एक पादरी अपनी भतीजी का अपहरण करने वाले पिशाचों को ट्रैक करने के लिए चर्च के कानून की अवहेलना करता है।एक पादरी अपनी भतीजी का अपहरण करने वाले पिशाचों को ट्रैक करने के लिए चर्च के कानून की अवहेलना करता है।एक पादरी अपनी भतीजी का अपहरण करने वाले पिशाचों को ट्रैक करने के लिए चर्च के कानून की अवहेलना करता है।
- पुरस्कार
- 3 कुल नामांकन
फ़ीचर्ड समीक्षाएं
Don't get me wrong I'm not going to gush about how great this film was, but to be fair it didn't insult my intelligence either and that's a big plus for me when it comes to films these days. I purposely avoided reading any literature in relation to the "story" of Priest to avoid any bias or pointless expectations.
I wanted to judge it based on what was told in the film alone and honestly I have no complaints as far as the story development went, it was pretty straight forward with the plot, the characters were put into position early on, no dicking about with badly handled sub-plots and phony intrigue. I wouldn't consider this to be a pretentious movie in any way, it's says what it's about from the beginning and it doesn't deviate from that narrative, it doesn't bring in (or keep) useless characters, (unlike "Sucker Punch"), it's a gateway movie but it doesn't treat it's support characters like balsa wood cut-outs (i.e "Thor")
Sure there could have been more action but what action there was, was nicely done, visuals weren't eye popping gorgeous but suited the film none-the-less. This was a lean movie, no needless fluff no overly complex ungainly plot just a "wham bam thank you ma'am" type deal.
This is one of the rare times I'm looking forward to a sequel.
I wanted to judge it based on what was told in the film alone and honestly I have no complaints as far as the story development went, it was pretty straight forward with the plot, the characters were put into position early on, no dicking about with badly handled sub-plots and phony intrigue. I wouldn't consider this to be a pretentious movie in any way, it's says what it's about from the beginning and it doesn't deviate from that narrative, it doesn't bring in (or keep) useless characters, (unlike "Sucker Punch"), it's a gateway movie but it doesn't treat it's support characters like balsa wood cut-outs (i.e "Thor")
Sure there could have been more action but what action there was, was nicely done, visuals weren't eye popping gorgeous but suited the film none-the-less. This was a lean movie, no needless fluff no overly complex ungainly plot just a "wham bam thank you ma'am" type deal.
This is one of the rare times I'm looking forward to a sequel.
Futurist film based on graphic novel series "Priest" by Min-Woo Hyung with interesting screenplay by Cory Goodman . After centuries of war between humans and vampires , the Church assigns warrior-priests to defeat the vampires . The survivors are kept in reserves and hives and the men live in chaotic cities governed by the Church . A rebel priest (Paul Bettany , Gerard Butler was originally cast) disobeys church law to track down the vampires who kidnapped his niece (Lily Collins , Phil Collins's daughter) . His War is Eternal but his mission is just the beginning . The outcast priest sets out to look for his niece along with a young sheriff named Hicks (Cam Gigandet , though Steven Strait was originally cast) . Then , they encounter themselves chased by bloodthirsty , predatory vampires which have added them to his food chain . Sooner a warrior Priestess (Maggie Q) unites the Priest and Hicks in their quest . The duo along with the priestess must confront carnivorous mutants , hordes of warrior vampires starving of human blood and some of the most horrifying creatures ever made . At a hive the group is surrounded , as they encounter a pack of carnivorous , crawling creatures that are waiting for them , facing their destruction and exposed to cruel bites by meat-eating sickos and finally battle their deadly enemy , Black Hat (Karl Urban) . They undertake a desperate fighting to survive and chase a train to find his niece called Lucy (this is a throwback to the Dracula of Bram Stoker, where there is also a character named Lucy, who is also an engaged redheaded girl in need of saving) .
This exciting picture is set in a post-apocalyptic , an alternate world , one ravaged by centuries of battle between human and bloodsuckers , it contains thrills , chills , plot twists , action-filled with fierce fights and lots of gore and guts . The terror and action moments are fast moving and compactly realized . The film turns out to be a crossover among several films , taking ideas here and there , resulting to be an entertaining movie . And of course the theme of people being stranded in a hostile , perilous environment with attackers creatures is justly reminiscent of many others films as Pitch Black , Pandorum , Descent or Resident Evil saga . The creepy images of wide range from the genuinely fantastic to the bizarre along with an eerie and amazing frames . It's predictable but also its predictability is redeemed for some extraordinary surprises and in part by the charismatic acting from the main protagonists , Bettany and Gigandet . Furthermore a notorious secondary cast as Christopher Plummer , Brad Dourif , Stephen Moyer , Alan Dale , Madchen Amick , among others . The flesh-eating mutants appearance deliver the goods, plenty of screams, shocks and tension. The make-up assistants and visual effects artists create the truly terrible cannibal vampires , adding spectacular frames in 3D . Horrifying and astonishing images about eerie events and creepy scenarios are colorfully photographed by Don Burguess , and including luminous scenes from a futurist desert . Thrilling and suspenseful musical score by Christopher Young , an expert on dark atmospheres . The motion picture was well directed by Scott Charles Stewart , a visual effects specialist and who previously made a similar flick titled ¨Legion¨ . Rating : Acceptable and passable . Worthwhile watching .
