IMDb रेटिंग
5.8/10
17 हज़ार
आपकी रेटिंग
ग्रेस, उसका पति एडम और उसकी बहन ली उत्तरी ऑस्ट्रेलिया के मैंग्रोव दलदल में मछली पकड़ने जाते हैं. लेकिन जब एक मगरमच्छ उनके टूर गाइड को मार देता है, तब उन्हें अकेले ही अपनी जान बचानी पड़ती है.ग्रेस, उसका पति एडम और उसकी बहन ली उत्तरी ऑस्ट्रेलिया के मैंग्रोव दलदल में मछली पकड़ने जाते हैं. लेकिन जब एक मगरमच्छ उनके टूर गाइड को मार देता है, तब उन्हें अकेले ही अपनी जान बचानी पड़ती है.ग्रेस, उसका पति एडम और उसकी बहन ली उत्तरी ऑस्ट्रेलिया के मैंग्रोव दलदल में मछली पकड़ने जाते हैं. लेकिन जब एक मगरमच्छ उनके टूर गाइड को मार देता है, तब उन्हें अकेले ही अपनी जान बचानी पड़ती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
Gore hounds beware...this is not your movie. This little nail bitter has very little blood and guts. Its basically a version of Open Water that is effective and worthwhile. But what sets it apart is that we actually like the three leads (unlike Open Water) who find themselves up a tree when a crocodile flips their fishing boat and munches up their guide. We don't want any harm to come to any of them. SO when they start getting into dangerous situations...we actually care.
Now I like killer animal flicks but I haven't been too impressed with Lake Placid up to Primeval (although I'm still waiting to see Rogue and hoping it is somewhere as good as this one!) but this little bugger did the job and did the job well. It's scares are creative and it only lapses into the run of the mill frantic crying sobbing and arguing for brief stints of realism so I never got annoyed.
I remember reading the true story that inspired this where three guys went fishing and two ended up in a tree while their buddy was killed by the crocodile . But the thing that always impacted me that gets left out from the film was that the crocodile didn't eat up the buddy. No. For hours and hours he swam around the tree and shook the dead body still in his mouth at the friends in the tree. Seeming to stay, if you come down here this is what will happen to you.
Now I like killer animal flicks but I haven't been too impressed with Lake Placid up to Primeval (although I'm still waiting to see Rogue and hoping it is somewhere as good as this one!) but this little bugger did the job and did the job well. It's scares are creative and it only lapses into the run of the mill frantic crying sobbing and arguing for brief stints of realism so I never got annoyed.
I remember reading the true story that inspired this where three guys went fishing and two ended up in a tree while their buddy was killed by the crocodile . But the thing that always impacted me that gets left out from the film was that the crocodile didn't eat up the buddy. No. For hours and hours he swam around the tree and shook the dead body still in his mouth at the friends in the tree. Seeming to stay, if you come down here this is what will happen to you.
"Black Water" is one of the most tense films I have viewed in a long time. The story moves fast as it follows three tourists (all great actors) into a swamp on a tour with a butch tour guide on a small boat. Soon after dropping anchor in a remote area of the swamp, they are flipped over by something huge in the water.
Hastily, the three manage to make it into a tall tree nearby as they realize that a crocodile has attacked them. Throughout the next two days, they have to desperately try to escape from the crocodile's evil watchful eye, and he doesn't seem to want to go away. The movie drags just a tad bit, but what can you expect from the setting and the limited budget? It's so much better than "Primeval" and other recent crocodile/ underwater predator thrillers. The tension is heavy, and all three leads give terrific performances. Truly chilling, this movie struck a deep chord of claustrophobic fear in me. Apparently based on true events.
Hastily, the three manage to make it into a tall tree nearby as they realize that a crocodile has attacked them. Throughout the next two days, they have to desperately try to escape from the crocodile's evil watchful eye, and he doesn't seem to want to go away. The movie drags just a tad bit, but what can you expect from the setting and the limited budget? It's so much better than "Primeval" and other recent crocodile/ underwater predator thrillers. The tension is heavy, and all three leads give terrific performances. Truly chilling, this movie struck a deep chord of claustrophobic fear in me. Apparently based on true events.
