Black Water

As a kid I loved the song "Never smile at a crocodile", and if I found myself in this state of affairs, which is actually inspired by true events. Smiling would be the last thing on my mind. From the opening set-up, I've never been so entrenched, caught up and finally exhausted like I was when watching this limited budget Independent Australian horror film, about three people in Northern Territory trapped in a mangrove swamp with a very conniving crocodile waiting in the water below them. What really brought the film alive, was how realistic it managed to be in transporting the fear and uncertainty of the characters' situation to the audience. Semi-documentary camera-work with a disquietingly eerie backdrop and authentic performances effectively take you out of your comfort zone. What we get is a patient survival tale than just a bloody, all-out creature feature onslaught. Think of "Open Water (2003)", where its budget and time restraint made sure it would stay low-key, but this minimal barrier enhanced the experience.

The slow-grinding story might be black and white, but it never seemed to become disposable, or succumb to formulaic patterns. Well not largely, and the connection between the characters were emotionally engaging even with a bare, straight-forward script. Although you can say "less is more", with the actions and expressions illuminating the lingering thoughts plaguing their minds. The ordeal is utterly terrifying, because the threat is very alive and never seems to loosen up. This is what drives the film's chaotic adrenaline, and in which it lasts (even when its kept buried) through to the very end.

Writers / Directors Andrew Traucki and David Nerlich's economical guidance alienates and smartly strings along the viewer with its taut pacing and harrowing psychological traits. In certain patches the notch goes up, with pressure induced suspense and startling images. The way the night sequence is executed is immensely chilling and pulsating. The menacing crocodile manipulative toys with its fresh-meat in a distressingly suspenseful approach. Sure some moments felt unlikely, but never does it get in the way or distract. Sound FX is the key, and at times the lack of any just eats away at you. Rafeal May's musical score is unassuming and doesn't really enter the mixture much, but when it does it builds an organic sounding quality. The cinematography of John Biggins is beautifully devised, and rapidly aggressive when the mood changes. It was always on the move and claustrophobic, but none of this jerky movements. The editing was sharply handled, and the effects were professionally catered by superbly combing live crocodile footage.

Something like this production would also have to rely on its cast to sell to the story in a believable manner and they do it. Diana Glenn, Andy Rodoreda and especially Maeve Dermody are persuasively good. A lot of the responsibility falls on Dermody, and she strongly delivers with an inspired turn. Now this item might cop some comparisons with another killer crocodile film "Rogue (2007)", but the two couldn't be any different in what they want to be and how they end up. If I had to pick though, I'm leaning more towards this outing for its sheer involvement to snap at you.

A remarkable effort on all fronts, with everyone involved showing potential to really look out for.

While on vacation on Northern Australia, Gracie (Diana Glenn), her husband Adam (Andy Rodoreda) and her younger sister Lee (Maeve Dermody) decide to take the Blackwater Barry tour in the swamp for fishing. Their guide Jim (Ben Oxenbould) uses a small motor boat and takes the tourist along the river to a remote spot. When they stop, they are attacked by a huge crocodile that capsizes their boat and immediately kills Jim. The three survivors climb a tree and when they realize that help would never come to rescue them, they decide to try to find a way out of their sheltered location. However, in the muddy water, their boat is flipped and the crocodile stalks the trio under the water.

"Black Water" is a tense, realistic and dramatic low-budget movie and in accordance with the warning in the beginning, based on a true event. The acting of the unknown Diana Glenn, Maeve Dermody and Andy Rodoreda is top-notch, giving credibility to this simple but scary story. There are many similarities between this movie and "Prey", but in different environments. My vote is seven.

Title (Brazil): "Medo Profundo" ("Deep Fear")

This low budget crocodile movie really delivers the goods. The fact that it was inspired by true events would mean little if you wound up with a fake looking crocodile, bad C.G.I., or an obvious studio setting. Fortunately none of the above are involved with this terrific, very realistic film. The crocodile is real, there is no C.G.I., and the on location filming takes place in an actual Australian swamp. The actors were obviously inspired to create as much realism as possible in their performances, and they succeed. You can place yourself in their predicament, which is testament to how realistically "Black Water" translates as entertainment. Highly recommended. - MERK

Black Water is not your typical creature slaughter fest where it's one victim after the other with plenty of blood and gore. It's a rather intimate psychological suspense with practically no gore and little blood. It's set in some mangrove swamps in Australia. A few tourists are stranded far from civilization and no hope of rescue on trees surrounded by water with an immersed crocodile lurking unseen . It's a movie from the school of the least you see of the monster, the scarier it is. I was first taken aback by the long period of waiting without much happening. Heck, I even found it a little boring and was afraid it was one of those no-budget films always teasing the monster but never really showing it, or when they did, it was lame.

On hindsight, I think that the creators clearly tried to slowly make you paranoid about where the crocodile was exactly and in that they were rather successful. There was a nice build-up of tension and the characters looked genuinely frightened. The movie did have a real life aspect to it and the unknown actors (at least in North America) really helped. The crocodile was well done and although sometimes I thought it was a prop (when only the head was showing), it was apparently a real croc composited in. Not CGI, not animatronics and yes the characters eventually seem to be in the same frame and not always filmed separately. My most memorable moment involved the crocodile jumping out of the water higher than you would expect... I also liked the night with the flashes of lightning, going from dark to anguished faces constantly. I didn't like seeing the mostly calm water so much but I understand the reasoning behind it. I didn't expect this kind of realistic claustrophobic siege by one crocodile when I rented it but it turned out reasonably entertaining. Like the stranded characters though, it's better to be patient...

Rating: 6.5 out of 10 (good)

Black Water, co-directed and written by David Nerlich and Andrew Traucki, is very simple in its execution yet effective. The film is a low-budget Australian movie that will unfortunately not get the recognition it deserves because as far as creature features go, this is one of the best out there. The setup is rather basic; Grace, her husband Adam and her younger sister Lee are touring some mangroves in the Northern Territory when a saltwater crocodile flips their boat and leaves them stranded in the trees. The whole movie is about their survival while the crocodile is lurking below waiting to strike.Unlike Greg McLean's Rogue (another killer croc movie released earlier in 2007), Black Water is not about the audience having fun guessing who's gonna be eaten next, it is about hoping and praying that the three people will get out safely.

The three unknown actors do a great job with pretty demanding roles, considering it was filmed on location with a real crocodile instead of CGI. The characters act realistically in the situation and the dialogue seems natural and not forced. Suspense is built up throughout the entire film, we do not see a lot of the creature but just knowing it is near is terrifying enough. This is edge-of-your seat stuff and highly recommended if you enjoy original and (most importantly) scary horror films.

4/5