L'ennemi intime

Well, Some official critics wrote "the French Apocalypse Now". Well, it's much less, hum, metaphorical than apocalypse now. Not just because of the countryside aspect. Were no more in the damp swamps of Vietnam, but the dry lands of Mediterranean countries. Here is just the ugly truth. No black and white, grey, like the uniforms covered of dust. That's a great aspect of this movie. They just show ordinary men becoming Beast. Because it's war, because war is ugly, because this wasn't an ordinary war. It's deeply based on true facts, like this former Resistant using torture, despite having being tortured himself while a resistant. Or those two Algerian mates, who used to fight in the Monte Casino against the German... and then one of them kill the other, because they're in two different side, and one of them had his family killed by the other one's friends. And the fellagas using ugly means, because there's no other mean to free your country. I was more shaken by this movie than I was by any Vietnam movies. Because, well, maybe, Terrien, he could just have been me.

"Intimate Enemies" could have been strong, provocative, with deep characters. One thing about the main character - a young french volunteer being chief of a platoon near forbidden areas- is that we never know the reasons why he volunteered in a war he dislikes. He is neither a professional soldier -like many who fought in Indochina and volunteered again in Algeria- nor a young called-up for duty. The character of the sergeant who tries to be human in an horrible world is deeper, but is not the main character and the movie is focused on the young one. However, the movie is not very original, but efficient, remembering clichés that are not false, and refreshing memories. I am also glad that French people begin to shoot standard movies about this war, not wonders but common films. It tries to make this subject more popular. The movie called "Mon colonel" was far better and deeper, but may be this one is more a blockbuster type: action, firing - love is missing- and moralizing movie.

I have just seen this film and was very impressed indeed.

Many have been very critical of this film stating the characters were hollow and the film itself was little more than another ain't war hell story. However there is a lot more to it than that.

The film, like 'Land and Freedom' gives a much needed insight into a very dirty war that has largely been forgotten.

From an accuracy perspective the equipment and weapons etc were spot on for the period. Contrast this to 'Tea with Mussolini' and 'Atonement' to name but a few. The film also shows many scenes of endlessly trudging through the mountains looking for an elusive enemy with no apparent end in sight. If you read Legionnaire by Simon Murray or Wayward Legionnaire by James William Worden you will quickly discover that that was exactly what the war in Algeria was like. Finally the film shows the FLN to be every bit as brutal as the French (which they were). This is a nice change from the usual blame it all on the white man theme.

Aside from material accuracy this film also brilliantly presents two very real dilemmas. The first was the French fighting against their former allies. (Many FLN members had fought with the French against the Germans in WW II. See 'Days of Glory'). The second is the highly relevant subject of torture. On the one hand its use is highly immoral and barbaric, but it is producing effective results.

Overall an outstanding film about a subject that needs to be told. Now how about an accurate film on the Korean War and the French war in Indo China.

This film is nothing short of "brilliant." "L'ennemi Intime" is set in French-occupied Algeria in 1959 at the height of the insurgency. A French platoon is sent deep into enemy territory to find and liquidate the head of the insurgents called Slimane. Lieutenant Terrien, a novice and a humanist, is given charge of the platoon after its commander is accidentally killed by friendly fire. "L'ennemi Intime" is a little bit like "The Battle of Algiers" but set in the mountains of Kabylie (Berber territory in Algeria). I first saw it at the Dubai Film Festival in December 07 and was completely blown away by it. It is so gripping and visceral. The film is an incredible commentary on the inhumanity of war; how not matter how innocent and good one goes to war he is almost certain to become a beast and a murderer in the end. I highly recommend this film. Every soldier who is about to be deployed to a war zone should watch Ennemi Intime. Its simplest message is that war corrupts the human soul and there are no winners once the shooting stops.

L'ennemi intime (Intimate Enemies) is a raw picture looking at French conscripts during the Algeria War. It was a war that was fought for 8 years between 1954-1962, it was also a war that France failed to even acknowledged had existed until over three decades later. Pic picks up the thread in 1959 and the focal point is the relationship between Lieutenant Terrien (Benoît Magimel) and Sergent Dougnac (Albert Dupontel). The former is the new guy, idealistic, while the latter is the grizzled and battled scarred veteran.

The Barbarian Hordes.

With the French locked in battle against the Algerian rebels, the film runs the protagonists through the psychological mangler. The horrors of war are born out, with both sides of the conflict depicted with a barbarity that's harrowing in nature. As the pic progresses you can see Terrien being worn down by what he observes, the key being he is losing his idealistic heart. Moral dilemmas are deftly inserted into the screenplay, but disappointingly the political thrum that was driving the conflict is given short shrift.

From an action stand point director and co-writer Florent-Emilio Siri strikes hard, with two particular sequences - one a field of fleeing soldiers and the finale involving air-strikes - outstanding in construction. Siri also knows when to tighten the emotional noose, bringing to us poignant scenes that leave a lump in the throat. Giovanni Fiore Coltellacci's cinematography is also to be applauded, muted colours mingle with stark framing compositions to really give the sense of realism that the screenplay demands and deserves.

Aside from the lack of political basis (we need to know more about this war), the only other real problems with the piece is the conventionality, and that it inevitably is filled with war film stereotypes. However, this is very good film making and the makers bring the story to vivid life, always remaining fascinating and certainly unforgettable. 8/10