As a kid I loved the song "Never smile at a crocodile", and if I found myself in this state of affairs, which is actually inspired by true events. Smiling would be the last thing on my mind. From the opening set-up, I've never been so entrenched, caught up and finally exhausted like I was when watching this limited budget Independent Australian horror film, about three people in Northern Territory trapped in a mangrove swamp with a very conniving crocodile waiting in the water below them. What really brought the film alive, was how realistic it managed to be in transporting the fear and uncertainty of the characters' situation to the audience. Semi-documentary camera-work with a disquietingly eerie backdrop and authentic performances effectively take you out of your comfort zone. What we get is a patient survival tale than just a bloody, all-out creature feature onslaught. Think of "Open Water (2003)", where its budget and time restraint made sure it would stay low-key, but this minimal barrier enhanced the experience.
The slow-grinding story might be black and white, but it never seemed to become disposable, or succumb to formulaic patterns. Well not largely, and the connection between the characters were emotionally engaging even with a bare, straight-forward script. Although you can say "less is more", with the actions and expressions illuminating the lingering thoughts plaguing their minds. The ordeal is utterly terrifying, because the threat is very alive and never seems to loosen up. This is what drives the film's chaotic adrenaline, and in which it lasts (even when its kept buried) through to the very end.
Writers / Directors Andrew Traucki and David Nerlich's economical guidance alienates and smartly strings along the viewer with its taut pacing and harrowing psychological traits. In certain patches the notch goes up, with pressure induced suspense and startling images. The way the night sequence is executed is immensely chilling and pulsating. The menacing crocodile manipulative toys with its fresh-meat in a distressingly suspenseful approach. Sure some moments felt unlikely, but never does it get in the way or distract. Sound FX is the key, and at times the lack of any just eats away at you. Rafeal May's musical score is unassuming and doesn't really enter the mixture much, but when it does it builds an organic sounding quality. The cinematography of John Biggins is beautifully devised, and rapidly aggressive when the mood changes. It was always on the move and claustrophobic, but none of this jerky movements. The editing was sharply handled, and the effects were professionally catered by superbly combing live crocodile footage.
Something like this production would also have to rely on its cast to sell to the story in a believable manner and they do it. Diana Glenn, Andy Rodoreda and especially Maeve Dermody are persuasively good. A lot of the responsibility falls on Dermody, and she strongly delivers with an inspired turn. Now this item might cop some comparisons with another killer crocodile film "Rogue (2007)", but the two couldn't be any different in what they want to be and how they end up. If I had to pick though, I'm leaning more towards this outing for its sheer involvement to snap at you.
A remarkable effort on all fronts, with everyone involved showing potential to really look out for.
The slow-grinding story might be black and white, but it never seemed to become disposable, or succumb to formulaic patterns. Well not largely, and the connection between the characters were emotionally engaging even with a bare, straight-forward script. Although you can say "less is more", with the actions and expressions illuminating the lingering thoughts plaguing their minds. The ordeal is utterly terrifying, because the threat is very alive and never seems to loosen up. This is what drives the film's chaotic adrenaline, and in which it lasts (even when its kept buried) through to the very end.
Writers / Directors Andrew Traucki and David Nerlich's economical guidance alienates and smartly strings along the viewer with its taut pacing and harrowing psychological traits. In certain patches the notch goes up, with pressure induced suspense and startling images. The way the night sequence is executed is immensely chilling and pulsating. The menacing crocodile manipulative toys with its fresh-meat in a distressingly suspenseful approach. Sure some moments felt unlikely, but never does it get in the way or distract. Sound FX is the key, and at times the lack of any just eats away at you. Rafeal May's musical score is unassuming and doesn't really enter the mixture much, but when it does it builds an organic sounding quality. The cinematography of John Biggins is beautifully devised, and rapidly aggressive when the mood changes. It was always on the move and claustrophobic, but none of this jerky movements. The editing was sharply handled, and the effects were professionally catered by superbly combing live crocodile footage.
