Arang

A Korean horror film from first-time (not counting a short) writer/director Sang-hoon Ahn. It is also a first film for TV actress So-yeong Choo, who plays a detective coming off suspension.

First, you would think the writers didn't miss a flick: The Grudge, One Missed Call, Shutter, or CSI. Min (So-yeong Choo) has a new partner straight from a year in Forensics. Can a film that borrows from so many present anything original? Several men die under mysterious circumstances after being visited by a long-haired ghost. Sound familiar. They are tied to a dead some 10 years ago.

What is good about the film is the cinematography and the sound, and the fact that it focuses on the detectives rather than the ghost or the victims. Min has a secret that probably drove her to become a detective.

Her partner has a secret, too.

Based on Korean folk tales, Arang is the latest variation in the tradition of long-haired-ghost that long plaguing Korean movies. Add some detective routine, Arang try it best being different, alas still fence in the very same old formula.

A veteran female detective with troubled past, So-young (Song Yoon-ah, Face), is investigating a series of homicide case. Assisted by a rookie cop, Hyun-gi (Lee Dong-wook), they try their best to reveal the killer. Soon they found that every victim is received email from the same sender before they died. They track the email from a website called 'Min-jung's Salt Storehouse'. As the plot progress and some appearing of a Kayako clone, the truth comes as over-the-top as a sappy Korean melodrama.

Yes, the director Ahn Sang-hoon, try to differ his works from the others Korean Horror with an attempt with a-whodunit-mystery. But, he seems neglecting to throw out the elements that now being the very lame formula for Asian horror. So, even the investigation routine somewhat interesting, the keep appearing of the ghost is irritating. He should try with more original effort or stick to the tale instead, rather than make Arang into another trashy horror movie.

I would not say Arang doesn't entertaining, because it does. But, it's not enough to be a fine watch, because it somewhat fail for satisfying either horror or thriller. If only it restraint to one objective and had more proper set-up and decent ending, I believe Arang will delivers.

So-Young is a seasoned female detective who is investigated a series of brutal and unexplainable deaths. Assigned a new partner to take on the case, So-Young unleashes terrifying secrets from the past, which involve a mysterious salt house, and a stereotypical long-haired ghost, which looks as if it might have just walked off the set of The Shutter. Anyway, the deeper So-Young digs for the truth, the more she realizes everyone involved might be a lot more connected that they think.

Arang is one of a long line of Asian horror films that borrow from past successes, in terms of the scares, it's nothing you haven't seen already. This isn't to say the film isn't suspenseful, but it is indicative of most K-Horror, in that it utilizes atmospherics and scary sounds to build tension. There are a few genuinely scary parts (under the desk) but for the most part it's your standard K-horror fare.

But, where Arang differs from past Asian horror is the way the film focuses more on the Detectives working the case than on lives of the actual murder victims. In fact, the victims receive very little screen time and because of this the film resembles a detective story more than a horror story. Asian Horror hounds may find this a little disappointing, but this is the main reason why I liked Arang so much. Because while the horror elements are re-treads of familiar territory, the detective element is engaging and fun.

Another reason to like Arang would be the amazing score, featuring mournful sounding piano, creepy atmospheric synths, and the creepiest ring-tone since One Missed Call, Jung Dong In's score was a highlight of the film (Someone seriously needs to start producing these soundtracks) and makes the film a much more enjoyable watch.

The cinematography was also excellent, and I was blown away by some of the shots in the film, especially those including the beach and a lighthouse. There is also a shot done with CGI towards the end of the film that is outright beautiful. In my book, the film deserves a viewing for that scene alone.

All in all, Arang is a very entertaining piece, while it is bogged down in the typical K-Horror clichés, it's detective story, score, and creative plot twist (Not contrived) helps raise the film above the level of other K-horror copycats, and makes it a fun film. Also considering that it's Ahn Sang Hoon's debut film, I will definitely keep an eye out for his work in the future.

My Rating 7 out of 10: While Arang is a copycat, it's different enough to be entertaining.

When I read about "Arang" I thought it was a thriller about two cops catching some serial killer. To my surprise it turns out to be horror movie. OK,I must admit that it is not entirely original in using a Asian long haired girl as a ghost. To be fair it remains creepy. Even if I have seen it a dozen times earlier in other Asian horror flicks. The long black hair,the scary eyes,the pale face. Can you honestly say that such a sight doesn't get to you. As long as all the other elements of the movie go into another direction thus creating a different kind of experience I don't see the harm in using this ghost. Most of the movie is quite fast paced and very slick. The thing I liked about this movie was the fact that they play around with the different genres. At one hand it seems to be a horror movie and on the other hand the supernatural elements easily can be dismissed when some evidence is given to explain the audience that what we have seen did not happen. It does require some imagination and you have to be forgiving in order to accept all of this. Not being sure if the ghost is real or not is part of the fun. The twists and turns make sure of it that we keep guessing until the end. Quite a lot of scares and tricks may have been borrowed from other movies. But in combination with some clever plot twists and good acting "Arang" does offer an original and fun viewing experience!

Let me preface by saying that I'm not really familiar with the Asian horror genre, and I can't tell you if the long-haired-ghost routine is, by now, trite and derivative. I can tell you Arang is a pretty movie with well done visuals. It also had a number of solid "jump" moments-- a scene near the beginning where the ghost appears only on film during a wedding is memorable, as is a still image of the bride twisting into a wicked, inhuman grin. I was amused by the visual imagery of each supernatural murder, if not genuinely frightened.

The movie is interesting because it represents a fusion of two genres: cop drama and ghost-horror. It seems like such a natural match, I was astonished that I hadn't seen it on film previously. A ghost is killing people, the cops are trying to solve the murders, and in the process discovering the connection between the killings and the reasons the ghost cannot rest. The two genres tie together with an amusing twist 3/4 of the way through that re-contextualizes the relationship between the two genres to each other.

Arang is a competently executed piece of genre fiction; it isn't groundbreaking, but it is entertaining, and I'm glad to have seen it.