming-of-age genre with his intense concentration on the sociopolitical elements of the story. It gets so bad between the two warring factions that even a performance of Beethoven becomes a pretext for bloodshed and violence. And the constant tussling between the two brothers - who can't seem to see eye-to-eye on anything except the girl they love - becomes a microcosmic reflection of the larger world around them.

    Uniformly superb performances and naturalistic direction make this a complex and ultimately very moving study of brotherhood, family, maturity and commitment.
    9gradyharp

    Finding Self: A Beautiful Coming of Age Story

    MY BROTHER IS AN ONLY CHILD ('Mio fratello è figlio unico') is a title that may confuse the casual movie viewer, but it is an apt summation of the rigorous story that this excellent Italian film by Danielle Luchetti (adapted from a novel by Antonio Pennacchi) represents - the coming of age of two brothers in the confusing and turbulent 1960's and 1970's in Italy. While the film deals with the myriad political factions that disrupted life especially among the students of that era, the main focus of the story is the indomitable brotherly love that bonds the two main characters.

    Accio Benano (Vittorrio Emanuele Popizo) as a child is a mischief maker who has entered seminary to become a priest, but his innate search for truth and meaning soon finds him returning home to his little family in a Mussolini-fabricated town called Latina, a village built on promises of communal well-being (a housing project was built but the poor villagers are refused access to it), but languishes in the poverty of lost hopes and deflated spirits. Accio's father, mother, younger sister and older brother Manrico (Riccardo Scamarcio) are making ends meet, but are frustrated with the political oppression of the working class. Time passes and the older Accio (Elio Germano) comes under the influence of Mussolini's 'idealism' with the tutelage of his older friend Mario (Luca Zingaretti) and embraces Fascism while Manrico has aligned with the communists, and it is this dichotomy of belief that sets Accio apart from his brother as well as his family who are communist sympathizers. Accio's personality places him in harms way with the law, with women (he has longings for the women in both Mario's and Manrico's lives), and ultimately with turns of events that threaten to pit brother against brother. The resolution of these conflicts makes for a fascinating study of familial ties, brotherly love, and a keenly observed sociopolitical history of Italy that is as enlightening as it is entertaining.

    While Germano and Scamarcio are the obvious stars of this well acted film, the supporting cast (including such fine actors as Angela Finocchiaro, Massimo Popolizio, Alba Rohrwacher, Anna Bonaiuto, and Diane Fleri) is uniformly strong. This epic film demands full attention to the script (Italian with English subtitles) to follow the various political differences, but the tenor of the film is one of the excitement and concomitant love of two brothers coming of age in the best Italian style! It is a joy to watch and a lesson in history about which we should all be aware. Grady Harp
    paul2001sw-1

    Looking back from outside

    'My Brother is an Only Child' tells the story of two red-blooded siblings as they take their first steps into political and sexual adulthood in the Italy of the 1960s. It's an intriguing premise, but for me, it didn't quite come together. Specifically, the fascism and communism that its protagonists pursue seem obviously unappealing: the film fails to convey how anyone could follow such causes except out of immaturity, though there are some funny moments (the new leftist lyrics to Beethoven's Ninth Symphony the most obvious of them). At the end of the film, a housing scandal is exposed, but the film doesn't really explain how the scam had worked: the story would make sense if the houses in question hadn't actually been built, but in fact they have been, and one senses that the writer has resolved a happy ending without worrying too much about the details. What's nice about this film is its portrait of a place and a time, and the very believable love-hate relationship between the brothers; but if you weren't there yourself, perhaps its inevitable that you find yourself looking in from the outside.
    6palmiro

    More of the same from Italy's new film-makers

    There's this much to be said for this movie from the ranks of Italy's new young directors and actors: The quality of the acting was at least one notch above the usual fare, which almost never transcends the clichéd facial expressions and intonations we expect to find in TV dramas and sit-coms. This new generation of actors and directors was raised on US television imports ("telefilms") and Latin-American soaps, and it definitely shows in the uninspired and uninspiring quality of their work. And one gets the impression that 90% of them come from Parioli, a very well-to-do neighborhood of Rome, that would be the rough equivalent of coming from Santa Monica, Lake Forest IL, or Westport Conn—all those perfectly groomed faces coming from families of the Italian haute bourgeoisie with unlimited funds to advance their children's "acting career." If it weren't for Elio Germano as Accio (as well as Luca Zingaretti as Accio's fascist mentor and Anna Bonaiuto as his wife), this movie would probably fall into the same category of banalized film-making with all the rest.

