A fost sau n-a fost?

The viewer needs to understand that this is a Romanian film for Romanians. You'll catch all the inside jokes of the film if you've been there. The point of the film is that indeed the revolution was different for everyone . Even in late 1990 when I was there, the people were still scared of the Securitate, or secret police. Even during the one year anniversary of the revolution, it took courage to go and march, much less right after Ceausescu fled. The emphasis on 12;08, the reaction of the students when the teacher asked why they were so interested in the French Revolution, the interviewers emphasis on the time of the protests, and the accusatory views of the callers on the TV program, let alone the long shots of the bare dilapidated concrete buildings, all lend to the whole idea of the plot. Not only does one ask did the revolution occur in this one town, but did it occur at all? After all, Ceausescu's right hand people took over after he was gone. The people themselves ask if anything has changed.

The film can seem long and tedious to some viewers, but if you've lived in Romania, you get it.

There is really a lot to this movie. Even thought there is almost no evident action, except for the long television broadcast of an obnoxious talk show - even some apparently loose ends or inconclusive stories - the fact is you can ponder on days on this beautiful work of art. Acting is superb in most cases, and images of dusk and dawn in the freezing Romanian winter - so gray, so hard - are pure poetry.

The reference to dogma, among other keen jokes, talks about a clever story writer, and a cultured film maker.

I'm really glad I got to see this movie as a part of the "Eurocine" European movie showcase that visits us these days (april 08) in Bogota and the rest of Colombia. We get a chance to see the best of Romania, a country apparently so far away, yet so close to our hearts.

Strong film about social realities of deep Romania. Revolution as myth and self legitimation, lives like gray shadows, society as symbol of failure. Don quixotic gestures and illusions like warm refuges , strange games and paper heroic values, disillusions and questions without answers.

An old man, an alcoholic teacher, a local television boss and a Chinese. Memories about December 1989 as occasions to present the social mud,hate and fear beyond the hideous masks, the slices of unhappiness and sterile search of life's sense. A sad show about horrible reality, nooks of desperation and traumatic dreams.

In fact, reflection of gray tones. Bovaric isle in a far East.

The film premiered today 2-6-06 at Cluj 5th International Film Festival. I were there… It is not I'm a cine-freak, but I love cinema. After the triumph (Camera d'Or prize) in Cannes of a practically inexistent Romanian filmography, we all were curious about Mr. Corneliu Porumboiu. Well-done Mr. Porumboiu… I should give you a ten, for proving to our fellow -constantly complaining- European fellows that one can make a good film with just a good scenario and without billions of Euros… I have to take away one point because only Almodovar, out of the leaving ones deserves 10, and a second point because,unfortunately your beautiful scenario would not easily strike audiences unfamiliar with the average Romanian. Yet, I did enjoy it and I want to thank you. Please continue your good work

December 22, 1989. What exactly happened that day in Bucharest? We know Romanian dictator Nicolae Ceausescu left the country bringing about the end of Communism, but, was there ever really a revolt?

This might be a touchy subject for a movie to some Romanians. I mean, after all, the movie is asking questions and challenging the country's history. And there are people who are still alive who can tell us what happened. But, Corneliu Porumboiu's feature lenght directorial debut shouldn't cause any controversy.

"12:08 East of Bucharest" is many things. First of all it is one of the best Romanian movies I have ever seen. It is also one of the best films I've seen in 2006. It is one of the funniest movies I've seen this year and was the best movie I saw at the Chicago International Film Festival this year. But the one thing it is not is a controversial film.

What makes a film just as this so good is the way it weaves a serious subject with humor. Who would have thought a subject about the Romanian revolution could have been so funny? Romanians, and really most of us Eastern Europeans (I'm Hungarian) have a very sarcastic sense of humor. And that humor is shown in spades in this film. In fact the audience I saw this film with (and it was a packed house) were also in fits of laughter. I started laughing at myself for laughing. I was even trying to hold it in so I wouldn't disturb the people sitting next to me.

The film mostly follows three men, Virgil Jderescu (Teodor Corban) the host of a TV show that is going to discuss the 16th anniversary of that fateful day and his two guest, both of whom claim to have been there, Mr. Manescu (Ion Sapdaru) and Mr. Piscoci (Mircea Andeescu).

The first half of the movie introduces these characters to us as each gets ready for the show. The second half of the movie is the TV show itself.

I've complained lately that one of the reason Romanian films don't get distributed in America is because Romanians are going away from what they know. The country has tried so hard to maintain the image it is not behind with the times and wants to impress Western society. This is a big mistake. Don't care what Western audiences will think. Just make films about your country and deal with subjects that are meaningful to you (by "you" I mean Romanian directors). Earlier this year we saw "The Death of Mr. Lazarescu". There was a film that dealt with a "Romanian" problem and people all over the world not only enjoyed it, but, were able to relate to it. This, I believe, would happen more often if Romanian directors followed their hearts instead of some demographic.

"12:08 East of Bucharest" is dealing with a major part of Romanian history and the outcome is a brilliant film that all audience members should be able to relate to. The humor also helps the film by keeping the audience engaged.

I hope we see more films like this. And I also hope director Corneliu Porumboiu keeps making films and hopefully they will be shown in America.

p.s. I also wanted to quickly point out a similarity I found between this film and Bernardo Bertolucci's "The Spider's Stratagem". Both films question a time in history. Are there such things as heroes? Does fact ever get mixed with fiction? How can we separate the two? When is a lie more important than the truth, if ever? These are important things to think about.