This exciting picture is set in a post-apocalyptic , an alternate world , one ravaged by centuries of battle between human and bloodsuckers , it contains thrills , chills , plot twists , action-filled with fierce fights and lots of gore and guts . The terror and action moments are fast moving and compactly realized . The film turns out to be a crossover among several films , taking ideas here and there , resulting to be an entertaining movie . And of course the theme of people being stranded in a hostile , perilous environment with attackers creatures is justly reminiscent of many others films as Pitch Black , Pandorum , Descent or Resident Evil saga . The creepy images of wide range from the genuinely fantastic to the bizarre along with an eerie and amazing frames . It's predictable but also its predictability is redeemed for some extraordinary surprises and in part by the charismatic acting from the main protagonists , Bettany and Gigandet . Furthermore a notorious secondary cast as Christopher Plummer , Brad Dourif , Stephen Moyer , Alan Dale , Madchen Amick , among others . The flesh-eating mutants appearance deliver the goods, plenty of screams, shocks and tension. The make-up assistants and visual effects artists create the truly terrible cannibal vampires , adding spectacular frames in 3D . Horrifying and astonishing images about eerie events and creepy scenarios are colorfully photographed by Don Burguess , and including luminous scenes from a futurist desert . Thrilling and suspenseful musical score by Christopher Young , an expert on dark atmospheres . The motion picture was well directed by Scott Charles Stewart , a visual effects specialist and who previously made a similar flick titled ¨Legion¨ . Rating : Acceptable and passable . Worthwhile watching .
Based on the long-running Korean comic of the same name, Priest is one of those films that's been stuck in development hell for the last few years, running a gauntlet of director and lead actor changes and more recently, coping with a series of release date delays in order to facilitate the inevitably shoddy post-production conversion to 3D that's currently so beloved of mainstream cinema.
The added dimension isn't going to win any prizes - for the most part it is relatively pointless, and the world in which Priest takes place is not interesting enough to require any additional depth.
The ever-reliable Paul Bettany stars as the titular character. Stoic to the end, he's not your typical priest - more a deadly weapon, specialising in martial arts and weapons skills that make him the perfect killer. He exists in a time where vampires are a horrifying reality, battling humans for control of a conflict-ridden, barren wasteland punctuated only by large, soulless, church-controlled cities where humans live only for their faith and 'an honest day's labour'.
You don't watch films like this expecting an Oscar-winning tale, and action-wise, Priest is fairly solid, packing in a series of high-octane fights and chases for its duration. Helmer Scott Stewart knows where to put a camera in order to maximise the impact upon the viewer, and the oil-slick manner in which everything is filmed shows a director moving away from his previous field as a visual effects specialist and having a decent stab at mastering his craft.
Unfortunately, there's not a lot going on when knives and bullets aren't being flung around - the supporting cast of Cam Gigandet, Maggie Q and Karl Urban are given next to nothing to do and the dialogue serves only to move the film along to its next set-piece. Story-wise, it's paper-thin, and it's difficult to care about the motivation of any character when the levels of emotion on display resemble that of Mount Rushmore.
It is also strangely edited - 87 minutes is very short for a film with this kind of budget, and there's all manner of blunt cuts that give credence to the theory that there was once a longer, potentially better film here.
So, was Priest worth the wait? Not particularly, but for all its faults, it certainly has promise. Depending on box office performance, it could really benefit from a deeper, beefed-up sequel along the lines of Blade II. The good news is that there's plenty of source material available for a return to this mythology - it's just a shame that it's as shallow as the film it's spawned.
The added dimension isn't going to win any prizes - for the most part it is relatively pointless, and the world in which Priest takes place is not interesting enough to require any additional depth.
The ever-reliable Paul Bettany stars as the titular character. Stoic to the end, he's not your typical priest - more a deadly weapon, specialising in martial arts and weapons skills that make him the perfect killer. He exists in a time where vampires are a horrifying reality, battling humans for control of a conflict-ridden, barren wasteland punctuated only by large, soulless, church-controlled cities where humans live only for their faith and 'an honest day's labour'.
You don't watch films like this expecting an Oscar-winning tale, and action-wise, Priest is fairly solid, packing in a series of high-octane fights and chases for its duration. Helmer Scott Stewart knows where to put a camera in order to maximise the impact upon the viewer, and the oil-slick manner in which everything is filmed shows a director moving away from his previous field as a visual effects specialist and having a decent stab at mastering his craft.
