एक राजनीतिक सलाहकार अपनी 11 वर्षीय बेटी को अपने आसन्न तलाक और पिछले रिश्तों को समझाने की कोशिश करता है।एक राजनीतिक सलाहकार अपनी 11 वर्षीय बेटी को अपने आसन्न तलाक और पिछले रिश्तों को समझाने की कोशिश करता है।एक राजनीतिक सलाहकार अपनी 11 वर्षीय बेटी को अपने आसन्न तलाक और पिछले रिश्तों को समझाने की कोशिश करता है।
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
- Visitor from Planet Ordon
- (as Ricky Jay Derby)
फ़ीचर्ड समीक्षाएं
The little girl is fabulous. Good casting. She's adorable without being perfect. Kevin Kline was an absolute delight as an unapologetic drunken writer/professor who also happens to be quite full of himself. Rachel Weisz (whom I normally do not care for) was completely (and unexpectedly) charming. Ryan Reynolds was also a good casting choice. Unexpectedly believable as a dad.
The bulk of the movie is him explaining to his daughter, bedtime story style (told entirely in flashbacks) about love and how he met her mother, with her being the proverbial "happy ending". Except ... she seems to be the only one who notices that her Dad really isn't happy at all. Isla Fisher also shines. Watching her character grow from someone who is completely devoid of any direction or purpose into a real woman, complete with self-esteem, was a nice touch.
Loved the relationship stories. It's amazing what you don't see when you are in a relationship, only to come to a realization much later. Anyone who has ever traded a trip on the QEII for a proverbial three hour tour on the S.S. Minnow relationship-wise will totally relate.
The fact that Ryan Reynolds sometimes gets so carried away with the story that he forgets he is talking to a little girl leads to a few (ok, so it's a lot) contrived chuckles along with a couple of genuinely funny moments.
It's not going to win an Oscar or break a box office record, but if you want a completely enjoyable two hour escape ... see this movie.
And found again.
Ryan Reynolds (one of my all-time favourite performers) has seldom been better, Abigail Breslin (who appears frequently to comment on the story being told) is as genuinely charming as ever, and all three girlfriends are wonderfully cast. The story moves along at brisk pace and it's easy to see why the hero would fall in love with each in turn (at various stages in his life). What's not as easy to see is which one he will eventually marry. And, as well as successfully concealing the identity of the mother, the film makes you wonder many times how it will all end. Yes, it's a romantic comedy, so you're conditioned to expect a happy ending, but this isn't your typical romantic comedy so you're expecting a non-typical ending.
And you're right.
The ending is just as clever as the rest of the movie and it makes for a great story overall. It's a very modern story. I think it would have been called "a sophisticated sex comedy" in bygone days. Which just means the characters are a bit more mature and closer to real life than you normally find in this genre.
What could have been an enjoyable B-grade rom-com is lifted up by unconventional storytelling and a little extra effort spent to get the ending just right. Grade "A" from me.
http://yetanotherfilmreviewblog.blogspot.com/
For goodness' sake it's a romantic comedy! If it wasn't shallow and improbable it'd be called a "drama"! I don't understand people who post comments on this site, taking potshots at films like this for being dumb and schmaltzy. Look at the poster before you go in. If it's got young people with good teeth on the poster, the title is a bit twee and the font is in pastel shades, chances are, it's a romantic comedy. If you don't like that kind of thing don't go in!
Anyway, my girlfriend took me to see this film yesterday (missed Cloverfield) but it was OK. Seriously. It was OK.
Ryan Reynolds is a solid enough lead, with enough comic talent to keep things ticking over. Abigail Breslin is charming too. Kevin Kline seems to growing gracefully into more senior roles, and Rachel Weisz, Elizabeth Banks and Isla Fisher are all comfortable enough as Reynold's love interests.
The script isn't belly-laugh funny but it has it's moments, there's some good use of news footage from the time in which the story is set, and the plot ticks over nicely. There's also a bit of guessing for the audience too, and my bet is you'll stay to end if only to find out how it finishes.
So there it is: a better than average romantic comedy. Not weighty. Not cerebral. Not challenging. Just a mildly diverting story, about a nice bunch of nice looking people having a nice time and getting their nice little lives sorted out. Nicely.
To give this film the scathing it's had in some quarters, is like a food critic cruelly reviewing a bag of crisps. That is to say this film is not meant to be "food for thought" it's just a snack. And if you get your kicks out of inflating your own ego by raving about how much a dumb film like this offended your sensibilities, then "for shame!" is all I can say. You weren't led blindfolded into the cinema. You knew what you were getting into. It should have been obvious from the poster that this film is a romcom.
Trust me, as a man that's been dragged to more than his fair share of romcoms, this one is by no means bad.
क्या आपको पता है
- ट्रिवियाWhen doing publicity for the movie, Ryan Reynolds went on Live with Kelly and Mark (1988) with guest host Neil Patrick Harris (15 फ़रवरी 2008 को प्रसारित एपिसोड (2008)). Because of Harris' involvement in How I Met Your Mother (2005), Reynolds tried really hard not to say that phrase while describing the movie.
- गूफ़At the beginning, Will is narrating and says that his favorite days are Tuesdays and Fridays because he leaves work early to pick up his daughter Maya from school. (This particular day is a Friday, evidenced by the fact that Maya does not go to school the next day.) When Maya's mom is taking her home from the park the next day, Will says, "See you Wednesday", but he should have said "See you Tuesday", unless he and Maya's mom changed plans.
- भाव
April: Oooh? What are you gonna say?
Will Hayes: I'm still working on it I don't know
April: OH! You should work it on with me you should practice with me; I'm really good at that.
[Walks over to the railing]
April: I'll be Emily.
April: I'm Emily your college sweetheart is there something you wanted to ask me?
Will Hayes: Emily...
April: Wait! You gotta get down on your knee
Will Hayes: No I'm not getting down on my knee
April: [Walks towards Will] She'll like it; she'll like seeing you down on your knee...
Will Hayes: I'm not getting down on my knee
April: [Rolls her eyes and walks back to the railing and turns around] Such a mistake! Okay
Will Hayes: Emily...
April: Yes William?
Will Hayes: Don't make me laugh! Emily will you... um... marry me?
April: No
Will Hayes: Oh my god...
April: What do you mean, 'Will you, um, marry me?' I haven't seen you in weeks! You don't look happy or excited about the prospect of our marriage! You're asking me to give up my - my freedom, my joie de vivre for an institution that fails as often as it succeeds? And why should I marry you anyway? I mean, why do you wanna marry me? Besides some bourgeois desire to fulfil an ideal that society embeds in us from an early age to promote a consumer capitalist agenda?
Will Hayes: Oh! Oh, my God.
April: You should've got on your knee.
Will Hayes: Just shut up! Here... I wanna marry you because you're the first person I wanna look at when I wake up in the morning, and the only one I wanna kiss goodnight. Because the first time that I saw these hands, I couldn't imagine not being able to hold them. But mainly, when you love someone as much as I love you, getting married is the only thing left to do. So, will you, um, marry me?
April: Definitely. Maybe.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Definitivamente, tal vez
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,22,41,649
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $97,64,270
- 17 फ़र॰ 2008
- दुनिया भर में सकल
- $5,59,90,299