The Alphabet Killer

I like films about killers, especially those with an interesting little story or something that makes them a bit different. The Alphabet Killer doesn't disappoint in this respect.

I'll admit, the start was pretty poor, I felt it was quite disjointed and it seemed as though a lot of scenes that should have been there to develop the plot were on the cutting-room floor. However, once we get into the middle and latter stages of the film, we definitely see a marked improvement.

I think Eliza Dushku played her role well in this, and I felt the slant of Megan's mental illness playing such a large part in the story made her character more believable, and added interest to the film.

Overall, this was a nicely put together film. It had little gore or anything really adult-themed, so if that's what you're after this isn't for you. If you want a killer movie portrayed more through the eyes of the main detective than is usual, you might like this. Yeah, you'll probably suss it out, but that's half the fun.

Saw the rating of 6/10 on here and decided to give this a try. Bad mistake!

I thought this was the worst serial killer movie I have ever seen. You know it's a bad sign when the serial killer seems more sane than the lead character.

The lead character was not very bright nor likable, and I spent most of the movie hoping for her demise.

Just because it's loosely based off a real life event does not mean it should become a movie.

I would NOT recommend this movie at all.

Detective Megan Paige (Eliza Dushku) is tracking down a serial killer who finds girls with twin initials and dumps them in a city with the same beginning letter (such as Kelly Kapowski in Kingston). But when she gets too attached to the case, she suffers a mental breakdown. When the killings continue, can she overcome her problems to stop him from striking again?

I thought the film would be a pretty decent one... the concept was interesting, even if the movie strays quite a bit from the real events this was based on. And the cast is impressive. Dushku is pretty amazing, Cary Elwes is one of my all-time favorite actors, Timothy Hutton is here, Michael Ironside, and genre fave Bill Moseley. So you can't beat this ensemble cast.

But sadly, it just didn't add up for me. It was predictable (even the "twist" seemed obvious from early on) and not as engaging as one might think. It wasn't even as good as another recent murder / detective story I reviewed, "Anamorph" (which was itself not all that amazing). I've been a fan of Rob Schmidt's work, especially "Right to Die" and thought he'd be a good person to bring a dark angle to this story. Sadly, not so much... clichés such as a child-obsessed priest appear, and some (presumably imaginary) ghosts that don't really add to the film.

I wouldn't say not to watch this one, but it wasn't gripping. There isn't one thing I can pinpoint as making this film stand out -- not the music, the lighting, the effects... it was all pretty standard. It almost would have been more fitting for a Lifetime movie. As far as serial killers go, this one comes off as remarkably tame. If you want your psyche thrilled, look somewhere else.

Eliza Dushku is the one who delivers in this fairly predictable serial killer story, reminiscent of such films as "Gothika" and "Jennifer Eight". There are also a lot of serial killer movie alumni populating the lesser roles of this film, like Bill Moseley, Timothy Hutton, Tom Noonan and Cary Elwes. They don't really matter though, because it's all about Dushku's character Megan Paige and her late onset schizophrenia which makes it very difficult for her to crack the case of the Alphabet killer, as well as keep the confidence of her fellow police officers.

Movies that focus on characters with mental disorders are often interesting and unpredictable, like Polanski's "Repulsion" or Fincher's "Fight Club" because they makes the audience question what's reality in the movie and what's just playing out inside the mind of the main character. Unfortunately this isn't one of those movies. Instead of trying to make the audience share in Megan's delusions, they are clearly separated and labeled to avoid any confusion, or excitement for that matter. Instead we are made to watch her from the outside and see her struggling to connect with her colleagues and convince them that she's completely sane despite her textbook "crazy person" behavior. Like I said, Dushku delivers a solid performance as a distraught, emotionally unstable and sometimes delusional police woman. It's just hard to get invested in her character because of the boring predictable story she slowly fights her way through.

There is not a single supporting character that comes off as more than some kind of one-dimensional stereotype. There's the honest cop, the crooked cop, the former lover, the one true friend, the calm doctor, the obvious suspect, the creepy priest and eventually, for a brief time at the end, the killer... non of them with any significant character development or depth. This movie isn't painful to watch and it's not poorly made, it just suffers from lack of imagination on the directors part and some sloppy writing. See it, don't see it... doesn't really matter.

I only basically wanted to see the location shots of my crap city, and surely did notice a few! The part that really drove me insane is the use of cell phones and laptops. I noticed the cars were pretty old looking but when the dad of Wanda hands over HER CELL PHONE to the cops for her contacts-- the movie was just dead to me after that. The kid was 12 year old and the year was 1972. Also I wasn't sure about the time frame because I think the killer struck again well before two years after the first girl's death.

I know it was only supposed to be "based on" these murders, but if they went to all the trouble of actually filming on location in Rochester, why didn't they go for a little more credibility? It was just meh, but again, fun for the location shots, and Eliza Deshku is always very good in everything.