Religulous

Not just a propaganda piece, and more accessible than most of Bill Maher's creative output, Religulous still preaches to the choir (please excuse this phrase). However, the film does not seek to convert; rather, Maher wants current agnostics to gather their courage and preach their doubts. Deeply atheist and deeply religious people who see the film will likely be offended or feel as though their time has been wasted.

While this film is not as funny as Borat, Religulous (which, at times is actually pretty scary) is a more powerful film because this film is true. For a project written by and starring Maher, the clips in the film are (for the most part) surprisingly fair. Maher does not try to make any of the people in the film look stupid (at least no more stupid than himself); in fact, he (usually) tries to help people consider the position not that their personal/religious beliefs are incorrect but that their personal beliefs may be incorrect. Most people in the film will not consider this possibility (these are the people Maher is warning us about), but several important and seemingly wise religious figures also featured in the film agree with Maher about the danger of certainty.

I recommend Frailty to anyone who would like to see a fictional, story-line illustration of the main theme of this documentary/propaganda film. I recommend Religulous to anyone who is comfortable enough with himself/herself to doubt their personal beliefs, to consider the possibility that (s)he might be wrong.

Maher is a hilarious and very smart dude, and his monologues in the movie are good. But overall, this documentary really missed the mark. My biggest problem was with the editing of the interviews he conducts, which are clearly cut on numerous occasions to make the interviewees look dumb, cutting to reactions that they almost certainly didn't make in response to the things Maher is made to seem as though he just asked or said to them.

I watched Bill Maher's new movie, Religulous at it's world premiere at the Traverse City Film Festival. It was one of the first films to sell out at the festival, selling out in just the first couple days of sales.

Okay... now for the movie review: for those of you who thought that Dawkin's "Root of all evil" or "Jesus Camp" were powerful statements, then you might want to wear diapers because you might just crap yourself. Religulous doesn't take prisoners. It addresses Christianity, Scientology, Mormonism,Islam, and other religions. Bill Maher travels around the word, visiting the Wailing Wall, USA Bible Belt, Salt Lake City, and other locations while interviewing a wide range of religious leaders and followers.

Throughout the interviews, Bill throws out zingers and the joke timing is impeccable. Like the pro-creationist movie "Expelled", Religulous cuts to a variety of old film stock when making jokes. Although it fails at times, I would say the vast majority of the cuts connect and generates hearty laughs.

The first third of the film deals with Christianity and several offshoots of it. Here, the movie shines. It is hilarious! Poking jab after jab into insane ideas by asking simple questions.

Unfortunately, the move starts to slow down after he lampoons Scientology. Dressed as a vagrant, he appears in Hyde Park's Speaker's Corner and runs through Scientology's belief structure... appearing as a raving lunatic while accurately describing what that religion teaches.

By the time it deals with Islam, a lot of inertia has been lost. Although it still delivers some funny bits, the movie is much more subdued. Granted, anytime you are dealing with a subject so inflammatory that people have been killed over it, you tread lightly, but I think Christians will criticize the movie for being softer on Islam than on Christianity. The sad thing is that it's true. Being the more dangerous religion, people seem to be treating Islam with kid gloves. I wonder how long before other religions start adopting that tactic as they become threatened by critics? The ending is a fiery call to action for freethinkers. Rousing music & inflammatory speech hammer the dangers of religion into the audience. Propaganda techniques? Yes. Pretty heavy-handed about it too. However, I think it's needed. The flow of the movie needed something to bring things together and although thick with images and rhetoric... it is a solid ending.

Is it worth seeing? Hell yes! Will people be offended? Most definitely. Will there be protesters? There should be, this is far more blasphemous than "Dogma", "Passion of the Christ", or "The DeVinci Code".

Comparing "Expelled" to "Religulous", it's pretty quickly apparent that Religulous is the better movie. Bill Maher, with his previous experience doing standup and conducting interviews shames Ben Stein. Nicely done Bill!

One issue one could have with Religulous is that it doesn't seem reasonable to believe that the religious literalists who are the targets of the film will see it, realize the futility and archaic silliness of their beliefs and change. But, really, if you consider the way Bill Maher speaks to his interviewees, the way he comments as director Larry Charles interviews him during the film's road trip, and Maher's overall embitterment towards religion evidenced clearly in his stand-up act and on his show Real Time With Bill Maher, you will see that this film is not made to change minds but to reassure those who already understand that lack of necessity and the danger of futility and bigotry in religion that they are not alone and that there are hit movies like this that defend the viewpoints they are reticent to voice themselves.