Unfortunately, there's not a lot going on when knives and bullets aren't being flung around - the supporting cast of Cam Gigandet, Maggie Q and Karl Urban are given next to nothing to do and the dialogue serves only to move the film along to its next set-piece. Story-wise, it's paper-thin, and it's difficult to care about the motivation of any character when the levels of emotion on display resemble that of Mount Rushmore.
It is also strangely edited - 87 minutes is very short for a film with this kind of budget, and there's all manner of blunt cuts that give credence to the theory that there was once a longer, potentially better film here.
So, was Priest worth the wait? Not particularly, but for all its faults, it certainly has promise. Depending on box office performance, it could really benefit from a deeper, beefed-up sequel along the lines of Blade II. The good news is that there's plenty of source material available for a return to this mythology - it's just a shame that it's as shallow as the film it's spawned.
In all honesty while the film looked kind of interesting I was from reading reviews that it was a waste of time(not just on IMDb). So I watched Priest expecting little, but while it had a fair amount of problems with it I found it decent. Is it the best of year? No. The worst? Nowhere near for me. Priest in my mind is somewhere near the lower-middle of the spectrum.
Where Priest scores especially is in the costume and set design which look wonderful, and the photography and editing looks very slick and the lighting atmospheric. The soundtrack is excellent too, with a rather epic feel to it sometimes. I enjoyed the performances of Paul Bettany and Cam Gigandet, was intrigued somewhat by the characters, even if they are a little vacuous and found the direction decent.
What wasn't so good was primarily the length, I personally think Priest was on the too-short side. Had the film been longer, the script could have been less choppy and underdeveloped and the story-though it did have an interesting concept to work from- less rushed and simplistic. Mostly I was impressed with the stylish look of the film, but I did occasionally find the effects on the artificial side.
Overall, underdeveloped and rather rushed, but the film's look especially saves it. 6/10 Bethany Cox
Where Priest scores especially is in the costume and set design which look wonderful, and the photography and editing looks very slick and the lighting atmospheric. The soundtrack is excellent too, with a rather epic feel to it sometimes. I enjoyed the performances of Paul Bettany and Cam Gigandet, was intrigued somewhat by the characters, even if they are a little vacuous and found the direction decent.
What wasn't so good was primarily the length, I personally think Priest was on the too-short side. Had the film been longer, the script could have been less choppy and underdeveloped and the story-though it did have an interesting concept to work from- less rushed and simplistic. Mostly I was impressed with the stylish look of the film, but I did occasionally find the effects on the artificial side.
Overall, underdeveloped and rather rushed, but the film's look especially saves it. 6/10 Bethany Cox
Love the actors, the concept, the genre, the fight scenes, and i want maggie Q to have my baby....but this movie was only so-so.
It needed a better script i think. The story just seemed hollow. Everything they did, just seemed half finished. Paul, who i thnk is awesome, didn't seem to resonate with any of the other cast. It really was like this movie needed another hour to develop itself and them it would have been great.
Worth seeing, if you like action movies, but sadly, your not going to remember this movie by next month.
If you like a good scifi western, see serenity.
It needed a better script i think. The story just seemed hollow. Everything they did, just seemed half finished. Paul, who i thnk is awesome, didn't seem to resonate with any of the other cast. It really was like this movie needed another hour to develop itself and them it would have been great.
Worth seeing, if you like action movies, but sadly, your not going to remember this movie by next month.
If you like a good scifi western, see serenity.
क्या आपको पता है
- ट्रिवियाThe animated opening was a compromise solution, since the studios had no interest in going over budget for a live-action version of the centuries-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize.
- गूफ़In many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again.
- भाव
Black Hat: The church teaches us that the eyes are the windows to the soul. And that since vampire evolved without eyes, it is a soulless creature, to be eradicated. And I have seen the soul of the vampire, and let me tell you that it is far more pure than that of any man. Now you ask me what I am. I am the bringer of the tide. I am the wave that will wash clean this unclean world. And you, and your Priest, will help me do it.
- क्रेज़ी क्रेडिटWhen the Screen Gems opening logo is completed, it cuts to the opening scene.
- इसके अलावा अन्य वर्जनIn the USA the cut Theatrical Version is MPAA PG-13 rated and BBFC 12A rated in the UK; the film was toned down by small edits to reduce noise of blows and to reduce blood. There is also an Unrated Version and is rated 12 by the BBFC and is the version that features on all home media.
- कनेक्शनFeatured in Projector: Priest (2011)
- साउंडट्रैकMozart: 3. Sequentia: Tuba mirum (Requiem in D minor, K. 626)
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by The Academy of St. Martin-in-the-Fields (as The Academy of St. Martin in the Fields) - Conductor Neville Marriner (as Sir Neville Marriner)
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Kallarai Ulagam
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,91,37,000
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,49,53,664
- 15 मई 2011
- दुनिया भर में सकल
- $7,83,09,505
- चलने की अवधि1 घंटा 27 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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