IMDb रेटिंग
7.1/10
6.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA 40-year-old who gave up a promising amateur boxing career 21 years ago is offered a path to the Olympics.A 40-year-old who gave up a promising amateur boxing career 21 years ago is offered a path to the Olympics.A 40-year-old who gave up a promising amateur boxing career 21 years ago is offered a path to the Olympics.
- निर्देशक
- लेखक
- स्टार
Paul Lincoln Alayo
- Boxer Opponent
- (as Paul Alayo)
फ़ीचर्ड समीक्षाएं
10barrym-9
As one would expect from an Adam Corolla movie, there are plenty of the rapier witticisms he is known for, and there is a solid laugh-out-loud every few minutes for the duration. But, more importantly, the story is a really sweet, engaging and uplifting tale of a middle aged slacker who takes one last shot at achieving his dreams, or at least realizing what they are. It was truly beautiful, in the way he comes to embrace his life and mission. Also, credit to Adam's heavily-accented Nicaraguan friend Ozzie as his sidekick, the duo has something of a Don Quixote-Sancho Panza feel to it, which works very well. I'm an AC fan, but my wife is not, and she loved it as well. This might be the best "small movie" I've ever seen.
10joeavino
I enjoyed The Hammer more than I ever expected to. Although at first I was quite excited at the aspect of an Adam Carolla movie, I was a little worried that it wouldn't be funny and would tarnish his name. However, this film more than lived up to my expectations. I found myself genuinely laughing out loud as I watched this movie. Old "Loveline" fans will especially enjoy this movie, due to his unique humor that we all loved so much on that particular show. I especially enjoyed this movie because Carolla never tries too hard to make a joke funny, as is the problem in many of today's comedies. Even if you are not a Carolla fan, please buy, or at least rent this film; you will not regret it.
Adam has commented on his show about the slight insult associated with people giving him good reviews and compliments with qualifying comments like "actually good" and "surprisingly funny", and followed with, "No, really, its REALLY actually good". Although I don't think Adam should take too much offense as I believe their surprise is a reflection on the low expectations of comedic films recently as much as those who may be surprised that they like Adam Carolla more than they originally thought, as Adam creates a character who is easy to relate to in a film that is easily accessible to many people. And the reason it is accessible is that it is a good movie with a good script and good acting and good jokes. It does not need to rely on what Hollywood considers a proved formula or proved actor.
The Hammer is a good movie. I know that sounds like a generic compliment but in my opinion it is really hard to find a smart comedy that is also a genuinely good movie nowadays. The story is original. The tone is easy going and is confident in it's purpose and saves you the pain of sitting through a comedy that tries too hard to be funny. This is not the best movie you have seen all year, but it will definitely entertain, make you laugh, make you think and you will leave the theater feeling like your $7-10 you spent was well worth it. The material is laugh out loud funny with some of the dry wit, creative complaints and analytical commentary on life that fans of Adam are used to. My wife, who is not a big fan of Adam, loved the movie and thought it was well written. She also enjoyed Oswaldo "Ozzie" Castillo, who is charming and funny as his Nicaraguan friend. The role came naturally for him as Ozzie is Adam's friend in real life and worked construction with him back in his pre-celebrity days.
It seems like all of the really funny and smart comedy has always come from someone who is given a blank slate and allowed to do more or less whatever they want without much interference or censorship. By this I am referring to shows such as Family Guy, South Park, Its Always Sunny In Philadelphia, Curb Your Enthusiasm, Seinfeld and movies such as Anchorman, Ace Ventura, The Jerk, Swingers, Clerks, etc. What all of these have in common is that they start out being small enough and done cheap enough so that TV/studio executives don't care enough to get overly involved in. Or in some cases the star is proved to be funny in stand-up or TV but they are given a shot to do what they want in their first movie as long as it is done cheap to see how it goes. Either way, they are allowed to be original, daring and edgy without the people funding it insisting on the "safe" formula. The catch is that because they start out small, they need to fight to get a good footing and gain an audience. The Hammer is this movie that needs to fight for the audience it deserves for Adam Carolla.
