Honeydripper

John Sayles has done it again. He has taken a world class cast (including Danny Glover),some crisp photography,a very well written & directed script & a music score to die for, and has made screen magic. The story concerns an embittered juke joint owner (Glover),an ex musician himself,trying to make ends meet with a club on the outs,who is trying one last move to avoid closure by hiring a well known musician named Guitar Sam,to try & fill his club. Add a few other elements (a wife who is serious about re-connecting with her faith,a corrupt sheriff,and other elements),and the formula for a successful story is all set. The story is set in the racial segregated South of 1950. Although the film was shot in 2007, it is now just getting some scattered distribution. This film deserves far better than it's getting. The music score (composed and/or arranged by Sayles' favourite composer,Mason Daring)is a out & out toe tapper (which includes Delta Blues,Stride Piano,Gospel,Rhythm & Blues--years before it would be coined 'Rock & Roll' by Alan Freed). Honestly, Honeydripper (the name of the juke joint coined by the films title) is one for anyone who is interested in early creative black music(s).

This is not a great movie by any stretch, but it is a very GOOD one. My rating should be 7.8. IMDb, invest in some higher technology! John Sayles proves yet again what can be done when there is unity of vision on a film, and when everyone involved passionately believes in what they are doing. Any limitations this film has must surely be due to the budget (was there one?) rather than any creative lapses on Sayles' part.

In fact, the only problems I have with "Honeydripper" are technical: some of the shots are out of focus, some of the scenes drag, and there is not a lot of dramatic tension to carry the piece along. It is enough, though, for those of us who can handle something more relaxed than the kinetics of Michael Bey or Steven ("I'll do anything for an Oscar!") Spielberg.

"Honeydripper" is really a small character study of a working class man, surrounded by good people, who is trying do do right by them and himself. It is a romance for the nostalgia of the Deep South in 1950, a period where Jim Crow was on the cusp of yielding to John Kennedy.

It is also a romance for music, where Gospel and Blues was about to fuse and metamorphise into Rock 'n Roll. Sayles loves everything he is doing; you can feel the writer/director's respect and integrity through the camera and the screen.

Unusual for a Sayles film, Danny Glover anchors the piece as its central character, the axis upon which the story and all the characters revolve. All the characters are complete human beings, with only a few drawn as caricatures. I don't mind.

This would be a good film to show as a double bill with "The Great Debators". Several themes overlap, but "Honeydrippers" is the more mature film. Here, a man's biggest grievance is not being able to live in dignity as a man who pays his way. Sayles' characteristic character arcs provide us with many dignified men and women who achieve that dignity by finding ways to honestly pay their way. They do it with joy, love and creativity.

Another fine Working Class film from Cinema's Working Class Hero.

Saw the movie, Honeydripper, with Danny Glover at the Palm Springs Film Festival today and it was wonderful Music was delightful and great characters, great photography, and I predict a big hit in 2008. It has been an audience favorite and probably be in the Best of Fest next Monday. Glover is outstanding; may be a little long, but every person in the film is well characterized. As a movie reviewer, I have given it FIVE STARS. I would like to know when it goes into general release so I can tell people all over the country. The blues music, rock n roll blends together. I recommend it highly. If this film came out in 2007 it would easily be in my top ten films of the year.

I was able to see this wonderful little film at a special screening prior to its release in New York. I was charmed from beginning to end by the characters, situations, and John Sayles' great ear for dialog. It is 1950 in a small town in the South. Segregation is still the norm except for the recently reopened Army base nearby, which has integrated its barracks in response to Presidential order and is preparing young black and white soldiers for the newest war, in Korea. Danny Glover, in an understated, effective performance, plays Tyrone,the owner of a small blues club on the outskirts of town. A former blues pianist himself, he stays loyal to the old blues musicians who still perform there, to an almost empty house. You see, the times, they are a-changing, and the young people are drawn to the hot music available on the juke box at the bar next door. Broke and desperate, already stealing electricity because he can not pay the bill, Tyrone and his loyal friend Maceo (Charles S. Dutton) come up with a crazy plan. Advertise a Saturday night appearance by Guitar Sam, the local musical icon, charge admission, sell all the drinks he can, pay his debts, and retire into the night. Simple, right? At the same time, a young drifter wanders into town carrying a new fangled electric guitar, and sets about wooing Tyrone's lovely innocent young daughter. Add the corrupt local sheriff (Stacy Keach) who smells profit: Tyrone's tired, disappointed wife, flirting with evangelism to salve her unhappiness, and a wise and witty blind musician who comments on the action like a bluesy Greek Chorus, and the stage is set for a very eventful Saturday night. John Sayles has always excelled at portraying his characters as real people with real lives. His dialog rings true without clichés born of racial stereotypes. His men sound like real men, his women authentic. The film takes its time but is never boring; the music throughout and the highly entertaining acting are all the more enjoyable for being leisurely. Sayles is evoking a different time, and does so with wit and precision. The critics missed the boat on this one, and that is their loss. See it early and often.

The movie was enjoyable. Only complaint would be that it moved slowly, and with a two-hour length ... made it seem quite long. Reasonable plot, well composed, well acted & directed. The supporting actress for the character of China Doll had some very good moments. Tighter editing and better pacing would have made it much much better. It is not the best film in the world, but of good quality and very much worth watching - it will probably fall under the radar for Hollywood and the general populace.

The really outstanding thing was the music. While not a musical, it does stop whole-heartedly to focus on the performers and the music. Think "Black Snake Moan" but without repeated cuts/editing. Those who love blues, six-count blues and early rock-and-roll will likely enjoy the film. I intend to get the soundtrack. It apparently includes Ruth Brown's final recording, as well as work by Dr. Mable John & Keb' Mo. Newcomer Gary Clark Jr., a Texan actor and musician shows good potential. Although this performance at Chicago and New Your music festivals last year (with the "Honeydripper All-Stars" promoting the film) have larger dynamic and vitality to them. His performance of the song China Doll, which John Salyes apparently wrote/co-wrote, is on the other hand quite entertaining.