Asylum

If you're scared of creepy and abandoned asylums, this movie will cure you of it. The acting is okay, the story doesn't usually matter much to me in a really good horror movie, but the dialog and boring villain make this a very dull film.

The teenager Madison McBride (Sarah Roemer) is traumatized by the loss of her deranged father when she was nine year–old and the suicide of her beloved brother Brandon one year ago. She decides to join the Richard Miller University, where Brandon committed suicide, to overcome her demons. While walking to her dorm, she meets the weird janitor Wilbur Mackey (Joe Inscoe) that tells her that the place is haunted. Madison befriends the recovering drug addicted Holt (Jake Muxworthy); the geek outcast String (Cody Kasch); the sexually abused Ivy (Ellen Hollman) and Maya (Carolina Garcia); and the joker athlete Tommy (Travis Van Winkle). All the schoolmates have traumas and the veteran Rez (Randall Sims) is responsible for them. String discovers in Internet that in 1935, their dorm together with an attached abandoned section was an asylum administrated by Dr. Magnus Burke (Mark Rolston) and considered a safe refugee for troubled teenagers with state-of-art treatment. However, in 1939, the interns uprose against the insane doctor, killing and disclosing the truth about his treatment. Sooner they find that their dorm is haunted by Dr. Burke that is seeking for tortured souls.

The lame "Asylum" is a forgettable collection of clichés that do not frighten or make laugh. The villain Dr. Burke slightly recalls Freddy Krueger with his sharp blades and bringing nightmarish memories to his victims. The characters are destroyed the same way they appear, without any development or care with the consequences. In accordance with the story, Mackey was eleven year-old in 1939. Therefore, in 2007, he would be seventy-nine year-old, still working and in an excellent shape. In the end, I would like to give my suffering for watching this terrible movie. My vote is four.

Title (Brazil): "Asylum – Não Estamos Sozinhos" ("Asylum – We Are not Alone")

It started off badly, petered out in the middle and the less said about the end the better. Apart from that, I can't fault it. Worth a watch if you're trying to avoid the ironing or some other mundane task.

"Asylum" isn't actually offensive or incompetent, so I couldn't give it a single star. In fact, the film is shot fairly well (if you like dark scenes where you can't tell what's going on) and the direction is acceptable. The acting varies wildly, but is certainly a step up from most of the horror trash being churned out these days. The SFX range from pretty scary and subtle to just plain laughable (see the last scene, for example.)

What really makes this film a bore is the lousy plot and script. It truly does play like it was filmed from a script assembled by throwing the scripts from classic horror movies (and some that aren't so classic) up in the air and then picking up random pages after they fall. Not every horror film cliché appears in this film, but there are no scenes in this film that are not horror clichés. The dialogue is just totally unrealistic. No suspense...no character development...no logic.

So who's fault is this big mess? I've got to pick on the director. He had to have seen what he was working with. It's possible to film a decent story from a weak script, but he apparently decided not to put forth the effort. The result is, to use a cliché, "cliche-ridden."

Final recommendation...you probably won't hate it or throw beer cans at the screen, but it's not going to surprise you or scare you. I'd suggest avoiding this film.

From director David R. Ellis (whose prior credits include "Final Destination 2" and "Snakes on a Plane") comes "Asylum," a psychological horror film in which a group of college students come to find that their campus was once the spot where a mad-doctor practiced his own twisted brand of medicine. A Freddy Krueger type whose patients eventually turned on him, the doctor still haunts the halls, preying on the students and tapping into their deep-seeded emotional scars.

The film hinges on an assortment of clichés, but that's not to say that some enjoyment can't be milked from it. While you can see nearly every moment coming from miles away, the film gets by with a bit of style and energy, courtesy of Ellis. Its story is really "A Nightmare on Elm Street"-lite, but fans of the 80's franchise (as well as other similar films from the era) may just get some thrills from seeing a film pay tribute to or at least attempting to live up to its legacy (they'll also appreciate a role by Lin Shaye as the mother of one of the students).

The true weakness of the film is in its paper-thin script and characters and its over-reliance on gross-out gore over suspense. You might squirm in your seat during a scene where a character gets his lips ripped off and his tongue cut-out, but you won't necessarily care about the character himself, which is always a bad thing for a horror movie. Also, the final act reaches some ridiculous territory and will no doubt leave your eyes rolling. Go into "Asylum" with low-expectations of some fluff-horror, and you might just appreciate what the film has to offer.