At a recent book signing at Joseph-Beth Booksellers here in Cincinnati, I spoke with screenwriter Joe Eszterhas, who recently found Christianity through his dilemma with throat cancer. (Yes, that Joe Eszterhas.) He claims to find it nearly impossible to sell his new script about St. Paul to Hollywood, professing that it's because there is a bias against Christianity in the studio system. Maher feels otherwise. His admitted intention behind making this comic documentary is because religious epics that have poured out of Hollywood since the dawn of cinema have endeared audiences to religions that, especially in their organized forms, preach and imply startling aversions to scientific and historical facts, take advantage of certain texts as means of racism, sexism and homophobia and other such things.

I am just now getting around to writing about Religulous, which I saw weeks before the Joe Eszterhas book signing, but I can't help but wonder about the differing viewpoints of a hilarious, righteously cynical Libertarian with whom I consistently agree and one of the highest-paid screenwriters who has worked for nearly half a century in the very system that he claims to oppose his newfound beliefs. Really, the truly surprising breadth of this film's release and commercial success (though I do know a few people in St. Louis who, last time we spoke, claimed it had yet to show there) should affirm Eszterhas's viewpoint, but actually seeing Maher's film is a different story.

This admittedly and purposely biased documentary is about Bill Maher's view of religion. As I find that he usually is, he's very smart, shrewd and funny, and I found the film pleasurable, even if from time to time he's a little unkind to his interviewees, who come off as objects of ridicule. He goes to holy places in Italy, Israel, Great Britain, Florida, Missouri and Utah, and talks with fanatics of the religions he confronts there.

A good confirmation of what I said earlier about opponents of Maher's views not being affected at all by this film is that he interrupts, talks over, spots subtitles and inserts movie and TV clips. The film's preaching to the converted and alienating of the non-converted is not a misstep by Maher and director Charles, but rather the intention. We relish his misconduct. The people he interviews are shockingly patient and tolerant, even most, not all, of the truckers in a makeshift truck stop chapel. You are dreading the point where one assaults Maher, but nobody does, although one trucker balls a fist and says, "You got a problem." Later in the film, there is an interesting moment where Maher walks out on a rabbi who favorably attend a Holocaust denial conference in Iran.

Persistently, Maher's altercations regard logical inconsistencies of holy books. Did Jonah really live for three days in the belly of a whale? No, of course not! It was a large fish! There are people who believe it. Is the End of Days nigh? A rather decent U.S. senator thinks so. Will the Rapture arise in our lifetimes? Common accord. Mormons believe Missouri will be the place to be, to which Maher quips with impeccable timing, "Branson, I hope." Maher visits the Creation Museum, to which I've been, thus I can corroborate the diorama of human children playing at the feet of dinosaurs. He didn't even penetrate the surface of what I saw there.

His two most logical guests, ironically, are Vatican priests, who with pleasure write off large parts of widely perceived Catholic beliefs, including the existence of Hell. One of these priests dies laughing as he mentions various beliefs that I was taught at Nativity Elementary. The other remarks that Jesus is polled sixth person to which Italians pray in crisis. The Hispanic pastor who believes he is the second coming of Christ will be disappointed.

Maher also has ominous questions Muslims about whether or not the Koran orders the death of infidels, leading to a frightening climax where he ties organized religion to a premature nuclear apocalypse, leaving us with the feeling that religion must be overshadowed for us to survive.

Religion is harmful to progress. Faith is the benefit of not thinking. Doubt is respectful. The Republicans I know personally all hate Bill Maher. No surprise there, but my point is this: There is little to zero chance that they, who tend to believe what this film ridicules, will see this film, and every chance that those of us, like me, who already love him, will rush to see this because essentially, it turns out to be a rallying of secularists who should be more alarmed and more active than they are. Maher's persona and his approach to the material are totally in sync with the midpoint of your any given agnostic intellectual young person, like me for instance.

Saw the world premier of this at the Traverse City Film Festival. I am a big Bill Maher fan and this was definitely the movie/documentary I was most looking forward to at the festival.

I was not disappointed, though I think it could have been developed a bit more. It seemed to play to the lowest common denominator in that a lot of issues were touched on, sometimes in rapid fashion, but none was examined closely for any length of time. Any astute viewer of Real Time already knows what Maher thinks about religion and many of his arguments with regard to the same. I was hoping for a more in depth analysis of some of the primary aspects of how religion can negatively affect our world in ways that people might not intend. The documentary did that only on the surface. I suppose that shouldn't be surprising as the need to draw people into contemplative thought in this area is probably more of a priority than retaining those that already are there (not to mention selling more tickets).

Subsequent to the showing, director Larry Charles had a discussion on stage with Michael Moore, with questions from the audience. Larry pointed out that he had many many more hours of footage that didn't make it into the final cut, and that he thought maybe a series could be released on cable of this material. I would very much like to see that happen as I think it would quell the thirst I had for more substance with less of the fluff.

However, kudos for Maher and Charles for doing this. If it is successful in getting people to think about religion in real world terms, then it has accomplished its goal.