The Ferryman

In New Zealand, the couples Tate (Sally Stockwell) and Chris (Craig Hall) and Kathy (Amber Sainsbury) and Zane (Julian Arahanga) come to the yacht Dionysus to sail to Fiji Islands in a romantic trip. The skipper Big Dave (Tamer Hassan) and his girlfriend Suze (Kerry Fox) welcome the quartet with their beloved dog Rolex. On the second day, the Dionysus receives a distress signal in Morse code and Dave head to a mysterious fog to help the ship. They find a fishing boat adrift and Chris and Zane row a small boat to the vessel to avoid reefs. They find a crew member (John Rhys-Davies) near death and they bring him to Dionysus. Sooner they discover that the man is possessed of a demon and he uses a dagger to cheat death and switch bodies with his victims.

"The Ferryman" is an underrated horror movie based on the legend of the Greek mythology of Charon or Kharon, the ferryman of Hades that carried the souls across the River Acheron to reach the world of the dead. His payment was a coin in or on the mouth of the dead person. In the introduction of "The Ferryman", there is a narration in off telling that "in ancient times there was the legend of the Ferryman. He took the dead to be judged into the afterlife and his prize was a coin in their mouth. If anyone tried to cheat death, they would also be cheating the Ferryman and they could never escape for the Ferryman would hunt them forever." The screenplay combines the foregoing legend with "Dead Calm" and "Fallen" and the result is a good gore film. In the end, I was surprised since I had the lowest expectations based on the IMDb Rating. My vote is seven.

Title (Brazil): "A Vingança do Demônio" ("The Revenge of the Demon")

I have enjoyed limited movie offerings from New Zealand, with the likes of the romantic comedy Sione's Wedding and horror comedy Black Sheep, and for my horror double bill this weekend, I wouldn't have wanted to miss The Ferryman.

In western folklore, the Ferryman is the one responsible for transporting the dead to the nether realms, where souls would be judged (so you'd better start chalking up those brownie points). Ferrymen had been depicted in movies before, be they just a background character like in Woody Allen's Scoop, or becoming a point of contention in the Pirates of the Caribbean movies with crew of The Flying Dutchman. Think of it as the equivalent to the Chinese folklore characters of "Cow Head" and "Horse Face", where they will visit the body at the point of deaths to escort the soul to the depths of Hell for judgement.

2 couples (two of whom are Craig Hall and Amber Sainsbury whom we will get to see again in 30 Days of Night, in which Ben Fransham who plays The Ferryman will also appear) signs up for an adventure sail from New Zealand to Fiji, where a luxurious spa awaits their tired bodies after their "homestay on the sea" stint. Before everyone, including the captain his wife and their pet dog, can get chummy with one another, their ship receives a distress signal, and the laws of the sea dictates they get themselves into unknown trouble by picking up a survivor from a non-working vessel. And like all hitchhiker styled movies, there's always something strange about the hitcher (played by John Rhys-Davis) you pick up, especially when the weather's all foggy and he starts to give everyone the creeps.

The Ferryman turned out to be a rather interesting concept movie rather than outright horror with shock and awe moments. It doesn't scare, nor does it follow the recent trends in gore and with torture porn. What it's more akin to is a good old fashioned thriller with supernatural elements thrown in for good measure. Some might complain that nothing much really happens, with the usual hack and slash, but I'd argue that it had a very novel take on the theme of longevity, especially when it starts to play out in full. While it certainly isn't something new, the way it was executed (pardon the pun) mattered, and its ending will undoubtedly leave a wicked smile on your face, at what had transpired, and the loads of potential should you possess such capability.

Not without loopholes though, but I thought it could be glossed over given its supernatural slant, unless you choose to harp on it, especially when it didn't get developed properly. In short, The Ferryman still qualifies for an entertaining afternoon matinée when ticket prices are cheaper.

Three couples embark on a six day romantic boat journey to Fiji and their differences ensure that personality clashes abound.However all that is put to one side when they encounter a seemingly abandoned boat in dense fog.They find a living stranger on board and rescue him,however the terrifying consequences lead to plenty of gore.It seems that the ship is deserted apart from the mysterious sailor lying half-dead under a tarpaulin(played by horror regular John Rhys Davies).Rhys-Davies' body is actually home to a being who can shift between bodies swapping souls.This soul-swapping is achieved with the aid of the magic dagger-if he stabs somebody with it,he instantly becomes the victim.He's doing this to avoid a demonic entity called 'the Ferryman' who has been chasing him through thousands of bodies over many years.In "The Ferryman" each victim in turn becomes the killer.The killer always has a snakelike tattoo on their back,which is the symbol of infinity.During the first 40 minutes the action moves slowly and the legend of Ferryman is slightly confusing.Still I enjoyed this quite exciting,gripping and bloody horror flick.7 out of 10.

There are quite a few good ideas here and the actors involved must have a great time when they shot the movie. But that's not all I can review, otherwise the movie would have ranked higher. Talking about the actors: Although we have at least one great actor here, the overall performance is sometimes not really good. And by the way, any kind of nudity that might be or might not be in the movie, didn't make any difference in my rating/review. (a nod to a friend of mine, in case he's reading! ;o)

But apart from the (sometimes) overacting, the other two flaws are the (holes in the) script and the odd editing! So it's not too bad (there a few really good scares here), but overall it's not more than mediocre!

Reasonably good and old-fashioned scary demonic horror from New Zealand, "The Ferryman" occasionally succeeds in combining the claustrophobic atmosphere of "Dead Calm" with the 'do not even trust your loved ones'-suspense factor of "The Shining". This film features one of the most solid basic horror-premises in years, as it revolves on the ancient Greek myth of the ferryman who – according to the legend – needs to be paid in order to guide newly deceased souls over to the other side. For centuries already, one man always managed to escape death by constantly shifting into the bodies of unsuspecting tourists and seamen crossing the waters surrounding the New Zealand islands. He uses an uncanny old dagger to transfer his spirit into a new host and his unfortunate victims die in the old body. When a tourist yacht with six passengers on board rescues and old and sickly man during a storm, they don't realize their lives are endangered as he now has six vital and healthy bodies to choose from. The first 40 minutes of "The Ferryman" are a bit slow and uneventful, mainly because director Chris Graham spends too much time on the overly detailed and slightly redundant character drawings. We're getting rather useless information regarding the three couples' backgrounds and history. A good thing, however, is that none of the characters is your average slasher-stereotype. They're all realistic and likable (at least, most of them) people and not just dumb high-school students on their way to an island-party, or something. As soon as the eerie old man – another great role for John Rhys-Davis – plants his dagger in the chest of his first victim, "The Ferryman" turns into an exciting and spectacular horror film. Some of the death sequences regretfully take place off screen, but others are pretty gruesome and cruel. The titular ferryman only appears briefly at the beginning and the end of the film, but he's a traditionally nasty-looking monster with a rotting face and a hoarse voice. The inescapable location of a yacht in the middle of the open sea and often stuck in thick fog banks adds a great deal the atmosphere and the photography is beautiful. The last sequences on board the yacht, and particularly the ingenious epilogue, will undoubtedly please even the most skeptical horror fan. Recommended.