    But Germano's performance is not enough to salvage a film that fails to rise above a rating of "mediocrity +". Certainly it was an interesting idea to situate the action in Latina, a city built from scratch by Mussolini's fascist regime after it had drained the surrounding swamp land (the "bonifica" that was one of Fascism's highly touted achievements). All of the city's architecture was inspired by fascist "monumental" design.

    Regrettably, Luchetti has done little of interest to exploit this setting for his family drama other than to bring up the same old cliché of opposing extremisms (the thuggery of the neo-fascist right vs. the banditry and targeted terrorism of the extra-parliamentary left). And the drama of the conflict between these two extremisms is used altogether too much to drive the plot forward. Some Italian commentators disliked this film because it seemed to go over the same old ground in the same old way—when it was time, presumably, to move on to new subjects. But the problem was not that it rehashed Italian history—the problem was the "hash." Bellocchio, after all, did a wonderful job of re-interpreting to Italians the experience of the Red Brigades in his "Buongiorno,Notte".

    But here the audience is simply given a choice between fascist hooliganism and a lunatic left, when actually the situation in Italy in the 60s and 70s was much more complicated and nuanced. Millions of Italians belonged to parties and movements that were seriously committed to a progressive transformation of Italy that did not involve knee-cappings and assassinations. And so Luchetti ends up confirming (perhaps despite himself) the American/Berlusconiano vision of the world: "Forget about ideology—it's all about individual freedom and authenticity in your personal relationships." And finally we can see the effects of Berlusconi's TV stations and their ilk also in the movie's script. After 20, I stopped counting how many times the characters said, "Ma Che Cazzo Dici?"("What the f#%k are you saying?"). It is a measure of the moronization of the Italian public under the sway of Berlusconi and Berlusconian media that the scriptwriters think that they can get a laugh out of an Italian audience with this phrase each and every time it is said—and sadly they're probably right.
    8imdb-5596

    A film of two halves

    This film is a dilemma for me. The first half just bounced along. The music was perfect. The energy pulled me along with it, seeing what felt to me like real people's insight into the serious subject matter. Interesting subject matter, interesting characters with motivation, who I cared about. You do laugh at things, even when serious stuff is going on most of the time. I didn't think it could get any better.

    And then in a blink of an eye (about an hour in, maybe), it all went to pieces. It dawdled slowly through clichés. I felt like I knew what was coming, and I didn't even care. It was implausible, and at times boring enough for me to lose concentration.

    Part of the problem is that it is (as another reviewer noted) about 20 minutes too long. How come are there film directors - talented ones - who haven't yet noticed that 90 minutes is generally enough? 8/10 for the brilliant first half.

    इस तरह के और

    Benvenuti al sud
    6.6
    Benvenuti al sud
    Confidenza
    6.6
    Confidenza
    Smetto quando voglio
    7.0
    Smetto quando voglio
    Il giovane favoloso
    6.7
    Il giovane favoloso
    La nostra vita
    6.7
    La nostra vita
    Favolacce
    6.4
    Favolacce
    Educazione siberiana
    6.3
    Educazione siberiana
    Romanzo criminale
    7.2
    Romanzo criminale
    Notte prima degli esami
    6.4
    Notte prima degli esami
    La stanza del figlio
    7.3
    La stanza del figlio
    I cento passi
    7.5
    I cento passi
    La scuola
    7.0
    La scuola

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Taken from the novel "Il fasciocomunista", the title has been changed in "Mio fratello è figlio unico" as a tribute to the eponymous song by Rino Gaetano.
    • साउंडट्रैक
      Sul mio carro (Chariot)
      Performed by Sonia Cruceru

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is My Brother Is an Only Child?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 अप्रैल 2007 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • फ़्रांस
    • आधिकारिक साइटें
      • Celluloid Dreams
      • Official site (Spain)
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • My Brother Is an Only Child
    • फ़िल्माने की जगहें
      • Latina, Lazio, इटली
    • उत्पादन कंपनियां
      • Cattleya
      • Babe Film
      • Film Commission Torino-Piemonte
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • €50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,55,620
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $9,357
      • 30 मार्च 2008
    • दुनिया भर में सकल
      • $1,28,94,062
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 48 मि(108 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

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