For those familiar with Adam Carolla and his radio show, it is exactly what all the good reviews and discussion on the show lead you to believe about the movie. For those of you who don't know, Adam paid to distribute the movie himself due to the problems he ran into with distributors who passed on a movie that does not fit into a cookie-cutter formula. And we have all seen what "proven" box office comedic actors have yielded lately. There is a mile-long list of crap put out by the likes of the Adam Sandler/SNL crew, Dane Cook and the Wayans Brothers milking the Scary Movie formula as many times as the studio will let them. One of the main reasons distributors passed on the movie was that it was appealing to "too many" people and could not be easily marketed to a "target audience", which ironically is a negative for them. This is true, as many people young and old, mean and women, were in the theater and everyone was laughing. Half of the audience actually clapped at the end which is a rarity nowadays.
Therefore this movie needs the support of a good first week and word-of-mouth advertising to gain a foothold and be a stick-it-to-the-man indie movie victory. If movies like The Hammer don't get support it deserves, it is just more justification for studios and distributors not to support anything beyond the usual repetitive crap you see in theaters.
So do yourself a favor and go see it in theaters, and if you are reading this after it has already gone to DVD then pick it up and check it out. You will definitely see a good and worthwhile movie and one of two things will happen. A) You can see it early then tell others about it and be one of those people who "discover" a good thing early and can tell people "I saw it back when..." once it becomes a hit, like a band you discovered early and watched rise to stardom. Or B) You can hold it as one of those nice little "secrets" and you can be part of an exclusive club of people with good taste, much like a good Italian restaurant not many people know about and you are kind of glad people don't know so it can be "yours", and you can always get a seat without waiting.
The Hammer is a good movie. I know that sounds like a generic compliment but in my opinion it is really hard to find a smart comedy that is also a genuinely good movie nowadays. The story is original. The tone is easy going and is confident in it's purpose and saves you the pain of sitting through a comedy that tries too hard to be funny. This is not the best movie you have seen all year, but it will definitely entertain, make you laugh, make you think and you will leave the theater feeling like your $7-10 you spent was well worth it. The material is laugh out loud funny with some of the dry wit, creative complaints and analytical commentary on life that fans of Adam are used to. My wife, who is not a big fan of Adam, loved the movie and thought it was well written. She also enjoyed Oswaldo "Ozzie" Castillo, who is charming and funny as his Nicaraguan friend. The role came naturally for him as Ozzie is Adam's friend in real life and worked construction with him back in his pre-celebrity days.
It seems like all of the really funny and smart comedy has always come from someone who is given a blank slate and allowed to do more or less whatever they want without much interference or censorship. By this I am referring to shows such as Family Guy, South Park, Its Always Sunny In Philadelphia, Curb Your Enthusiasm, Seinfeld and movies such as Anchorman, Ace Ventura, The Jerk, Swingers, Clerks, etc. What all of these have in common is that they start out being small enough and done cheap enough so that TV/studio executives don't care enough to get overly involved in. Or in some cases the star is proved to be funny in stand-up or TV but they are given a shot to do what they want in their first movie as long as it is done cheap to see how it goes. Either way, they are allowed to be original, daring and edgy without the people funding it insisting on the "safe" formula. The catch is that because they start out small, they need to fight to get a good footing and gain an audience. The Hammer is this movie that needs to fight for the audience it deserves for Adam Carolla.
For those familiar with Adam Carolla and his radio show, it is exactly what all the good reviews and discussion on the show lead you to believe about the movie. For those of you who don't know, Adam paid to distribute the movie himself due to the problems he ran into with distributors who passed on a movie that does not fit into a cookie-cutter formula. And we have all seen what "proven" box office comedic actors have yielded lately. There is a mile-long list of crap put out by the likes of the Adam Sandler/SNL crew, Dane Cook and the Wayans Brothers milking the Scary Movie formula as many times as the studio will let them. One of the main reasons distributors passed on the movie was that it was appealing to "too many" people and could not be easily marketed to a "target audience", which ironically is a negative for them. This is true, as many people young and old, mean and women, were in the theater and everyone was laughing. Half of the audience actually clapped at the end which is a rarity nowadays.
