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Mio fratello è figlio unico

  • 2007
  • R
  • 1 घं 48 मि
IMDb रेटिंग
7.0/10
6.9 हज़ार
आपकी रेटिंग
Mio fratello è figlio unico (2007)
This is the theatrical trailer for My Brother Is an Only Child (Mio fratello è figlio unico), directed by Daniele Luchetti.
trailer प्ले करें1:55
5 वीडियो
12 फ़ोटो
अपराधइतिहासकॉमेडीड्रामा

अपनी भाषा में प्लॉट जोड़ेंTwo brothers come of age in a small Italian town in the '60s and '70s.Two brothers come of age in a small Italian town in the '60s and '70s.Two brothers come of age in a small Italian town in the '60s and '70s.

  • निर्देशक
    • Daniele Luchetti
  • लेखक
    • Antonio Pennacchi
    • Daniele Luchetti
    • Sandro Petraglia
  • स्टार
    • Elio Germano
    • Riccardo Scamarcio
    • Angela Finocchiaro
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    6.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Daniele Luchetti
    • लेखक
      • Antonio Pennacchi
      • Daniele Luchetti
      • Sandro Petraglia
    • स्टार
      • Elio Germano
      • Riccardo Scamarcio
      • Angela Finocchiaro
    • 25यूज़र समीक्षाएं
    • 95आलोचक समीक्षाएं
    • 71मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 19 जीत और कुल 29 नामांकन

    वीडियो5

    My Brother Is an Only Child: Theatrical trailer
    Trailer 1:55
    My Brother Is an Only Child: Theatrical trailer
    My Brother Is An Only Child: I'm A Complete Man
    Clip 1:49
    My Brother Is An Only Child: I'm A Complete Man
    My Brother Is An Only Child: I'm A Complete Man
    Clip 1:49
    My Brother Is An Only Child: I'm A Complete Man
    My Brother Is An Only Child: Concert
    Clip 1:34
    My Brother Is An Only Child: Concert
    My Brother Is An Only Child: Revolutionary Talk
    Clip 1:16
    My Brother Is An Only Child: Revolutionary Talk
    My Brother Is An Only Child: In The Woods
    Clip 1:51
    My Brother Is An Only Child: In The Woods

    फ़ोटो12

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार34

    बदलाव करें
    Elio Germano
    Elio Germano
    • Accio
    Riccardo Scamarcio
    Riccardo Scamarcio
    • Manrico
    Angela Finocchiaro
    Angela Finocchiaro
    • Amelia Benassi
    Massimo Popolizio
    Massimo Popolizio
    • Ettore Benassi
    Ascanio Celestini
    Ascanio Celestini
    • Padre Cavalli
    Diane Fleri
    Diane Fleri
    • Francesca
    Alba Rohrwacher
    Alba Rohrwacher
    • Violetta Benassi
    Vittorio Emanuele Propizio
    • Accio adolescent
    Claudio Botosso
    • Prof. Montagna
    Antonino Bruschetta
    Antonino Bruschetta
    • Segretario Bombacci
    • (as Ninni Bruschetta)
    Anna Bonaiuto
    Anna Bonaiuto
    • Bella Nastri
    Luca Zingaretti
    Luca Zingaretti
    • Mario Nastri
    Pasquale Sammarco
    • Padre Tosi
    Lorenzo Pagani
    • Bertini
    Matteo Sacchi
    • Ragazzo Biliardino
    Gianluca Viola
    • Nipoto Bombacci
    Vincenzo Santillo
    • Piermario
    Alessandro Vicca
    • Lupo
    • निर्देशक
      • Daniele Luchetti
    • लेखक
      • Antonio Pennacchi
      • Daniele Luchetti
      • Sandro Petraglia
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं25

    7.06.8K
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    फ़ीचर्ड समीक्षाएं

    8Buddy-51

    coming-of-age film with a political twist

    Based on the novel by Antonio Pennacci, "My Brother is an Only Child" is a tale of two brothers growing up in Italy in the turbulent 1960s and '70s. Though remarkably alike in disposition and temperament, the two siblings, nevertheless, find themselves on opposite ends of the political spectrum. Manrico (Riccardo Scamarrio), the older of the two, is a committed Communist who rallies the workers in his town to stand up for their rights. Accio (Elio Germano), his younger brother and also the narrator of the story, is a hardcore Fascist who venerates Mussolini and participates in violent protests against the Marxists. A hothead and a bully by nature, Accio (the name actually means "bully" in Italian) finds a convenient outlet for his rage and violence in the thuggery and strong arm tactics he and his fellow fascists use against their adversaries. Manrico and Accio have obviously had a tumultuous love-hate relationship their entire lives, and things get even more complicated when Accio falls in love with Manrico's girlfriend, Francesca. But each man must ultimately decide where his true loyalty finally lies - with family or with the ideological cause that moves and empowers him. This becomes an even more complex question when one of the brothers becomes increasingly disillusioned with the goals and tactics used by his side, while the other grows increasingly radicalized in his commitment to his.

