Never Forever

Watching this movie was a breathtaking experience to me. From the very first scene, it grabbed my attention, and I became more and more involved with the story of this beautiful and desperate woman, Sophie Lee.

The movie touches so many important issues such as interracial marriage, faith and religion, class determined by economic factors, and illegal immigrant. Yet those issues are so well blended without distracting the audience' attention from the main story.

The main story is purely simple. It's a woman's struggle to keep a man she loves happy. But in the end, she realizes that she has to pursue her own happiness.

It's the story of my own life. It's the story of so many women that I know. It's also the story of so many sons and daughters, wives and husbands, and fathers and mothers. That's why this movie touches the very core of my heart - anybody's heart.

The visual elements are very powerful. Extremely shallow focus are used in many scenes, isolating the characters from the background and sometimes from each other. However camera is never in the way of story telling.

The most notable element of the movie is, needless to say, the outstanding performances by Vera Farmiga, Jung-Woo Ha and David McInnis. Especially I was overwhelmed by the powerful screen presence of Vera's delicate feature. She can be funny, sexy and innocent without even trying. She becomes the woman I'd love to be friends with. She becomes the lover I'd cherish and hold in my arms, and the mother I'd look up to. She arouses so many emotions within me that through her I face my own womanhood and independence.

After watching the movie, I thought makers of "Unfaithful" should watch this movie to learn that an affair can have such depth, profundity and purity...

I wantcha to know I have limited my mini-reviews to Netflix but I'm making an exception for this because I want non-Netflix people to see it too. Never Forever is a conundrum. On the one hand, really melodramatic, improbable and predictable at the same time. And yet it manifests --I would even say embodies-- a sort of filmic courage that is rare indeed.The sheer loonyness of it all somehow seems to contribute to its real strength. Perhaps it is art defying rationality. Parse it, and it more or less falls apart. But if you let it hit you, you're likely to find it memorable. The confident tone suggests to me that director Gina Kim is on the road to formidable.

While the romance genre is something I'm new to, I'd have to say this was one of the best ones I've seen (please remember, I've only watched about 5 romance movies in my 32 years of life).

A love that develops between people of two different races and cultures is something that I find very fascinating. It proves that we all want the same thing, no matter what creed, culture, race, nation, religion, whatever we come from.

That being said, Vera Farmiga puts on her best "desperate woman" role (I believe she won the Emmy for Bates Motel for playing a character I'd describe as such). Desperate to please her Korean-American husband and his family, she goes to a sperm clinic alone and witnesses a Korean man with an expired visa getting rejected as a donor.

Intrigued by the possibility of covertly and unmaliciously fooling her husband by having sex with a Korean man simply for the sake of having a baby she can at least pretend belongs to her and her husband, she follows the rejected sperm donor and eventually gives him a business proposal.

What follows is story of inner conflict, the desire (and simultaneous torment) to live up to societal and cultural expectations (and how they can get in the way of true love), as well as how other things out of our control can get in the way of being with the one we want.

While the epilogue left me a little confused, I was for the most part enraptured by the film. I think it'd be appealing to anyone having trouble finding true happiness and love.

Also, did Vera break the 4th wall at the end?

I really, really admire Vera Farmiga for taking on this project. How can you not? Allow me to explain.

If you can suspend logical disbelief while watching this film, you will be swept away. The movie had a quiet and patient, but very powerful undercurrent.

It deals so nonchalantly with something that is so uncommon in movies nowadays, that I have to make mention of it. An Asian male in honest and open sex scenes with a white female. The real achievement here is that this movie avoids the race issue altogether. The director does not turn it into some kind of elephant in the room. No, it is an elephant of our own Western making, is it not? Was anyone else shocked to see love portrayed this way, where it is truly is shown as universal, not just possible between chosen ethnic pairings? The movie did not treat it like a big deal at all. The white girl - Asian guy couples I've met in real life don't treat it like a big deal either. I believe this ethnic pairing - currently, perhaps the only interracial pairing that actually occurs less frequently in Western movies than it does in real life - will become more commonplace as the Asian cinema industry matures, as the West becomes ever-increasingly comfortable with the East, as both sides evolve towards the human average, and there are more Asian actors from which to choose.

Now that aside, let's get back to the film itself, because it is more than capable of standing proudly on its own feet without its groundbreaking nonchalant attitude towards race.

Tremendous acting, especially from Ms. Farmiga and Jung-woo Ha, the "homewrecker." The amount of emotion that these two are able to convey in nonverbal moments is truly stunning. You will be moved.

The set designs and cinematography, in addition to the beautiful actors themselves, are a visual feast - a real aesthetic treat.

The sex scenes were very tasteful and well-done. As the relationship develops, so clearly does the depth and honesty of their physical relations, to the point where Farmiga's character is able to climax by simply daydreaming about her lover.

You may know the entire plot line to this movie already, and you will still have an A+ experience watching how it was executed.

I loved this film. It defied almost all my expectations, and will probably watch it several times over the course of my life. I would recommend that anyone who decides to watch this film, too, find within themselves a fraction of Vera Farmiga's open-mindedness, boldness, and vision when she took on this project.

A standing ovation for her.

I am Korean working as a writer/director in America. The director studied in the same film school but I never met her. That was the only interest in this film.

I always didn't liked Vera Farmiga. I thought that her acting is awful since she feels so much about her look when she is acting. I never saw her getting into her character truly.

But in this film she was pretty good. At the beginning,she was not so good as usual. But as time goes by, I felt that she is feeling what her character needs and wants.

I still don't think that it's her hidden ability that made this possible but rather her effort working with the director.

Above all, I was very impressed about the film. There are a lot of layers in the story, each characters' emotion and of course the light and shadow in the mis-en-scene.

It's a wonderful art movie.