Therefore this movie needs the support of a good first week and word-of-mouth advertising to gain a foothold and be a stick-it-to-the-man indie movie victory. If movies like The Hammer don't get support it deserves, it is just more justification for studios and distributors not to support anything beyond the usual repetitive crap you see in theaters.
So do yourself a favor and go see it in theaters, and if you are reading this after it has already gone to DVD then pick it up and check it out. You will definitely see a good and worthwhile movie and one of two things will happen. A) You can see it early then tell others about it and be one of those people who "discover" a good thing early and can tell people "I saw it back when..." once it becomes a hit, like a band you discovered early and watched rise to stardom. Or B) You can hold it as one of those nice little "secrets" and you can be part of an exclusive club of people with good taste, much like a good Italian restaurant not many people know about and you are kind of glad people don't know so it can be "yours", and you can always get a seat without waiting.
One liners galore, but what else would you expect from Adam Carolla he's like the king of one liners. So many times in this film another character says something and you can just feel a one liner coming and bam there it is, and for the most part it's hilarious. Especially a scene at the La brea Tar Pits, the hits just kept on coming line after line just kept getting funnier and funnier, I do wish that more of the film would have let Adam loose like that. Even though those moments are the highlights of the film that is not all there is to it, it has a unique story with dare I say a message and a believable bond between it's characters. Carolla could have easily have delivered his lines and just delivered a standard comedic performance and left it at that, but in some ways he really develops a great character who is unique and multifaceted. OK, maybe that's a little too generous but he does do a good job as does his supporting cast. Yes it's a simple film, yes it's a simple plot, but some times it's the characters from those simple stories that we can relate to the best.
I rented this last night from Blockbuster, upon reading the comments on IMDb. I had been eyeing it on my past few visits, and finally decided to give it a shot. Yep, it was good, and I was not surprised. Adam Corolla is a smart man, he came up with a decent story and had somebody write a decent script for it. While I'm not a huge fan, I like his deadpan humor quite a bit, and he uses it to full effect in his movie. He doesn't play a character he essentially is himself, and it works, he doesn't try to act himself into something he's not. What I was surprised about is his athletic agility, I didn't realize he was so athletic, or did he have stand ins? I'll give it a second watch and pay more attention to that. All in all, nice simple story, no special effects, just a good low budget movie about human beings and a somewhat surprising ending that I won't spoil. Not that it is in my top ten movies of all time, but maybe my recent top ten. Go ahead, give it a watch and enjoy it. I did. Sometimes simplicity is the best policy, I hope Adam will do another one and keep it simple again...
क्या आपको पता है
- ट्रिवियाThe gym featured in the movie was built by Adam Carolla and Oswaldo Castillo during Adam's years as a carpenter. After completing the gym, Adam instructed the morning boxing class and Oswaldo was hired as the maintenance guy.
- गूफ़In order to open the door to Jerry's pick-up, he has Lindsay lift the handle while he kicks the door from the inside. When they return from their date to the tar pits, Lindsay simply opens the door using the outside handle, but does not have to kick or push to open it.
- भाव
Jerry Ferro: Yeah, coach, when is the black man finally gonna get a fair shake in the fight game?
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Hammer?Alexa द्वारा संचालित
- Is 'The Hammer' based on a book?
- Straight to DVD?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Кувалда
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,50,000(अनुमानित)
- US और कनाडा में सकल
- $4,43,591
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $97,137
- 23 मार्च 2008
- दुनिया भर में सकल
- $4,43,591
- चलने की अवधि1 घंटा 28 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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