IMDb रेटिंग
3.9/10
3.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
This has no plot,no decent acting,and its just a bunch of teenagers doing drugs, having sex and dancing in between. Several of the actors are very notable later in their careers . This was so boring and a real sleeper. Sorry I wasted my time and was grossed out. The actors that have great careers now are probably sorry too.
This could have been a career killer, but they were young and naive.
The film is a hyperactive, coke-dusted collage of youth hedonism, sex, bisexual confusion, MDMA-fueled decisions, and-most memorably-Ana de Armas's body.
Let's get right to the scene. De Armas plays Carola, a young woman navigating love, betrayal, and a wardrobe that clearly lost a bet. In what might be the film's most gratuitous-and therefore most unforgettable-moment, Carola corners her friend's boyfriend in a nightclub bathroom, pulls down her her top, and whispers, "Suck my breasts." He obliges. Passionately. Then they have sex right there inside the stall, amid flashes of strobe lighting and dramatic guilt monologues. All while Carola breathes through her regret: "I feel terrible...betraying her like this." They both get a kick out of this confession.
Now, let's be clear: Ana de Armas is a walking supernova. Even in a film this messy, she has a presence you can't look away from- all pouty lips, hypnotic eyes, and the kind of topless screen magnetism that short-circuits plot logic entirely. The camera worships her-and honestly, it should. Her nude scenes, especially in this bathroom encounter, are filmed with the kind of reverence usually reserved for confessionals or sunrises.
But the film? It's chaos. Characters jump from partner to partner like horny chess pieces. Emotions change mid-sentence. The soundtrack seems curated by a teenager with unlimited Red Bull. There's potential here-moments of raw vulnerability, explorations of toxic youth culture-but it all gets lost in a haze of over-acting, under-writing, and scenes that feel less written than dared.
If you're here for coherence, look elsewhere. But if you're here for Ana de Armas writhing topless while wrestling with guilt mid-thrust, congratulations-you've found your cinema.
Let's get right to the scene. De Armas plays Carola, a young woman navigating love, betrayal, and a wardrobe that clearly lost a bet. In what might be the film's most gratuitous-and therefore most unforgettable-moment, Carola corners her friend's boyfriend in a nightclub bathroom, pulls down her her top, and whispers, "Suck my breasts." He obliges. Passionately. Then they have sex right there inside the stall, amid flashes of strobe lighting and dramatic guilt monologues. All while Carola breathes through her regret: "I feel terrible...betraying her like this." They both get a kick out of this confession.
Now, let's be clear: Ana de Armas is a walking supernova. Even in a film this messy, she has a presence you can't look away from- all pouty lips, hypnotic eyes, and the kind of topless screen magnetism that short-circuits plot logic entirely. The camera worships her-and honestly, it should. Her nude scenes, especially in this bathroom encounter, are filmed with the kind of reverence usually reserved for confessionals or sunrises.
But the film? It's chaos. Characters jump from partner to partner like horny chess pieces. Emotions change mid-sentence. The soundtrack seems curated by a teenager with unlimited Red Bull. There's potential here-moments of raw vulnerability, explorations of toxic youth culture-but it all gets lost in a haze of over-acting, under-writing, and scenes that feel less written than dared.
If you're here for coherence, look elsewhere. But if you're here for Ana de Armas writhing topless while wrestling with guilt mid-thrust, congratulations-you've found your cinema.
This film did not bore me one single second. It has a great cast of handsome, young, talented actors. The script is delightfully irreverent and at times refreshingly comic. Visually, it's fast paced, and we move from iridescent scenes in da club, hands in the air dancing to anthems, to sleazily snorting cocaine in the toilet cubicles, or heedlessly taking home dodgy young studs for a one night stand. Yes, it's that type of movie: sex, drugs and club life, Spanish style (they're no prudes, and I like it).
But there's more to it than that. Within this promiscuous hedonist environment, people are trying to find a match for their desires. The storyline where one guy (Mario Casas) is secretly in love with his best (straight) mate (Yon Gonzales) is particularly well done. The film is anything but shallow. People writing this film off, because of its themes, are shallow.
The soundtrack is a joy as well.
But there's more to it than that. Within this promiscuous hedonist environment, people are trying to find a match for their desires. The storyline where one guy (Mario Casas) is secretly in love with his best (straight) mate (Yon Gonzales) is particularly well done. The film is anything but shallow. People writing this film off, because of its themes, are shallow.
The soundtrack is a joy as well.
I saw this film at the Cannes Film Festival. It was looking for international distributors after opening number 1 in Spain.
While it is far from a perfect movie, this is on par with 'Kids' and 'Skins'. I remember back to when I first saw Kids - and had similar feelings. This time, I am older and wiser (for instance, I cringed when they repeatedly had sex without condoms and the female characters claimed to be taking the pill.. as if the skanky guy didn't have one or more diseases), but many of the consequences were real.
Leave your parents at home. This one is strictly for you and your friends & lovers.
While it is far from a perfect movie, this is on par with 'Kids' and 'Skins'. I remember back to when I first saw Kids - and had similar feelings. This time, I am older and wiser (for instance, I cringed when they repeatedly had sex without condoms and the female characters claimed to be taking the pill.. as if the skanky guy didn't have one or more diseases), but many of the consequences were real.
Leave your parents at home. This one is strictly for you and your friends & lovers.
The movie is just six years old, but does feel a bit dated already. It's not how the people party or their relationships they have (or don't have for that matter). It's the fact, that social media has changed almost everything and it feels weird not seeing an effect of that in the movie, which makes it feel almost more dated than some movies from the 90s or even 80s.
The story this tells (or stories, because it involves a lot of people) also might feel like a TV movie of the week for some. One that has quite a lot of nudity in it of course, but still. It's decent with the telling and the characters get the time they need to develop. The drama feels real too. It's not as bad as the rating here would suggest, but it's not really a great movie either
The story this tells (or stories, because it involves a lot of people) also might feel like a TV movie of the week for some. One that has quite a lot of nudity in it of course, but still. It's decent with the telling and the characters get the time they need to develop. The drama feels real too. It's not as bad as the rating here would suggest, but it's not really a great movie either
क्या आपको पता है
- ट्रिवियाThe most famous quote in the film is "Cómeme las tetas", said by Carola to Carlos during the sex scene where Hugo Silva sucks Ana de Armas's breasts. "I understand that they went to the movies to see my boobs, but I tried very hard to make them look me in the eye," the actress said later.
- इसके अलावा अन्य वर्जनThe movie is cut for content in Singapore.
- कनेक्शनFeatured in La noche de...: La noche de... Atracadores (2020)
- साउंडट्रैकLa verdad
Lyrics by Nacho Canut (as Ignacio Canut) and Alaska
Music by Juan Manuel Sueiro (as Juan Sueiro) and Juan Carlos Molina
Performed by Fangoria
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Sex, Party & Lies?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $57,23,917
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें