IMDb रेटिंग
7.1/10
15 हज़ार
आपकी रेटिंग
बेरुत में रहने वाली पांच लेबनानी महिलाओं के दैनिक जीवन को दर्शाया गया है.बेरुत में रहने वाली पांच लेबनानी महिलाओं के दैनिक जीवन को दर्शाया गया है.बेरुत में रहने वाली पांच लेबनानी महिलाओं के दैनिक जीवन को दर्शाया गया है.
- पुरस्कार
- 5 जीत और कुल 10 नामांकन
Yasmine Al Massri
- Nisrine
- (as Yasmine Al Masri)
Seham Haddad
- Rose
- (as Siham Haddad)
Dimitri Staneofski
- Charles
- (as Dimitri Stancofsky)
Farida Saleba
- Cliente salon
- (as Farida Saliba)
Joe Hobelch
- Rabih
- (as Joe Hobeich)
फ़ीचर्ड समीक्षाएं
God Bless DVD, Netflix and Nadine Labaki,I would have never seen a Lebanese movie. I have no idea where Lebanon is and frankly I don't care. Labaki is to Lebanon, what Sofia Loren is to Italy. Sofia Loren once said "I owe it all to spaghetti" I wonder what Lebaki owes it to! After you watch a movie there are some lingering moments of a face that captures your imagination-Labaki is one such face. The intensity is sometimes unnerving. I also find out that she was the director of the movie-that can explain certain scenes. She is rare combination of beauty and brains or talent as it translates here. All the scenes are open ended-that leaves lot to the imagination as opposed to the American Cinema-an artistic endeavor reminiscent of Italian Cinema-the likes of Fellini, Vittoria De Seca etc. The cinematography is captivating. This movie has made me to get out my little pond and take off my blinders for good.
A wonderful beautiful surprisingly well directed movie. It took me back to the place where I grew up, to the people I knew, to the narrow streets I hated then, and that I miss so much now. I had forgotten "la douceur de vivre" in that part of the world, how loving and supportive Lebanese people can be, regardless of their religion, background or social status. The stories of these 4 women is told with such simplicity, but yet a lot of tenderness, understanding, and forgiveness. The camera was their friend, exploring their most intimate feelings, joys and pains, but very protective too. Protective of their privacy, of their feelings, and their sadness. These 96 minutes of movie, brushed up all the callouses that had built up around my heart, and made it vibrate again, and made it dance to the rhythm of this beautiful city Beirut. Thank you Nadine for this wonderful gift, and thank you Khaled Mouzannar for making my heart and soul dance. Nicole Mishalany, Los Angeles, CA
Greetings again from the darkness. Insightful film dominated by Writer-Director-Lead Actress Nadine Labaki. Billed as a Romantic Comedy, this is much more a commentary on people ... especially women and how everyone's thought and actions revolve around finding the right companion. During that search, there can be much loneliness and frustration, but the discovery makes it all worthwhile.
The doe-eyed Ms. Labaki gives a fine performance and supposedly most of the supporting roles were filled by "real" people, not actors. Probably why the movie has such an earthy, straight-from-the-heart feel to it. There is much creativity in the editing and scene cuts. Much of the humor of the film is derived from tying one scene to another seemingly unrelated one.
Not in the class of the Almodovar films, it still is very poignant and classy in it's commentary on women and relationships. Also, it is refreshing to see a film on Beirut that is character driven and not politically or war based.
The doe-eyed Ms. Labaki gives a fine performance and supposedly most of the supporting roles were filled by "real" people, not actors. Probably why the movie has such an earthy, straight-from-the-heart feel to it. There is much creativity in the editing and scene cuts. Much of the humor of the film is derived from tying one scene to another seemingly unrelated one.
Not in the class of the Almodovar films, it still is very poignant and classy in it's commentary on women and relationships. Also, it is refreshing to see a film on Beirut that is character driven and not politically or war based.
I watched this movie today and I can say I am a bit disappointed. Don't get me wrong, the movie wasn't bad in general, but I was expecting more. It's the hype, again...
Coming from Greece, I can say that I found the situation described in the movie pretty familiar and that's another excuse for my low vote (7/10).
It's like an hour since I saw the movie and if you I had to say three things about the movie I'd say "Habibi" (the Arabic word for "love", I think), "Lili" and "Oh my, Nadine's eyes are so stunning".
All in all, it's a good way to spent some time.
Coming from Greece, I can say that I found the situation described in the movie pretty familiar and that's another excuse for my low vote (7/10).
It's like an hour since I saw the movie and if you I had to say three things about the movie I'd say "Habibi" (the Arabic word for "love", I think), "Lili" and "Oh my, Nadine's eyes are so stunning".
All in all, it's a good way to spent some time.
A very good impression was left in me after viewing Caramel, on the stories, the scenario, the acting, the comedy/drama smooth transitions, the cinematography... It was all very impressive, a well made movie, something the Lebanese cinematography has been missing for a long time.
Most of all innovative for the usual oriental mood. A excessive dose of reality coupled with genuine laughing moments, made Caramel rise above the usual, traditional Lebanese movie making. And last but not least, great acting. I know people don't like to compare here, but I can say that the acting was altogether, as a result, above anything else I've seen in Lebanon's movie history.
The one thing that lacked in Caramel was a great revelation of some sort. Maybe that's just what I wished to see. There was a couple of discreet ones, but I think the intention of the movie was to project a hidden reality to most people, and it succeeded in doing so.
Congratulations to Nadine Labaki and all the team behind Caramel, go see Caramel, a wonderful experience, I will be waiting anxiously for Nadine's next wonder!
Most of all innovative for the usual oriental mood. A excessive dose of reality coupled with genuine laughing moments, made Caramel rise above the usual, traditional Lebanese movie making. And last but not least, great acting. I know people don't like to compare here, but I can say that the acting was altogether, as a result, above anything else I've seen in Lebanon's movie history.
The one thing that lacked in Caramel was a great revelation of some sort. Maybe that's just what I wished to see. There was a couple of discreet ones, but I think the intention of the movie was to project a hidden reality to most people, and it succeeded in doing so.
Congratulations to Nadine Labaki and all the team behind Caramel, go see Caramel, a wonderful experience, I will be waiting anxiously for Nadine's next wonder!
क्या आपको पता है
- ट्रिवियाMost of the cast is made up of non-actors as director Nadine Labaki wanted naturalistic performances from them.
- कनेक्शनReferenced in Siete minutos (2009)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Caramel?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Sukkar Banat
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- €13,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,55,580
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $71,916
- 3 फ़र॰ 2008
- दुनिया भर में सकल
- $1,42,48,749
- चलने की अवधि
- 1 घं 35 मि(95 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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