    Director Daniele Luchetti brings renewed life to the coming-of-age genre with his intense concentration on the sociopolitical elements of the story. It gets so bad between the two warring factions that even a performance of Beethoven becomes a pretext for bloodshed and violence. And the constant tussling between the two brothers - who can't seem to see eye-to-eye on anything except the girl they love - becomes a microcosmic reflection of the larger world around them.

    Uniformly superb performances and naturalistic direction make this a complex and ultimately very moving study of brotherhood, family, maturity and commitment.
    6palmiro

    More of the same from Italy's new film-makers

    There's this much to be said for this movie from the ranks of Italy's new young directors and actors: The quality of the acting was at least one notch above the usual fare, which almost never transcends the clichéd facial expressions and intonations we expect to find in TV dramas and sit-coms. This new generation of actors and directors was raised on US television imports ("telefilms") and Latin-American soaps, and it definitely shows in the uninspired and uninspiring quality of their work. And one gets the impression that 90% of them come from Parioli, a very well-to-do neighborhood of Rome, that would be the rough equivalent of coming from Santa Monica, Lake Forest IL, or Westport Conn—all those perfectly groomed faces coming from families of the Italian haute bourgeoisie with unlimited funds to advance their children's "acting career." If it weren't for Elio Germano as Accio (as well as Luca Zingaretti as Accio's fascist mentor and Anna Bonaiuto as his wife), this movie would probably fall into the same category of banalized film-making with all the rest.

    But Germano's performance is not enough to salvage a film that fails to rise above a rating of "mediocrity +". Certainly it was an interesting idea to situate the action in Latina, a city built from scratch by Mussolini's fascist regime after it had drained the surrounding swamp land (the "bonifica" that was one of Fascism's highly touted achievements). All of the city's architecture was inspired by fascist "monumental" design.

    Regrettably, Luchetti has done little of interest to exploit this setting for his family drama other than to bring up the same old cliché of opposing extremisms (the thuggery of the neo-fascist right vs. the banditry and targeted terrorism of the extra-parliamentary left). And the drama of the conflict between these two extremisms is used altogether too much to drive the plot forward. Some Italian commentators disliked this film because it seemed to go over the same old ground in the same old way—when it was time, presumably, to move on to new subjects. But the problem was not that it rehashed Italian history—the problem was the "hash." Bellocchio, after all, did a wonderful job of re-interpreting to Italians the experience of the Red Brigades in his "Buongiorno,Notte".

    But here the audience is simply given a choice between fascist hooliganism and a lunatic left, when actually the situation in Italy in the 60s and 70s was much more complicated and nuanced. Millions of Italians belonged to parties and movements that were seriously committed to a progressive transformation of Italy that did not involve knee-cappings and assassinations. And so Luchetti ends up confirming (perhaps despite himself) the American/Berlusconiano vision of the world: "Forget about ideology—it's all about individual freedom and authenticity in your personal relationships." And finally we can see the effects of Berlusconi's TV stations and their ilk also in the movie's script. After 20, I stopped counting how many times the characters said, "Ma Che Cazzo Dici?"("What the f#%k are you saying?"). It is a measure of the moronization of the Italian public under the sway of Berlusconi and Berlusconian media that the scriptwriters think that they can get a laugh out of an Italian audience with this phrase each and every time it is said—and sadly they're probably right.
    7Antibody

    A witty and charming family drama

    The political backdrop of this 60s character drama is both nostalgic and frightening - that disaffected and rebellious Accio finds himself so easily taken in by a Fascist mentor strikes parallels with the our own young men turning to extremism or street violence in a search of identity. Accio clashes dramatically with his older brother, the hip, good-looking communist, but the story not so much about political ideals as their expression of familial jealousies and personal moral development.

    The tensions and affections of this struggling working class family, portrayed by all with genuine emotion. The dialogue is witty and charming and not unlike other memorable Italian films (Il Postino, Cinema Paradiso) the characters come across almost too resoundingly. This gives the film a well-crafted theatrical quality, that is engaging, well-paced and very satisfying.
    8Philby-3

    Growing up with bro is hard to do

    Good Italian movies are few and far between – the last I saw was Zefferelli's "Tea with Mussolini", and before that, "Life Is Beautiful". It seems that Italian movies, good or bad, are rare. If the list in Wikipedia is anything to go by, Italy produces about ten to fifteen features a year, far less than Australia.