Something like this production would also have to rely on its cast to sell to the story in a believable manner and they do it. Diana Glenn, Andy Rodoreda and especially Maeve Dermody are persuasively good. A lot of the responsibility falls on Dermody, and she strongly delivers with an inspired turn. Now this item might cop some comparisons with another killer crocodile film "Rogue (2007)", but the two couldn't be any different in what they want to be and how they end up. If I had to pick though, I'm leaning more towards this outing for its sheer involvement to snap at you.
A remarkable effort on all fronts, with everyone involved showing potential to really look out for.
This low budget crocodile movie really delivers the goods. The fact that it was inspired by true events would mean little if you wound up with a fake looking crocodile, bad C.G.I., or an obvious studio setting. Fortunately none of the above are involved with this terrific, very realistic film. The crocodile is real, there is no C.G.I., and the on location filming takes place in an actual Australian swamp. The actors were obviously inspired to create as much realism as possible in their performances, and they succeed. You can place yourself in their predicament, which is testament to how realistically "Black Water" translates as entertainment. Highly recommended. - MERK
Black Water is not your typical creature slaughter fest where it's one victim after the other with plenty of blood and gore. It's a rather intimate psychological suspense with practically no gore and little blood. It's set in some mangrove swamps in Australia. A few tourists are stranded far from civilization and no hope of rescue on trees surrounded by water with an immersed crocodile lurking unseen . It's a movie from the school of the least you see of the monster, the scarier it is. I was first taken aback by the long period of waiting without much happening. Heck, I even found it a little boring and was afraid it was one of those no-budget films always teasing the monster but never really showing it, or when they did, it was lame.
On hindsight, I think that the creators clearly tried to slowly make you paranoid about where the crocodile was exactly and in that they were rather successful. There was a nice build-up of tension and the characters looked genuinely frightened. The movie did have a real life aspect to it and the unknown actors (at least in North America) really helped. The crocodile was well done and although sometimes I thought it was a prop (when only the head was showing), it was apparently a real croc composited in. Not CGI, not animatronics and yes the characters eventually seem to be in the same frame and not always filmed separately. My most memorable moment involved the crocodile jumping out of the water higher than you would expect... I also liked the night with the flashes of lightning, going from dark to anguished faces constantly. I didn't like seeing the mostly calm water so much but I understand the reasoning behind it. I didn't expect this kind of realistic claustrophobic siege by one crocodile when I rented it but it turned out reasonably entertaining. Like the stranded characters though, it's better to be patient...
Rating: 6.5 out of 10 (good)
On hindsight, I think that the creators clearly tried to slowly make you paranoid about where the crocodile was exactly and in that they were rather successful. There was a nice build-up of tension and the characters looked genuinely frightened. The movie did have a real life aspect to it and the unknown actors (at least in North America) really helped. The crocodile was well done and although sometimes I thought it was a prop (when only the head was showing), it was apparently a real croc composited in. Not CGI, not animatronics and yes the characters eventually seem to be in the same frame and not always filmed separately. My most memorable moment involved the crocodile jumping out of the water higher than you would expect... I also liked the night with the flashes of lightning, going from dark to anguished faces constantly. I didn't like seeing the mostly calm water so much but I understand the reasoning behind it. I didn't expect this kind of realistic claustrophobic siege by one crocodile when I rented it but it turned out reasonably entertaining. Like the stranded characters though, it's better to be patient...
Rating: 6.5 out of 10 (good)
क्या आपको पता है
- ट्रिवियाThe film used very little CGI. The crocodile was real and practical effects were used.
- गूफ़When two characters are sitting in a tree, a crew member's arm is in the bottom right of the picture.
- कनेक्शनFeatured in Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008)
- साउंडट्रैकDon't Walk Alone
(Opening Title Song)
Performed by Bob Evans
Composed by Kevin Mitchell
Published by Sony/ATV Music Publishing Australia
टॉप पसंद
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- How long is Black Water?Alexa द्वारा संचालित
विवरण
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बॉक्स ऑफ़िस
- बजट
- $7,00,000(अनुमानित)
- दुनिया भर में सकल
- $12,71,556
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- पक्ष अनुपात
- 1.78 : 1
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