Arn: The Knight Templar

This is a movie which is very much like a Hollywood adventure, but in Sweden. This movie could have been really bad if it wasn't for the good acting(Stellan Skarsgård, Bibi Andersson, Michael Nyquist, Gustaf Skarsgård, Sofia Helin and more), the wonderful music and some very good fighting scenes. It's nice too see a Swedish high-budget movie that can be seen by anyone who loves epic tales with good drama. Joakim Nätterqvist is surprisingly good in the leading role as Arn and he will probably become one of Sweden's next big stars. This is a very good movie that i can recommend to anyone who likes adventure, epic, drama and Swedish movies.

Sweden in the 1100s is the backdrop for the troubled love story between nobleman boy-turned monk-turned-knight templar Arn and neighboring girl Cecilia- before he is sent off to Jerusalem in the crusades and she into a convent- plus the rivaling royal clan struggles for power in the nation. I haven't read the bestselling books which this is based on, and knowing this is a part-saga and soon TV-series to be, I can somewhat overlook the gaps in storytelling.

What I do enjoy is a sound, intriguing (especially the scheming between the church and royal clans) and reliable medieval tale - with heavy doses of romance, monastery/convent dramatics and a little touch of "Kingdom of heaven"-battling in the end - that unfortunately never quite peaks. As a cinephile Swede, I know the country's market a bit, and notice that the filmmakers are SO focused on keeping a safe, steady course not to fail with such a big production ship like this, that they end up with no real climactic cinematic highlights to speak of. Rougher camera-work and sets might've heightened things a bit?

For that reason it's very evenly paced, never boring and quite nicely produced. But with a major flaw: Arn remains very stiff and sketchy as an adult character. We never personally get to know him (he has SO few lines!) as to really understand why Cecilia loves him.

All in all, 6 out of 10 from Ozjeppe

I must admit I am pleasantly surprised by this project. The scope of the story and the cinematic achievement were quite good. It's true, the story had some holes, big holes in it, but considering the time of the story it covered and the multitude of sub-plots I think they made quite a good job at it. Take into account that the story starts somewhere in rural Gothland, a kingdom before the formation of Sweden, then stretches for many years.. and distance, all the way to the Holy Land and the fall of Jerusalem. It is a story about the coming of age of a true knight, his unfortunate love story, sibling betrayal and it's consequences, military rivalry among those who should be united and an unexpected friendship with an honorable enemy. I was also pleased with some of the acting (good on the part of Joakim Nätterqvist, good enough for Sofia Helin) although I cannot understand the choice of an actress that looks much older than her characters' love interest. But the fight scenes where decent enough, the battles were made to look quite realistic, even though you can tell there probably weren't enough money for lots of extras to have. What I did not like at all was how much religion was added, but, I guess it all adds to the flavor of the times, supposedly. All in all, a movie I would recommend for anyone who likes historical films and.. Swedish cinema.

it could be defined in different ways. as historical movie, as example of romanticism in hard - idyllic period, as adventure of a kind of self made man, as return to the books of teenager age. in fact, it is more than a correct/good film about a character who becomes useful guide in the essence of Medieval life. because, without be a lesson, it is a precise - delicate pledge for values and gestures and responsibility. and this does it seductive. because it gives an universal story. because it is an admirable work. not only for the fans of genre. but for remind. what is real significant in each life.

I liked this movie because it didn't come from Hollywood. That already earned it several stars in my book. This movie simply tells a tale of the trials of a knight in the Holy Land, and at home. The writer did excellent by not giving the hero modern, biased, progresive views such as were on display by Orlando Bloom in "The Kingdom of Heaven." Hollywood loves to portray Crusaders as bloodthirsty maniacs, and the Muslims as peaceful pious victims. History proves that both sides had both kinds of men. Movies are good when they simply tell it like it was, not like revisionists want us to ee it. I now look for foreign made films on history, especially the crusades. I avoid Hollywood like a dark age plague.