    This one is about growing up in a post-Mussolini, post-war world as a working class Italian. The narrator, Accio (Elio Germano), bright but temperamental, is not the most pleasant of people (his name means bully). At 13 he is sent off to a seminary by his long-suffering and pious parents but even though it's a fairly humane regime he doesn't last long. So it's back to the family's tiny, crumbling flat to grow up with his older brother, Manrico (Riccardo Scarmarcio). Rejecting religion, Accio comes into the orbit of the local fascists, though he is more interested in action than ideology. The handsome, charming Manrico becomes a communist, and beds Francesca (Diane Fleri), an attractive middle class girl who has joined the comrades. Naturally Accio gets interested in Francesca as well.

    The story covers the period 1962 to 1968 and plenty of reference is made to the turmoil of the times, but basically it is about a textbook case of sibling rivalry. Acco and Manrico cannot keep their hands off each other – in order to fight, that is. Acco however does manage to reach some sort of maturity at the end.

    The story moves along at a good pace and there are plenty of funny scenes. The best one is the occupation by the communist students during the 1968 disturbances of the Rome conservatory where they perform Beethoven's "Ode to Joy" with the words changed to communist slogans, and are then invaded by the fascists crying "Don't mess with Beethoven" (actually the original words were from a poem by Schiller). The switch of actors (Vittorio Propizio plays the younger Accio) is accomplished in a particularly neat fashion, using a method I last saw used in "Conan the Barbarian" where the older actor is substituted in mid-scene.

    In the background is Mussolini's legacy, an angry, confused and humiliated nation without a clear sense of direction. His 1930's "new towns" like Latina on the Pontine marches, jerry-built and badly designed, were crumbling already by the 1960s. Replacement housing had been built but corrupt local officials were holding up its allocation. There is a very satisfying moment at the end of the film when Accio, no stranger to causing a ruckus, takes remedial action.

    Not being Italian I probably missed a lot, but the film held my attention for its full length, despite Accio not being a particularly nice lad (then neither was Genghis Khan and he had an interesting life). The film is bright, fresh and fast-moving though I'm not sure about the climax, which is rather on the melodramatic side. If the Italians can bring themselves to make more movies of this quality, I'll come along to watch.
    3primodanielelori

    Where Are The Ideas?

    I rushed to see this movie, with Elio Germano, perhaps the best Italian actor of his generation, and Riccardo Scamarcio, the heartthrob of the moment. I got upset about the rejection from the snobbish Cannes Festival and I wanted to see the film by myself. Now, after having seen it, unfortunately, I have to agree with the Cannes decision. The film is a tired rehash of other books/films/TV done indifferently and boringly with two saving graces: Elio Germano's and Angela Finocchiaro's performances. The rest is, quite frankly, unendurable. The film felt long, long, long and I got more and more impatient and eventually angry with the whole thing. The Italian cinema that once was a power force of inspiring themes and ideas seems to have arrived to a total dead stop. The artists, I feel, with something new to say, like Libero Di Rienzo - have you seen his "Sangue" with Elio Germano as well? No, I bet you haven't. It was released in secrecy and for my money, his movie had something new to say in a totally new exciting way. I fear we, in Italy, can't move forward because we're trapped in some king of structure that it's terrified of new ideas. As a consequence we have films like this one. A throw back to the past and not in a nice way. Cannes? Are you nuts?

    इस तरह के और

    Benvenuti al sud
    6.6
    Benvenuti al sud
    Confidenza
    6.6
    Confidenza
    Il giovane favoloso
    6.7
    Il giovane favoloso
    Favolacce
    6.4
    Favolacce
    Smetto quando voglio
    7.0
    Smetto quando voglio
    La nostra vita
    6.7
    La nostra vita
    Notte prima degli esami
    6.4
    Notte prima degli esami
    Romanzo criminale
    7.2
    Romanzo criminale
    I cento passi
    7.5
    I cento passi
    Educazione siberiana
    6.3
    Educazione siberiana
    Io sono Tempesta
    5.8
    Io sono Tempesta
    Buongiorno, notte
    7.1
    Buongiorno, notte

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Taken from the novel "Il fasciocomunista", the title has been changed in "Mio fratello è figlio unico" as a tribute to the eponymous song by Rino Gaetano.
    • साउंडट्रैक
      Sul mio carro (Chariot)
      Performed by Sonia Cruceru

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is My Brother Is an Only Child?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 अप्रैल 2007 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • फ़्रांस
    • आधिकारिक साइटें
      • Celluloid Dreams
      • Official site (Spain)
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • My Brother Is an Only Child
    • फ़िल्माने की जगहें
      • Latina, Lazio, इटली
    • उत्पादन कंपनियां
      • Cattleya
      • Babe Film
      • Film Commission Torino-Piemonte
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

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    • बजट
      • €50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,55,620
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $9,357
      • 30 मार्च 2008
    • दुनिया भर में सकल
      • $1,28,94,062
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 48 मि(108 min)
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      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

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